Die Herrschaft des Feuers

This is a movie that I've been aware of for many years but never watched because of the critical and viewer reviews. Finally, early this summer of 2018, I watched it and it's become one of those movies that, no matter what part of the movie I stumble upon, it's very hard for me not to watch it, again, until the end. Yes, it's a bit farfetched, but so is The Matrix. The acting is top notch and the dragon is very well designed and presented. It's as life-like as any other "monster" in the movies. So I say disregard what you've read or heard and give it a shot. Maybe you'll totally disagree with me. But maybe you won't and you'll actually enjoy escaping from the real world and enjoy it. Only one way to know for sure...

`Reign of Fire's' premise is simple: the world has been wiped out by airborne, fire-breathing dragons, who at first multiplied by the thousands but now themselves are starving and dying off. A few bands of people remain here and there trying to survive. Quinn (Christian Bale, with whiskers and glottal stops), who was on the scene as a boy in London when the first sleeping dragon awakened in a cave unearthed by an Underground project his mum was working on, leads a group of survivors in the north of England who're just trying to get a crop going for the next year and save a little mob of children. In comes Van Zan (Mathew McConaughey, with shaved head and brawny tattooed arms) leading an American helicopter crew. He's become a dragon slayer and since he's found there's only one male dragon left and it's somewhere around London, he's come to solicit aid. Quinn refuses. Van Zan pushes on to London without Quinn. They fail. He returns and begs Quinn to come as guide. What follows is the finale.

If you probe too deeply into the premise you're not going to have any fun, but fun is what this movie offers, glorious mindless fun and, above all, fabulous apocalyptic visuals of twisted metal, crepuscular landscapes, dark hulking ruins, and men crawling through them to fire off weapons at the evil birds, which look very graceful as they sweep through the skies and spurt out long expanding streams of fire. Shots are so stunningly composed you want them to freeze-frame. Within the dark end-of-the-world light there is amazing clarity. Working with Ridley Scott's cinematographer Adrian Biddle, X-Files director Rob Bowman has produced the best fantasy landscape this year next to `Lord of the Rings.' When Van Zan leads a hunt in the sky, it's like a computer game, and sometimes we see the game through the eyes of the dragon and it looks like a degraded digital film. However, it's not ingenuity of conception but sheer aesthetic appeal that makes the visuals of this movie so good.

The other large positive factor is the very solid, mostly English cast including a number of appealing youngsters led by Scott James Moutter as Jared, Quinn's adopted son, not to mention Bale, who brings a striking level of naturalness and conviction to his role as the sensitive, conscience-stricken Quinn. Bale's a foil to McConaughey's American macho militarist icon. McConaughey, whose finely chiseled face can be seen staring in mirrors in `Thirteen Conversations About One Thing,' is having a lark playing a brute here, but in the moments when he isn't shouting, he gives Van Zan almost as much conviction as Bale gives Quinn. Ladies are in short supply in this story: there's Alex (Izabella Scorupco) as Van Zan's helicopter pilot who winds up with Quinn, and for five minutes there's Alice Krige as young Quinn's mum. But since this movie's ideal audience might surely be young teenage boys, that's probably enough. Other things are lacking too, such as more variety in the dragons, more recognizable details of the wrecked London of the final scenes, some more colorful characters among Quinn's community, as in post-apocalyptic classics like `Mad Max.' But to say that is to miss the point, which is that this is a fast, exhilarating ride that's a feast for the eyes. If you want to view all this as a `B' horror picture, fine: just grant that it's a first-class version. To be seen, by all means, on a big screen, preferably in a big, old-time movie house.

Sure, it was cheesy and low budget, but the indomitable Rob Bowman didn't pull any punches in this futuristic drama about dragons. Giving a scientific edge to a creature based in fantasy, this film proved to be a rather refreshing step in science fiction, which means it won't be a well received one. Even if this film barely makes its money back, at least it leaves the door open for other fantastic ideas in the science fiction genre.

As for the film, the technical side was excellent. Bowman, a former television director proves he can do just as well with a 50 million dollar budget (?) and a tough to sell idea. Both Christian Bale and Matthew McConaughey were believable as care taking heroes. Their bipolar dynamic was especially excellent, creating tension not just in beliefs but also in culture and devotion to country. McConaughey was especially good as Van Zant (which was well cast, considering he is an actual southerner), bringing a role to his resume which I had never seen. All in all, a decent film to watch. 7/10

What a cast this films has looking back at it now. Christian Bale, Matthew McConaughey, Gerard Butler, Alice Krige - it's a shame that the film itself is a little underdeveloped to match that star power.

Set in a desolate future, when long-hibernating fire-breathing dragons have been awoken and have all but destroyed all forms of life on the planet. Quinn (Christian Bale) desperately hangs on with a small group of survivors, based at a castle in the North East of England. His hopes of survival seem lost when his vital crop field is discovered and destroyed - but then an American military unit, let by the brutish Denton Van Zan (Matthew McConaughey) arrives. But are they saviours, or just another threat?

Director Rob Bowman earned his moment in Hollywood directing and producing episodes of "The X-Files", which got him this film, and then "Elektra" which seems to have consigned him back to the small screen for the rest of his career. It's a bit of a shame, as "Reign of Fire" isn't a bad film -- the visual effects are actually pretty good, for a film that's nearly 20 years old. The performances are pretty good too, particularly from our three leads - in fact it might it's those actors that elevate the film from being little more than a B-movie.

The films just a little off pacing wise and is missing a beat or two of action in the middle. There's a scene involving Bale discovering an egg in the killed Dragon that feels like it was meant to mean more to the plot, but then that doesn't go anywhere and the film doesn't cover off any of the logistical arguments such as where Van Zan's endless fuel supply comes from. Also if you have any understanding of the geography of the UK, some aspects of the film become downright baffling.

If the action was a little better and the plot a little clearer then this might be a class film, but as it is - it's just alright alright alright).

As long as you're not expecting the best movie ever made, you'll enjoy this film. It's well-acted, well written, visually depressing (as a post-apocalyptic story should be), and inspiring. If you're a pop culture geek, you'll love all the faces you'll recognize from other projects such as the Dark Knight Trilogy, 300, Gotham, and Game of Thrones. You'll even spot homage to Star Wars in an old-school play! This movie was fun and moving.