Die verwitwete Liz Garfield und ihr Sohn Bobby ändern sich, als der mysteriöse Fremde Ted Brautigan in ihr Leben tritt.Die verwitwete Liz Garfield und ihr Sohn Bobby ändern sich, als der mysteriöse Fremde Ted Brautigan in ihr Leben tritt.Die verwitwete Liz Garfield und ihr Sohn Bobby ändern sich, als der mysteriöse Fremde Ted Brautigan in ihr Leben tritt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 8 Nominierungen insgesamt
Timothy Reifsnyder
- Harry Doolin
- (as Timmy Reifsnyder)
Joe Blankenship
- Richie O'Rourke
- (as Joe T. Blankenship)
Joel Haberli
- Sully's Dad
- (as Joel F. Haberli)
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Stephen King seems to work well with movies. HEARTS IN ATLANTIS represents the latest adaptation from one of King's novels. Actually borrowing from two stories, it introduces us to a young boy named Bobby Garfield who seems to be living a semi-normal, although simple life. His day consists of playing with his two best friends, Sully and Carol. His relationship with Carol is on the fence of being romantic. Bobby's widowed mother is too focused on her career to notice what's going on with her son. A strange man named Ted Brautigan (Hopkins) comes to their small town looking for a place to stay, and finds a vacant room within Bobby's house. Brautigan almost immediately intrigues Bobby, offering the young boy a job simply reading the newspaper out loud. As these two bond, Bobby notices his new friend has some strange traits. Ted fears that mysterious men are looking for him. It's not long before Bobby realizes that his new friend has some unique capabilities, and begins to understand why others would be looking for him. In the meantime, Bobby deals with his own desire for a dream bike, his need to protect Carol from neighborhood bullies, and his confusion about his mother's lack of finances despite her fancy dress collection. No one is perfect in this story, just like in real life. Even the oddly endearing Brautigan seems reluctant to expose his true roots.
HEARTS IN ATLANTIS is a simple tale that offers nothing new to audiences. It doesn't have the magic exhibited in THE GREEN MILE, or the emotional importance of THE SHAWSHANK REDEMPTION, and although it's similar in feel to STAND BY ME, it doesn't seem to match the quaint aspects of that tale either. Where it succeeds is in it's ability to present the familiar aspects of the youth we've all experienced. Childhood memories are what make us who we are. This film helps us to remember those special times. While not all of us met a Ted Brautigan in our lives, we can all relate to the troubles Bobby faces, or even the victimization Carol endures by bullies. There are several familiar elements here, and that's why it works. Hopkins is appealing, as one would expect, but the film as a whole plays out in a very tame fashion. Scott Hicks (SHINE) has directed HEARTS with simplistic and appropriate fashion. He never assumes too much from the audience, which is an admirable quality for a director. What you walk away with is a understanding that youth can define you future, and memories can have a profound effect toward your outlook on life. Never judge a book by it's cover.
HEARTS IN ATLANTIS is a simple tale that offers nothing new to audiences. It doesn't have the magic exhibited in THE GREEN MILE, or the emotional importance of THE SHAWSHANK REDEMPTION, and although it's similar in feel to STAND BY ME, it doesn't seem to match the quaint aspects of that tale either. Where it succeeds is in it's ability to present the familiar aspects of the youth we've all experienced. Childhood memories are what make us who we are. This film helps us to remember those special times. While not all of us met a Ted Brautigan in our lives, we can all relate to the troubles Bobby faces, or even the victimization Carol endures by bullies. There are several familiar elements here, and that's why it works. Hopkins is appealing, as one would expect, but the film as a whole plays out in a very tame fashion. Scott Hicks (SHINE) has directed HEARTS with simplistic and appropriate fashion. He never assumes too much from the audience, which is an admirable quality for a director. What you walk away with is a understanding that youth can define you future, and memories can have a profound effect toward your outlook on life. Never judge a book by it's cover.
