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The Yards - Im Hinterhof der Macht

Originaltitel: The Yards
  • 2000
  • 12
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
6,4/10
24.170
IHRE BEWERTUNG
Charlize Theron, Mark Wahlberg, James Caan, and Joaquin Phoenix in The Yards - Im Hinterhof der Macht (2000)
CT #2
trailer wiedergeben1:34
2 Videos
99+ Fotos
KapernPsychologisches DramaDramaKriminalitätRomanzeThriller

Löwe wird aus dem Gefängnis entlassen, nachdem er wegen Autodiebstahls Zeit abgesessen hat. Sein Plan, gerade zu gehen, fällt auseinander, als er seinen korrupten Onkel für einen Job und spä... Alles lesenLöwe wird aus dem Gefängnis entlassen, nachdem er wegen Autodiebstahls Zeit abgesessen hat. Sein Plan, gerade zu gehen, fällt auseinander, als er seinen korrupten Onkel für einen Job und später einen alten Freund trifft, der dort arbeitet. Sie gipfelt in den (Eisenbahn-)Höfen.Löwe wird aus dem Gefängnis entlassen, nachdem er wegen Autodiebstahls Zeit abgesessen hat. Sein Plan, gerade zu gehen, fällt auseinander, als er seinen korrupten Onkel für einen Job und später einen alten Freund trifft, der dort arbeitet. Sie gipfelt in den (Eisenbahn-)Höfen.

  • Regie
    • James Gray
  • Drehbuch
    • James Gray
    • Matt Reeves
  • Hauptbesetzung
    • Mark Wahlberg
    • Joaquin Phoenix
    • Charlize Theron
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,4/10
    24.170
    IHRE BEWERTUNG
    • Regie
      • James Gray
    • Drehbuch
      • James Gray
      • Matt Reeves
    • Hauptbesetzung
      • Mark Wahlberg
      • Joaquin Phoenix
      • Charlize Theron
    • 146Benutzerrezensionen
    • 72Kritische Rezensionen
    • 58Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Gewinne & 2 Nominierungen insgesamt

    Videos2

    The Yards
    Trailer 1:34
    The Yards
    The Yards
    Trailer 1:32
    The Yards
    The Yards
    Trailer 1:32
    The Yards

    Fotos140

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    Topbesetzung71

    Ändern
    Mark Wahlberg
    Mark Wahlberg
    • Leo Handler
    Joaquin Phoenix
    Joaquin Phoenix
    • Willie Gutierrez
    Charlize Theron
    Charlize Theron
    • Erica Soltz
    James Caan
    James Caan
    • Frank Olchin
    Ellen Burstyn
    Ellen Burstyn
    • Val Handler
    Faye Dunaway
    Faye Dunaway
    • Kitty Olchin
    Steve Lawrence
    Steve Lawrence
    • Arthur Mydanick
    Andy Davoli
    Andy Davoli
    • Raymond Price
    • (as Andrew Davoli)
    Tony Musante
    Tony Musante
    • Seymour Korman
    Victor Argo
    Victor Argo
    • Paul Lazarides
    Tomas Milian
    Tomas Milian
    • Manuel Sequiera
    Robert Montano
    Robert Montano
    • Hector Gallardo
    Victor Arnold
    Victor Arnold
    • Albert Granada
    Chad Aaron
    • Bernard Soltz
    Louis Guss
    • Nathan Grodner
    Domenick Lombardozzi
    Domenick Lombardozzi
    • Todd
    Joe Lisi
    Joe Lisi
    • Elliot Gorwitz
    David Zayas
    David Zayas
    • Officer Jerry Rifkin
    • Regie
      • James Gray
    • Drehbuch
      • James Gray
      • Matt Reeves
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen146

    6,424.1K
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    Empfohlene Bewertungen

    7cooblimey

    Great, moody, dark slow-burner with excellent performances all round

    I've just read someone else's review of this film that claims there are too many subplots, that it is too melodramatic and that there is so much going on the reviewer ended up not caring what happened.

    This could not be further from the truth. There are only a couple of subplots, and they are very basic, easy-to-understand concepts that do not get in the way of the main theme.

