IMDb-BEWERTUNG
5,4/10
6283
IHRE BEWERTUNG
Ein Zug kampfmüder deutscher Soldaten, von den vorrückenden alliierten Streitkräften in Verwirrung und zum Rückzug gezwungen, nimmt Zuflucht in einem isolierten Bunker an der Siegfriedlinie.Ein Zug kampfmüder deutscher Soldaten, von den vorrückenden alliierten Streitkräften in Verwirrung und zum Rückzug gezwungen, nimmt Zuflucht in einem isolierten Bunker an der Siegfriedlinie.Ein Zug kampfmüder deutscher Soldaten, von den vorrückenden alliierten Streitkräften in Verwirrung und zum Rückzug gezwungen, nimmt Zuflucht in einem isolierten Bunker an der Siegfriedlinie.
- Auszeichnungen
- 2 Nominierungen insgesamt
Peter McNeil O'Connor
- Corporal 1
- (as Peter O'Connor)
Nicholas Rutherford
- Deserter
- (as Nick Rutherford)
Simon D'Arcy
- SS officer
- (as Simon Darcy)
Empfohlene Bewertungen
I heard about THE BUNKER as soon as it came out ( Being a British movie it would have received far more publicity here than it did in America ) and it seemed to split the critics right down the middle . Some people thought it was a great and atmospheric horror movie while others thought it was a confused cross genre story . Some critics thought it was a good idea to let the cast talk in their native accents while others were puzzled why a bunch of British soldiers are wearing German uniforms fighting against the Americans !
I don't have any problems with the British accents and idioms such as pronouncing the rank of Leutnant as " Left-ten-ant " but I do have a problem trying to identify with the characters . They're Germans from the mid 1940s , they're " the enemy " and even though they're doing a soldier's duty the audience can't think of them as anything but bad guys . It's the same with the very similar THE KEEP where the audience wonder who they're supposed to be rooting for . Perhaps if the characters were Volkstrum protecting Germany from the Red Army this aspect could have worked better but as it stands it's difficult to feel sorry for the characters . Incidentally aren't the surnames Franke and Engels of Jewish descent ?
Ironically enough while watching this I found myself often wishing that this was either a straightforward horror film or a straightforward war film . The early action scenes are very well directed by Rob Green while the scenes set in the dark catacombs are certainly atmospheric but it's the revelation at the end that you suddenly realise that THE BUNKER is neither a war film nor horror film but a ghost story mixed in with a redemption plot and its at this point you are allowed to decide if the film is successful or not and I'm afraid that it failed for me , an interesting failure but still a failure . Some people have complained it would have been better if the soldiers had faced zombies or something more horrific and I agree . Certainly it would have made for a more ridiculous less thoughtful film but would also have made for a more memorable and entertaining movie .
I don't have any problems with the British accents and idioms such as pronouncing the rank of Leutnant as " Left-ten-ant " but I do have a problem trying to identify with the characters . They're Germans from the mid 1940s , they're " the enemy " and even though they're doing a soldier's duty the audience can't think of them as anything but bad guys . It's the same with the very similar THE KEEP where the audience wonder who they're supposed to be rooting for . Perhaps if the characters were Volkstrum protecting Germany from the Red Army this aspect could have worked better but as it stands it's difficult to feel sorry for the characters . Incidentally aren't the surnames Franke and Engels of Jewish descent ?
Ironically enough while watching this I found myself often wishing that this was either a straightforward horror film or a straightforward war film . The early action scenes are very well directed by Rob Green while the scenes set in the dark catacombs are certainly atmospheric but it's the revelation at the end that you suddenly realise that THE BUNKER is neither a war film nor horror film but a ghost story mixed in with a redemption plot and its at this point you are allowed to decide if the film is successful or not and I'm afraid that it failed for me , an interesting failure but still a failure . Some people have complained it would have been better if the soldiers had faced zombies or something more horrific and I agree . Certainly it would have made for a more ridiculous less thoughtful film but would also have made for a more memorable and entertaining movie .
First off, "The Bunker" is not your normal monster/horror movie. The cover art on the box is great, it's a real attention getter but unfortunately misleads the viewer about the content of the film. The Bunker is about a group of Germans during WWII in an anti tank bunker connected to underground tunnels. The movie does not show any monsters or zombies. The soldiers go through a psychological breakdown as different events happen to them. The fears they face may be real, supernatural, or entirely in their own minds. It's up to the viewer to decide. If you're looking for a monster movie, I would not choose "The Bunker". It's more of a psychological thriller. What I really liked about the film was the whole sense of fear and the great eerie atmosphere within the bunker. The acting as well as the directing was very good. The characters and dialogue were done well. As always there will be some that don't like the fact that the Germans all had British accents. If it were an American film they would have American accents. You could say the same if it were Italian, French etc, big deal, so what! To be completely authentic they would have to speak German. Forget about the accents, it's' trivial. What ever you do if you watch this movie is pay attention. It's all in the details. You don't want to miss a moment. You could easily get lost and confused. I personally didn't care that much for the plot. Someone else may. That's all opinion. It sure was interesting though. It certainly is a film I don't think I'll forget.