For some, Stephen King is just a mere auteur of horror stories. If you look closer, you'll see he is much more. Nearly all his stories are melancholic tales about the loss of childhood innocence. With a paranormal twist, but that really isn't the most important. I even think that Hearts in Atlantis would have worked even better, if the whole paranormal thing would have been left out. The most interesting aspects of the story are Bobby Garfield and his relationship with his mother, girlfriend and Ted. Whenever Ted brought up the low-men, my personal interest curve got a bit of a dip, but hey it's a Stephen King movie, I guess we'll have to live with it.
As it is, Hearts in Atlantis remains a wonderful film. It's the kind of film where the scenes in the present are filmed in gloomy blue and grey tones, and all the flashbacks get a golden sepia treatment. Sure it's been done before, but rarely have the effects been of such a shattering beauty.
Anthony Hopkins, never shy of giving a bombastic performance, is remarkably soft-spoken in this one, though I doubt that he was really interested in this movie. The star of the show, however, is Anton Yelchin as Bobby Garfield. He looks like the young Elijah Wood, with the same angelic blue eyes, and he's truly captivating. He even has genuine chemistry with the girl that plays his love interest. A big fat wow' is in order here, let's hope he'll get the chance to exploit his talents further.
It's a shame this movie failed at the box-office, but then again so did The Shawshank Redemption. So let's all rent/buy this wonderful film, and boost that IMDb score.
I gave this one a 9/10.
As it is, Hearts in Atlantis remains a wonderful film. It's the kind of film where the scenes in the present are filmed in gloomy blue and grey tones, and all the flashbacks get a golden sepia treatment. Sure it's been done before, but rarely have the effects been of such a shattering beauty.
Anthony Hopkins, never shy of giving a bombastic performance, is remarkably soft-spoken in this one, though I doubt that he was really interested in this movie. The star of the show, however, is Anton Yelchin as Bobby Garfield. He looks like the young Elijah Wood, with the same angelic blue eyes, and he's truly captivating. He even has genuine chemistry with the girl that plays his love interest. A big fat wow' is in order here, let's hope he'll get the chance to exploit his talents further.
It's a shame this movie failed at the box-office, but then again so did The Shawshank Redemption. So let's all rent/buy this wonderful film, and boost that IMDb score.
I gave this one a 9/10.
Hearts in Atlantis is another Stephen King adaptation I wasn't aware of, it stars Anthony Hopkins, David Morse, and the taken before his time Anton Yelchin.
It tells the story of a small bullied boy, his father has passed away and his mother isn't fullfilling her duties as a parent. When a mysterious man appears in his life everything changes.
I had no idea what to expect but was quickly gripped, it was standard King stuff from small town America to flashbacks of youth to that wonderful charm they all seem to have.
The movie immediatly whispers sweet promises in your ear, you know something is coming and you'll expect it to be big! Sadly it doesn't entirely deliver, in fact I found the big "Revelation" very underwhelming. Don't get me wrong it was okay but not on the level I had expected.
Hearts in Atlantis is a beautiful quaint little tale, but is not one of those big epic life changing experiences that occasionally cross our paths.
The Good:
Cast are on point
Looks and sounds wonderful
Very charming
The Bad:
The twist is very weak
Feels like it should have been better
Things I Learnt From This Movie:
Anthony Hopkins simply can do no wrong can he?
It tells the story of a small bullied boy, his father has passed away and his mother isn't fullfilling her duties as a parent. When a mysterious man appears in his life everything changes.
I had no idea what to expect but was quickly gripped, it was standard King stuff from small town America to flashbacks of youth to that wonderful charm they all seem to have.
The movie immediatly whispers sweet promises in your ear, you know something is coming and you'll expect it to be big! Sadly it doesn't entirely deliver, in fact I found the big "Revelation" very underwhelming. Don't get me wrong it was okay but not on the level I had expected.
Hearts in Atlantis is a beautiful quaint little tale, but is not one of those big epic life changing experiences that occasionally cross our paths.
The Good:
Cast are on point
Looks and sounds wonderful
Very charming
The Bad:
The twist is very weak
Feels like it should have been better
Things I Learnt From This Movie:
Anthony Hopkins simply can do no wrong can he?
