Army Go Home!

i served in the army from 91-94 and i can tell you that i related to a lot of the themes in this film. i wanted anxiously for a chance to see it, and last night i finally did. i enjoyed it as much as it is possible to enjoy a film that takes some steps at telling a different side of the army. of course everyone in the army is not like the soldiers portrayed here, but some are. at no point did i get the feeling that the film tried to say that the army is filled with losers but like every other segment of society it has its share. it is also true that for a long time the army did take high school dropouts and it was used as a way to escape jail. it is not anti-american, it is a story about bad people doing bad things. i enjoyed it!

Some films just suffer from bad luck, and `Buffalo Soldiers' is one of them. Not that the movie is all that bad, nor all that terrific; it just deals with a subject that Americans might not be comfortable about today: a less-than-glowing depiction of the American military.

The film made its debut at the Toronto Film Festival, three days before Sept 11, 2001, under great fanfare. It was billed as being a dark satirical look at the military, but after the attacks on 9/11, its future was buried. Now, almost two years later, `Buffalo Soldiers' is finally being released, but it's not clear that the climate will be any more accommodating.

The movie starts by presenting a criminal subculture operating among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall. The satirical billing is merely a backdrop for the film, and it does present just about everyone rather hyperbolically. Joaquin Phoenix plays Ray Elwood, a la Radar O'Reilly from MASH. He is the company clerk for a U.S. supply base, making most decisions for his oblivious colonel to rubber stamp. Like Milo Minderbinder from Catch-22, he goes about his normal routine of making money and duping the system, but in this case, Elwood is a small-time drug dealer who sometimes dabbles in black market booty. Things turn on him quickly when he happens across some heavy weaponry, and his plan for unloading the equipment puts him way over his head, getting him into far more trouble than what he can handle as the lightweight and inexperienced paper-pusher that he is. By the time the plot line is established, the backdrop of satire is abandoned, witty observations undone, and philosophical quips erased.

Indeed, the true essence of the film lies beyond the plot, but it doesn't go as far as it tagline philosophy: `Where there is peace, the warlike man attacks himself.', a quote from Nietzsche, whose keen observation was the original inspiration for the film. At most, `Buffalo Soldiers' depicts how people behave when they get in over their heads, and only a dash of commentary on anything military or philosophical.

As for the controversy around American soldiers doing bad things, it would be a stretch to feel this is commentary on the good ol' US of A. Only those looking to pick a fight would find any form of offense or unpatriotic flavor to this film. Still, all one has to do is suggest the notion, and people will simply adopt that view anyway, regardless of what's on screen. Ironically, that's the movie's fault, not the public's. If the movie were better at delivering a more profound message - one that it clearly wanted to make - or if the story line were multi-dimensional, rather than a straightforward crime caper, people would easily overlook its superficial qualities. To be sure, Joaquin Phoenix does an excellent job at portraying a frat boy who doesn't take the army seriously, and who learns the ropes the hard way, just before he gets busted down to hell.

In the end, `Buffalo Solders' is entertaining, has a splash of romance, and is certainly a good enough movie in its own right, but is not the cynical, anti-war, anti-patriotic movie that people will be told it is. Oddly, the film's perception may be disproportionately diminished and reviewed poorly because of the attention it's getting, but it doesn't deserve undue praise either.

The movie deals with an US corporal (Joaquin Phoenix) whose slogan is ¨steal all that you can steal¨ . He has moneymaking plans for every occasion in the United States headquarter located in Germany during George Bush Sr time . His superior Colonel (Ed Harris) looks the other way until a new and veteran sergeant (Scott Glenn) turns up , but the corporal falls in love with his daughter (Anna Paquin) and the sergeant seeks vengeance .

The film is a ferocious and hilarious military critical , it's an anti-army and anti-war/protest black-comedy which follows exploits of a woolly and wild US unit ; being based on the 1993 novel by Robert O'Connor . Ironical recycling of the classic 1950s Television comedy series which was interpreted by Phil Silvers and ¨Sgt. Bilko¨ film by Jonathan Lynn with Steve Martin . Movie characters are utterly negatives , they are mean , greedy , villains or nuts and aren't politically corrects . Spectacular images when appear the tanks , these American tanks featured in the film are actually modified German L1 Leopards . The forest where the tank drives through was planted just for this movie on a green field in front of a real forest , though he tanks were not allowed to drive through the real forest .

Here Joaquin Phoenix plays a top-notch farceur and he is assembled by a perfect support casting such as Leon , Harris , Gabriel Mann , Dean Stockwell and Elizabeth McGovern . The picture obtained moderated success , giving a new meaning on the word 'irreverence' and really fierce criticism to Army institution . None relation to the film with same title ¨Buffalo soldiers¨ (1997) directed by Charles Haid with Danny Glover about post-civil war black cavalry corps . The motion picture was well directed Gregor Jordan . Rating : Good . Well worth seeing.