In 1944, in the Belgian German border, seven German soldiers survive an American attack in the front and lock themselves in a bunker to protect the position. Under siege by the enemy and with little ammunition, they decide to explore underground tunnels to seek supplies and find an escape route. While in the tunnel, weird things happen with the group.
I have recently seen the South Korean movie "R-Point" (2004), which efficiently explores the idea of "The Bunker" scary and ambiguous journey to hell of the innermost fear of a group of soldiers, in an intelligent screenplay. Now I find that "The Bunker" is a 2001 movie, which has the originally of the concept, but unfortunately the confused screenplay does not work well. The acting is good, but the development of the plot could be better and better. For those viewers that also find that something is missing in the story, I strongly suggest seeing "R-Point" for comparison of what "The Bunker" could have been with some improvements. My vote is five.
Title (Brazil): "The Bunker Em Guerra Contra o Medo" ("The Bunker In War against the Fear")
I have recently seen the South Korean movie "R-Point" (2004), which efficiently explores the idea of "The Bunker" scary and ambiguous journey to hell of the innermost fear of a group of soldiers, in an intelligent screenplay. Now I find that "The Bunker" is a 2001 movie, which has the originally of the concept, but unfortunately the confused screenplay does not work well. The acting is good, but the development of the plot could be better and better. For those viewers that also find that something is missing in the story, I strongly suggest seeing "R-Point" for comparison of what "The Bunker" could have been with some improvements. My vote is five.
Title (Brazil): "The Bunker Em Guerra Contra o Medo" ("The Bunker In War against the Fear")
We are on the German/Belgian border in 1944 and a group of German soldiers are holed up in a bunker trying to survive. But just as they find a tunnel system underneath the bunker, and the enemies outside are closing in, they suspect that something very sinister is down there with them......
One of the most frustrating British films I have watched in a very long time. You see there is a real great movie at its core, one that is desperately trying to get out, but instead of a top notch eerie thriller we get something that looks like a chopped together homage to John Carpenter. Definite shades of Carpenter's chiller, The Fog, and Russell Currie's great and creepy score sounding suspiciously like a reworking of Morricone's scoring for The Thing. The production is not helped by using an array of non German actors for this German soldier based picture. Much as i like Jason Flemying and Christopher Fairbank {my reasons for watching this film}, it's a bit of a stretch to accept them as German soldiers.
With a better director than Rob Green at the helm, Clive Dawson's story could have been fully realised as a serious and dramatic horror film. Instead the end product comes off as something that was too big a task to handle, and sadly the nicely tuned atmosphere is lost amongst the insipid and unimaginative cop out that the film invariably is. 3/10
One of the most frustrating British films I have watched in a very long time. You see there is a real great movie at its core, one that is desperately trying to get out, but instead of a top notch eerie thriller we get something that looks like a chopped together homage to John Carpenter. Definite shades of Carpenter's chiller, The Fog, and Russell Currie's great and creepy score sounding suspiciously like a reworking of Morricone's scoring for The Thing. The production is not helped by using an array of non German actors for this German soldier based picture. Much as i like Jason Flemying and Christopher Fairbank {my reasons for watching this film}, it's a bit of a stretch to accept them as German soldiers.
With a better director than Rob Green at the helm, Clive Dawson's story could have been fully realised as a serious and dramatic horror film. Instead the end product comes off as something that was too big a task to handle, and sadly the nicely tuned atmosphere is lost amongst the insipid and unimaginative cop out that the film invariably is. 3/10
A group of German soldiers find refuge into an isolated bunker during the final months of WWII. They are escaping the advancing US army, and they are sharing a terrible secret (that will be revealed to the spectators only in the final minutes of the movie). Inside the bunker and in the tunnels below it, they will find their worst fears and nightmares materializing, the ghosts of war coming to get them. Without any special effects, director Rob Green manages to make a scary movie, played almost totally on the inner fears of humans caught in something bigger than any of us, into the darkness of the human minds, capable to create such a war. So, if you are an horror fan, waiting for slimy creatures or tentacled nightmares to come out of the cave, beware of this movie. But if you are a real horror movie fan, searching for the atmosphere that a good horror movie can manage without the use of any particular effect, you are for a big surprise in this little, misguided gem of an independent movie. Two thumbs up!!
Wusstest du schon
- WissenswertesDuring their first night in the bunker, when Kreuzmann is expressing his worries to Ebert about an American attack and the bunker being "not quite right," at the end of the conversation he says "God with us." Aside from being an obvious religious statement, it also refers to the saying that was inscribed on Germany Army belt buckles: "Gott mit uns" or "God with us." This was also common inscription on armour in the German military until the end of the Third Reich, and has a history and usage in Germany dating back as far as the Teutonic Order.
- PatzerWhen Schenke fires his P38, the slide locks back, indicating the magazine is empty. Yet he fires a few rounds more in the next scene, without any reload in between.
- Zitate
Cpl. Baumann: They don't deserve to wear that uniform, prove that you do! Do I have to spell it out? They are traitors and cowards! Shoot them!
- VerbindungenReferences Suspiria: In den Krallen des Bösen (1977)
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Details
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was The Bunker - Der Feind ist nicht dort draussen. (2001) officially released in Canada in English?
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