What can I say, they've made another great Stephen King story into another great movie. Although it doesn't hurt to have the likes of Anthony Hopkins in your film to give it that stature and elegance. This film is one of those movies where you leave sad, but yet feeling good about everything, not many movies do this, some would include American Beauty and The Green Mile. The film is set in the backdrop of the 1960's where a strange man (Anthony Hopkins) moves into the apartment above a young boy and his mother. The boy quickly befriends the stranger and soon learns about the man's mysterious gift. I won't spoil anything for anyone because this is definitely a movie worth seeing and not knowing what happens before you go into it. Also I recommend reading the book, it is truly one of Stephen King's best.
Sure to be one of the best-loved films of this fall, "Hearts in Atlantis" adapted from Stephen King's best seller mines a lot of familiar territory from "Stand by Me," but that beloved film is a good model. In "Stand by Me," it was a writer reflecting back on the childhood summer "when we found the body," here it's David Morse as a photographer remembering the summer of his eleventh year "when Ted the boarder moved upstairs." Downplaying King's supernatural elements, this film slowly, but surely, builds to an emotional payoff every bit as moving as the end of Rob Reiner's gem.
This is a small, gentle film with lots of character development and period atmosphere. The tech credits such as production design and cinematography are superb and bring to life a time--1960--which, for some of us, was not that long ago. The child-actors are perfectly cast, and Anthony Hopkins as the mysterious stranger gives one of his best, most-heartfelt performances. (This guy could read USA Today weather forecasts aloud and make them sound like Shakespeare.) While others may have taken a radically different approach to the material, emphasizing action and suspense, I think screenwriter William ("Misery") Goldman and director Scott ("Shine," "Snow Falling on Cedars") Hicks ultimately hit the right notes. I will interested in seeing if this decidedly low-key approach strikes a box office chord with moviegoers frazzled by the big, dumb summer action films. If there's any fairness left in the world it will. It's that good.
This is a small, gentle film with lots of character development and period atmosphere. The tech credits such as production design and cinematography are superb and bring to life a time--1960--which, for some of us, was not that long ago. The child-actors are perfectly cast, and Anthony Hopkins as the mysterious stranger gives one of his best, most-heartfelt performances. (This guy could read USA Today weather forecasts aloud and make them sound like Shakespeare.) While others may have taken a radically different approach to the material, emphasizing action and suspense, I think screenwriter William ("Misery") Goldman and director Scott ("Shine," "Snow Falling on Cedars") Hicks ultimately hit the right notes. I will interested in seeing if this decidedly low-key approach strikes a box office chord with moviegoers frazzled by the big, dumb summer action films. If there's any fairness left in the world it will. It's that good.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
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- WissenswertesSir Anthony Hopkins discussed psychic ability and synchronicity with director Scott Hicks in an interview included on the DVD. In that exchange, he tells how he had been in Florence, filming Hannibal (2001), and reading a non-fiction book by William Goldman. In the book, Goldman discussed previously working with Hopkins, and discussed Kathy Bates in Misery (1990). Hopkins recalled thinking that it would be interesting to work with Goldman again, and it would be interesting to work on a Stephen King story. Two days later, a call came that there was a script for him to read, by Goldman, based on a King story. Hopkins accepted immediately.
- PatzerThe shot is flipped at the end of the movie when Bobby is riding his Schwinn bike. The kickstand is on the right side and the chain on the left (at around 1h 35 mins), opposite of where they should be (at 15:32-15:56). Also, note that one can clearly see the name "Schwinn" reversed on the side of the bike in this scene (at around 1h 35 mins).
- Crazy CreditsThanks to the citizens of Richmond and Staunton, Virginia
- SoundtracksAin't That a Shame
Written by David Bartholomew (as Dave Bartholomew), Fats Domino (as Antoine "Fats" Domino)
Performed by Fats Domino
Courtesy of EMI Records
Under license from EMI-Capitol Music Special Markets
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Hearts in Atlantis - Das Rätsel eines Sommers
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 31.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.185.781 $
- Eröffnungswochenende in den USA und in Kanada
- 9.021.494 $
- 30. Sept. 2001
- Weltweiter Bruttoertrag
- 30.919.415 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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