    I would also contest that this is a 'romance'. Whilst this is one of the subplots, putting it under 'romance' as one of the main genres is mildly misleading.

    The performances from all central actors are excellent. As my title suggests this is a slow-burner but Walburg puts in a great performance and I DID care what happened to him in the end.

    Oh, and listen out for the soundtrack. It really is quite striking.
    DuChamp-3

    when opinions are this polarized. . .

    . . . you know you've got a movie that tried something different. Not NEW, necessarily, as The Yards is paced, structured and shot like it was made before 1976. But you don't see that often these days. The Yards is an entertaining and noble attempt at a tribute to crime films of that era. I have friends who don't have the attention span to sit through The Godfather(on some days neither do I) - I wouldn't recommend this film to them. Reared as our younger generation was on Spielbergian and MTV-cut films, the pacing of both that film and The Yards are slow and deliberate - sometimes hard to take. The Yards could have used a bit of tightening up in editing, just seconds off of a scene here, a scene there to move things along, but still, it's a strong film. The first thing that caught my eye was the sparse dialogue. There's a lot of acting going on here, and not of the scenery-chewing variety (recent Pacino). The actors are given a lot of room to act with their eyes and bodies. You're not hit over the head with 2-D stock characters, although it may appear so at first. The story is genre: ex-con, returning to his New York borough neighborhood falls right into the same circles that got him in trouble in the first place. What follows is a story of corruption, redemption and family; structured almost as a Greek Tragedy. But quietly. There are no "good guys" or "bad guys", as almost everyone is on the make. The overall impression projected is that everyone is protecting their own and trying to succeed in a system that they live in - not one they created or control.

    Mark Wahlberg isn't a great actor, but he delivers what the character requires. Charlize Theron isn't in her element playing a Queens-chick, but aside from a faltering accent, she does pretty well. Excellent acting is delivered by Joachin Phoenix, as well as veterans Caan, Dunaway, and Ellen Burstyn. The Yards is a good movie, although admittedly, not for the "average" movie-going audience. It likely won't meet their expectations of what a "good" movie is.
    mwillemsen

    Great cast,mediocre movie,disappointing Wahlberg

    I expected a lot of this movie and I felt a bit cheated. All right,the reviews weren't that super but with an assembled cast like that,who could blame me. Joaquin Phoenix was great (after his superb role in Gladiator) but leading man Mark Wahlberg seemed a bit lost. Don't get me wrong! He's a fine actor and let's leave it like that. The "oldies" (James Caan,Faye Dunaway,Ellen Burstyn) left behind a good impression. I'll just end by saying that this ain't another Godfather or Goodfellas. Just a decent movie to watch on a rainy day. And ponder on the fact that in this movie the young generation have a lot to learn (including beautiful Charlize Theron) from the "oldies". Excluding Joaquin Phoenix,ofcourse.
    lou-50

    Cut Bait

    "The Yards" invites you to taste corruption and to witness an imposed morality and then slyly allows you to resolve its escalating entanglements. It is a well-acted morality tale written and directed by James Gray that is as topical now as when the first bureaucrat accepted graft. Mark Wahlberg's Leo Handler character is a loser who seeks to redeem himself from the neglect of his sick mother and the evil he has done to others. If only his friends and relatives had similarly good intentions. The world he inhabits is a society with the unwritten code of conduct to never snitch or else pay the consequences. The best scene involves Leo as he nervously proceeds with his orders to kill the policeman who can finger him in the rail yard assault. Can he justify yet one more crime in order to maintain the good graces of his benefactors? Joaquin Phoenix's character, Willie, is perhaps the most tormented figure, having to choose between his high-minded intentions and his immoral survival instincts. He becomes less the controller and more the henchman of what others tell him to do. The excellent cast gives "The Yard" a true flavor of the perverse nature of favoritism from Faye Dunaway and James Caan to Ellen Burstyn and Charlize Theron (in a surprisingly youthful dark mascara look). However, Joan Allen would have added a harsher, more pessimistic visage to the sometimes inappropriately bubbly Burstyn. This film displays well how corruption commands people's lives and how hard it is to break out of that code of conduct.
    6Sweet_Ophelia

    Thoroughly enjoyable, but only Joaquin Phoenix was remarkable

    The yards is a film about the shady on-goings of the contractors in New York City who work to rebuild the city's subway cars. Underneath the suits are ruthless mean trying to get ahead in the busines by whatever means necassary. Everything seems to be going fine until Leo Handler (Wahlberg) gets out of prison and enters into the dark business himself, his presence will trigger a series of events that will rock their dangerous world.