Without an enemy to fight, an army will fight itself or find its own enemies. In the tradition of "Sergeant Bilko" (the Phil Silvers TV show, not Steve Martin's ghastly remake) "Buffalo Soldiers" shows what happens when soldiers with nothing to do but wait for war begin to think for themselves and exploit the system.

In place of Bilko's poker games and lottery scams, Ray Elwood opts for black marketeering, drug dealing and gun running. However, the characters portrayed by Phil Silvers and Joaquin Phoenix respectively do have a lot in common.

The tone of "Buffalo Soldiers" is much darker than that of "Sergeant Bilko", but the film and TV series share the same absurd yet plausible vision. There are no chimpanzee conscripts like Private Harry Speakup in this movie, but there ARE characters who have clearly risen well above the level of their own incompetence. Ed Harris' Colonel Berman is a pathetic example of the uniformed, time-served bureaucrat, someone you could almost feel sorry for until you realise that one day he may have to lead men into combat.

Counterbalancing the Bilko-esquire vibe created by Elwood's wheeler-dealing is his nemesis, Scott Glenn's steely Sergeant Lee. Glenn clearly relishes his role in this movie and is very convincing as the model soldier with a true heart of darkness.

Joaquin Phoenix gives Elwood an understated charisma as he leads his troops from behind, rarely lifting the lid on the fear and frustration that simmers within him as the events he sets in motion go out of control.

To say that this film is anti-military is unfair as it contains portrayals of decent, honest and professional soldiers as well as the scammers, pimps and dopeheads that the plot focuses on. It is a film about human beings (with all their failings) in uniform, not soldiers. "Buffalo Soldiers" is anti-complacency, anti-indoctrination and anti-corruption, which is probably why its release was postponed after the September 11th terrorist outrage of 2001. In the light of recent despicable acts by a small group of US soldiers in Iraq's Abu Graib prison, this film seems eerily prescient. Without an enemy to fight in open combat, what happens to the aggression and contempt for that enemy that military training fosters?

Ignore the negative comments and give this under-rated film a chance. It was titled "Army Go Home" in Germany, where the film is set, echoing the feelings of German citizens who lived near foreign troops sent to defend them against Communism. The Beetle-crushing sequence (an absurdly comic high point of the film) is based on actual incidents involving bored, intoxicated British and American troops on manoeuvres, armed to the teeth and waiting for a war that never came.

Ray Elwood is a soldier stationed on a base in West Germany. With no war to fight the men become bored but Elwood has enough going on the side to keep him busy, whether selling off excess cleaning supplies or dealing drugs. When he lands two trucks worth of weapons he thinks his day has come, however at the same time a tough new officer, Sergeant Lee, is stationed on the base with the aim of cleaning it up - starting with Elwood dealings.

Of course, we all know that this film practically vanished after 9/11; suddenly America didn't want anything that seemed to be attacking America or the dedicated American soldier. This was unfortunate as the film isn't as blatantly anti-war or anti-American as I had been led to believe. Rather it is a dark comedy that looks at the reality of army life during peacetime. In fairness though it does show the soldiers out for cash, high on drugs and certainly not fitting the image that made Time magazine pick `the American soldier' as man of the year for 2003.

The basic plot makes MASH look like some sort of kids game - where Hawk-Eye made drink in his tent, Elwood cooks coke and deals in stolen weapons. The story works quite well although some of it didn't totally work and some of the characters and action didn't really make sense. It was amusing without being laugh out loud funny, although this wasn't so much of a problem as I certainly didn't expect it to be an out and out comedy. The drama works better than the comedy and it is for this reason it is a better attack on the ideal of the military. The upper levels of the military also take a knock; being shown as focused on rank climbing rather than keeping a sharp military machine well oiled!

The cast is good on the whole - both on paper and on the screen. Phoenix leads the film really well and delivers a likeable character that is still abhorrent enough to be seen as an attack rather than a spoof. Harris is OK but he only has a small role and it doesn't totally fit in with the main narrative very well - likewise McGovern. Pacquin is pretty cool but her character was a bit of a mystery to me but Glenn is well cast and he is able to deliver the goods in a borderline nuts character; only problem with his performance was that I didn't totally understand his character's aims by the end of the film. Both Leon and Pena were good in support and Dean Stockwell has an OK cameo.

Overall this was a good film despite the fact that it had a plot that was a little weakened by the side issues and characters who aren't totally clear in terms of what they're all about. Aside from this the film is pretty entertaining and is actually quite matter of fact in it's portrayal of military life rather than being scathing - coming from Northern Ireland, I have seen all sorts of stuff done by squaddies and am well aware of how true this can be! But to label it anti-American is just plain daft!