The Life and Adventures of Nicholas Nickleby
- Fernsehfilm
- 2001
- 3 Std. 20 Min.
IMDb-BEWERTUNG
7,5/10
1177
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA young, compassionate man struggles to save his family and friends from the abusive exploitation of his cold-hearted, grasping uncle.A young, compassionate man struggles to save his family and friends from the abusive exploitation of his cold-hearted, grasping uncle.A young, compassionate man struggles to save his family and friends from the abusive exploitation of his cold-hearted, grasping uncle.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 BAFTA Award gewonnen
- 2 Gewinne & 2 Nominierungen insgesamt
Empfohlene Bewertungen
The leading roles of Nicholas, Kate, and Smike are performed with great empathy, wonderful naturalness, admirable restraint, and endearing conviction by their respective actors James D'Arcy, Sophia Myles, and Lee Ingleby. Charles Dance as Ralph Nickleby portrays an icily Dickensian villain, and Gregor Fisher an indeed despicable head of a school. Superb photography conveys the changing moods and varied scenes excellently. The smooth connectedness of the film easily allows the viewer to enter into and remain as an observer of the action. Scenes of merriment, tender affection, and gripping terror add up to a truly powerful dramatization on film.
10philip-1
This latest version of Dickens's wonderful Nicholas Nickleby is yet another in a line of excellent BBC produced dramatizations of classics; something Hollywood rarely if ever does these days because "art" doesn't sell! All I can say is "Thank God for television!"
Everything about this adaptation speaks of excellence. The casting in particular is a joy. James D'Arcy is the finest Nicholas on screen. He is a "Candide"-like figure; total believable and you want to root for him just as Dickens wanted his readers to sympathize with the protagonist. Charles Dance is equally effective as Nicholas's villainous uncle. But it doesn't end with the two leads. Every single character (and there are a lot of them) is cast perfectly and totally believable from a physical standpoint; from the lowest street people to the wealthy upper class. There's not a dud in the lot! The casting director should be knighted!
The direction is fluid and unflinching as it examines the seedier sides of the story. Pairing down the story to three hours is done with excellent comprehension. Those parts of the story missing are inevitably not missed for a dramatic presentation. The art direction is exquisite throughout. Costumes, sets and locations are brilliantly handled.
I'll also take exception to those who prefer the Royal Shakespeare version. That production was a noble effort to bring the story to the live theater and in many respects it was original and excellent. It suffers, however, from a forced stage theatricality inherent in such projects and simply gets bogged down with too much detail. The result is way too long. The new version sacrifices some length for clarity and precision story telling and has better casting in every role.
I have no hesitation in finding the entire production to be delightful; and by all means go out and buy it. Contrary to some other remarks, you will enjoy immensely.
Everything about this adaptation speaks of excellence. The casting in particular is a joy. James D'Arcy is the finest Nicholas on screen. He is a "Candide"-like figure; total believable and you want to root for him just as Dickens wanted his readers to sympathize with the protagonist. Charles Dance is equally effective as Nicholas's villainous uncle. But it doesn't end with the two leads. Every single character (and there are a lot of them) is cast perfectly and totally believable from a physical standpoint; from the lowest street people to the wealthy upper class. There's not a dud in the lot! The casting director should be knighted!
The direction is fluid and unflinching as it examines the seedier sides of the story. Pairing down the story to three hours is done with excellent comprehension. Those parts of the story missing are inevitably not missed for a dramatic presentation. The art direction is exquisite throughout. Costumes, sets and locations are brilliantly handled.
I'll also take exception to those who prefer the Royal Shakespeare version. That production was a noble effort to bring the story to the live theater and in many respects it was original and excellent. It suffers, however, from a forced stage theatricality inherent in such projects and simply gets bogged down with too much detail. The result is way too long. The new version sacrifices some length for clarity and precision story telling and has better casting in every role.
I have no hesitation in finding the entire production to be delightful; and by all means go out and buy it. Contrary to some other remarks, you will enjoy immensely.
I've not read the book in ages and I haven't seen much of the 2002 film version, but I love this wonderful adaptation of Charles Dickens' "The Life And Adventures Of Nicholas Nickleby".
The acting is first rate for all involved. James D'Arcy as Nicholas Nickleby and Sophia Myles as Kate Nickleby both give a lot of strength and dignity to their roles. Although both characters are presented as quite pure and face a lot of adversity, they are played with such strength you know that they won't let anything destroy them. Charles Dance is compelling as the cold hearted Ralph Nickleby and the many comic grotesques are all very enjoyable and distinctly painted. The pig-like Squeers family in particular- Gregor Fisher, best known for playing Rab C. Nesbitt does fantastic as the monstrous one-eyed Wackford Squeers, Pam Ferris gives good value as drunken Mrs. Squeers, a pre-'Tittybangbang' Debbie Chazen is hilarious as Fanny Squeers- her argument after a game of cards to her much more attractive best friend Tilda is a highlight). The rather dopey Mrs. Nickleby, the air headed dressmakers, the fancy, flamboyant circus-like theatre troupe, the twin Cherrybles, the lecherous old man and the cackling old hag Peg Silderskew (played by the always brilliant Liz Smith) are all great.