    Leo finds that his aunt (Dunaway) has married one of the biggest contractors, Frank Olchin (Caan). With no money and a patrol officer breathing down his back, his mother (Burstyn) in bad shape, Leo turns to Frank to help him out by giving him a job in his successful business. Leo wants to follow in his best friend, Willie's (Phoenix) footsteps in the business, 'cause it seems Willie is doing ok for himself, with enough cash to spare for his girlfriend (Theron) and consequently Leo's cousin and one-time-love. But when a money-deal goes wrong, Willie kills a yard-master and Leo beats a cop into a coma - something that could see him revisiting prison and getting a life sentence. Now Leo is on the run, and blamed for the murder aswell. The business that welcomed him with open arms, is now looking to get rid of him, before he brings down all they worked for.

    The Yards is slow at times. The story-telling appears to go at a snails pace, but thats ok, because the story-tellers (the actors) are more than enthralling enough to entertain for the whole 110 minutes. Wahlberg is deep and moody as always, and while the performance mirrors alot of his previous works, he still seems to have 'something' that keeps you hooked. Theron proves she is more than just a pretty face as she plays a soft-spoken character who has much to hide and slowly reveal as the plot thickens. But the out-standing performance is Joaquin Phoenix. This man can do no wrong and is seriously one of the best actors of our time. He is disturbingly dark at times, but can easily switch gears and play-out the most emotionally intense scene with just a single tear running down his cheek. this man is amazing, and one day justice should be carried out and he should be handed an Oscar.

    Watch this film, if for nothing more than to check out the Wahlberg/Phoenix punch-up which the actors really participated in (and were apparently black and blue the next day). Great, great film.

    Handlung

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    • Wissenswertes
      The film was based on a real-life corruption scandal in the mid 1980s that involved the father of co-writer and director James Gray.
    • Patzer
      The pearl handled pistol that Frank Olchin removes from his sock drawer was sitting on his desk in the study, the room he just left.
    • Alternative Versionen
      The Unrated cut is 113 minutes and two scenes from the original theatrical R-rated cut have been removed. This version is about two minutes shorter. The final scene in court when Leo testifies and states that he has reformed and is reentering society as a productive citizen, has been dropped. A brief scene early in the film in which Willie (Phoenix) describes the importance of favors and gifts and "making it happen" is also cut (this scene however does appears on the included trailer on the DVD). The end credits now begin with 'empty' views of the film's settings before moving into the credits list. Also included on the DVD are several deleted scenes.
    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Pay It Forward/The Legend of Drunken Master/The Yards/Bedazzled/Two Family House (2000)
    • Soundtracks
      Boo-go-loo
      (1967)

      Written by Jerry Murray (as J. Murray) and S. Kaplan

      Performed by Les McCann (as Les Mccann)

      Courtesy of the Verve Music Group

      Under license from Universal Music Enterprise

    Top-Auswahl

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    FAQ19

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    • What are the differences between the Theatrical Version and the Director's Cut?

    Details

    Ändern
    • Erscheinungsdatum
      • 27. April 2000 (Singapur)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • La Traición
    • Drehorte
      • 39 India Street, Greenpoint, Brooklyn, New York City, New York, USA(Leo's House)
    • Produktionsfirmen
      • Miramax
      • Industry Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 24.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 889.352 $
    • Eröffnungswochenende in den USA und in Kanada
      • 57.339 $
      • 22. Okt. 2000
    • Weltweiter Bruttoertrag
      • 924.036 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 55 Min.(115 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.39 : 1

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