This is the first thing I saw Lee Ingleby in. I was very impressed. He does a remarkable job as the tragic Smike. He gives a very moving performance here, conveying the suffering and the innocence of the character very well.
Everything works to set the scene. The scenery shows a lot of wild countryside, the costumes, which earned designer Barbara Kidd a BAFTA are particularly good- even the food used adds to the overall feel of the story. The biggest weakness is the bombastic incidental music. It often drowns the actors out and distracts from the events in the story. Background music should be just that- left in the background to enhance the feel of the scenes rather than dominate them.
A brilliant adaptation by the late Stephen Whittaker as director and Martyn Hesford who adapted it as a script. A credit to TV drama.
The acting is first rate for all involved. James D'Arcy as Nicholas Nickleby and Sophia Myles as Kate Nickleby both give a lot of strength and dignity to their roles. Although both characters are presented as quite pure and face a lot of adversity, they are played with such strength you know that they won't let anything destroy them. Charles Dance is compelling as the cold hearted Ralph Nickleby and the many comic grotesques are all very enjoyable and distinctly painted. The pig-like Squeers family in particular- Gregor Fisher, best known for playing Rab C. Nesbitt does fantastic as the monstrous one-eyed Wackford Squeers, Pam Ferris gives good value as drunken Mrs. Squeers, a pre-'Tittybangbang' Debbie Chazen is hilarious as Fanny Squeers- her argument after a game of cards to her much more attractive best friend Tilda is a highlight). The rather dopey Mrs. Nickleby, the air headed dressmakers, the fancy, flamboyant circus-like theatre troupe, the twin Cherrybles, the lecherous old man and the cackling old hag Peg Silderskew (played by the always brilliant Liz Smith) are all great.
This is the first thing I saw Lee Ingleby in. I was very impressed. He does a remarkable job as the tragic Smike. He gives a very moving performance here, conveying the suffering and the innocence of the character very well.
Everything works to set the scene. The scenery shows a lot of wild countryside, the costumes, which earned designer Barbara Kidd a BAFTA are particularly good- even the food used adds to the overall feel of the story. The biggest weakness is the bombastic incidental music. It often drowns the actors out and distracts from the events in the story. Background music should be just that- left in the background to enhance the feel of the scenes rather than dominate them.
A brilliant adaptation by the late Stephen Whittaker as director and Martyn Hesford who adapted it as a script. A credit to TV drama.
Having just read the rich, lengthy novel, and then watched the more recent Charlie Hunnam version of Nicholas (which, for reasons of time cut many of the more curious characters), I thought this 200 minute version might be worth a look, and it certainly is, capturing the feel of a busy, dirty London contrasting with the purity and leisure of country living, a frequent Dickens theme.
The lead character, featured almost constantly, must be appealing, and James D'Arcy is certainly that, capturing the 19 year old inexperience of Nicholas as he challenges the cunning money-grubber that is his uncle, coldly played by the excellent English actor Charles Dance; this is a long film, but I enjoyed it all in a leisurely afternoon--even knowing the shocking outcome in advance, I was never bored, all the characters from poor, sad Smike to the sleazy schoolmaster Squeers played with convincing richness by a large cast--Pam Ferris is a particular joy as the childishly smitten Fanny Squeers. Not a great classic in the mold of the David Lean Great Expectations, but very much worthwhile.
The lead character, featured almost constantly, must be appealing, and James D'Arcy is certainly that, capturing the 19 year old inexperience of Nicholas as he challenges the cunning money-grubber that is his uncle, coldly played by the excellent English actor Charles Dance; this is a long film, but I enjoyed it all in a leisurely afternoon--even knowing the shocking outcome in advance, I was never bored, all the characters from poor, sad Smike to the sleazy schoolmaster Squeers played with convincing richness by a large cast--Pam Ferris is a particular joy as the childishly smitten Fanny Squeers. Not a great classic in the mold of the David Lean Great Expectations, but very much worthwhile.
I'm really really fussy about Dickens adaptations, Nicholas Nickleby has been a favourite book of mine for years and years. But this one was brilliant, James D'Arcy was the perfect Nicholas and Sophia Miles was a perfect Kate. James D'Arcy and Charles Dance really suit Period Dramas, they make them believable. The casting, the script and costumes = fabulous. It's turned into one of my favourite Period Dramas & frankly, compared to the newest Nicholas Nickleby (the film)...it's just a masterpiece. Give me ITV English Dramas any day!
Wusstest du schon
- WissenswertesLiz Smith reprised her role as Peg Sliderscew from Nicholas Nickleby (1977), another BBC adaptation of the novel.
- VerbindungenFeatured in Dickens (2002)
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- Laufzeit3 Stunden 20 Minuten
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