Füge eine Handlung in deiner Sprache hinzuA group of female friends in San Francisco investigate a serial killer targeting newlyweds.A group of female friends in San Francisco investigate a serial killer targeting newlyweds.A group of female friends in San Francisco investigate a serial killer targeting newlyweds.
- Regie
- Drehbuch
- Hauptbesetzung
John Reardon
- David Brandt
- (as John Henry Reardon)
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Having not read the novel, I can't tell how faithful this film is. The story is typical mystery material: killer targets newlyweds; woman investigator falls in love with her partner and is diagnosed with a fatal disease. Yes, it sounds like a soap opera and that's exactly how it plays. The first 2/3 are dull, save for the murders and the last 1/3 makes a partial comeback as it picks up speed toward its twisty conclusion.
Acting is strictly sub par, though it's hard to blame the actors alone: the screenplay is atrocious. During the last 1/3 you stop noticing because the film actually becomes interesting, but that's only the last 1/3. Director Russell Mulcahy is very much in his element, but there's only so much he can do with a TV budget and the network censors on his back. He's pretty much limited to quick cutting and distorted lenses, though he managed to squeeze in a couple "under the floor" shots during the murders in the club restroom. Unfortunately, as this is made for TV, the cool compositional details he uses so well with a wider image are nowhere to be found. Note to producers: give this man a reasonable budget and an anamorphic lens when you hire him.
Summing it up: this film is bad by cinema standards and mediocre by TV standards(watch CSI, instead). If you're in the mood for a film like this, I've some excellent suggestions: pick up a copy of Dario Argento's "Deep Red"(my highest recommendation; superb film), "Opera", or even "Tenebre". They're stronger in every category.
Acting is strictly sub par, though it's hard to blame the actors alone: the screenplay is atrocious. During the last 1/3 you stop noticing because the film actually becomes interesting, but that's only the last 1/3. Director Russell Mulcahy is very much in his element, but there's only so much he can do with a TV budget and the network censors on his back. He's pretty much limited to quick cutting and distorted lenses, though he managed to squeeze in a couple "under the floor" shots during the murders in the club restroom. Unfortunately, as this is made for TV, the cool compositional details he uses so well with a wider image are nowhere to be found. Note to producers: give this man a reasonable budget and an anamorphic lens when you hire him.
Summing it up: this film is bad by cinema standards and mediocre by TV standards(watch CSI, instead). If you're in the mood for a film like this, I've some excellent suggestions: pick up a copy of Dario Argento's "Deep Red"(my highest recommendation; superb film), "Opera", or even "Tenebre". They're stronger in every category.
I love the comments that I'm seeing on this board. I totally agree with most of the people here that 1st to Die was horrible. While it stayed pretty faithful to the book, it was still inexplicably horrible. I can't believe it was 3 hours long! I was so mad at the performances, I couldn't even watch half of it.
The book is spectacular like all of Patterson's novels but, like others have said... filmmakers have yet to make a decent adaptation of one of them... Mr Patterson, are you actually watching these movies? Aren't you mad at what hollywood is reducing them to? This movie was basically a sweeps ratings boost. You can't have it come out that fast and not think that. Sir, please ask these screenwriters... is it that hard to do this right???
The book is spectacular like all of Patterson's novels but, like others have said... filmmakers have yet to make a decent adaptation of one of them... Mr Patterson, are you actually watching these movies? Aren't you mad at what hollywood is reducing them to? This movie was basically a sweeps ratings boost. You can't have it come out that fast and not think that. Sir, please ask these screenwriters... is it that hard to do this right???
...he has to be a better writer than this movie portrayed.
The actors and actresses were excellent. Especially noteworthy, as has already been mentioned, were Tracy Pollen and Robert Patrick.
But...by the time I got to the end of this movie, I was totally confused. Who did what/why/when/how?? I got what the final motive was supposed to be, but that was about all.
And could someone explain to me the meaning of the Russian roulette scene?
I guess I need to get one of Patterson's books to read before I sit through another Patterson adaptation. Usually seeing a good made-for-TV movie makes me want to go buy the writer's work for enjoyment. In this case, I feel the need to go read this book so I can understand what I just spent the last 2+ hours watching. I'm not so much intrigued as annoyed.
Five stars out of ten for casting. Nothing for storyline. What I got most from this movie was a frustrating headache...
The actors and actresses were excellent. Especially noteworthy, as has already been mentioned, were Tracy Pollen and Robert Patrick.
But...by the time I got to the end of this movie, I was totally confused. Who did what/why/when/how?? I got what the final motive was supposed to be, but that was about all.
And could someone explain to me the meaning of the Russian roulette scene?
I guess I need to get one of Patterson's books to read before I sit through another Patterson adaptation. Usually seeing a good made-for-TV movie makes me want to go buy the writer's work for enjoyment. In this case, I feel the need to go read this book so I can understand what I just spent the last 2+ hours watching. I'm not so much intrigued as annoyed.
Five stars out of ten for casting. Nothing for storyline. What I got most from this movie was a frustrating headache...
As a James Patterson fan, I was really interested in seeing how this film was adapted from the book. I also wanted to see Angie Everhart. I they knew she was in Bucket of Blood early in her career, it would have helped them solve the murders.
I liked all of the leads - Tracey Pollan as Inspector Boxer, Carly Pope as the reporter, Megan Gallagher as Jil, and, especially Pam Grier as Dr. Washburn.
Robert Patrick (The Marine, Flags of Our Fathers, Terminator 2: Judgment Day) was especially good as the suspected killer.
Fans of the new Women's Murder Club on TV will want to check this out.
I liked all of the leads - Tracey Pollan as Inspector Boxer, Carly Pope as the reporter, Megan Gallagher as Jil, and, especially Pam Grier as Dr. Washburn.
Robert Patrick (The Marine, Flags of Our Fathers, Terminator 2: Judgment Day) was especially good as the suspected killer.
Fans of the new Women's Murder Club on TV will want to check this out.
One might actually enjoy '1ST TO DIE' as it probably makes good background chatter during a bout of house-cleaning or roof-repair.
Only half of the principal characters are well-played. Gil Bellows, Megan Gallagher and Mitch Pileggi deserve some applause for their efforts. However, the rest of the cast play their characters either over-the-top or with the enthusiasm of a grape. The scenes with Tracy Polan (shrill) and Carly Pope (tedious) are so awful as to be beyond any credibility - the worn-out dialog can only be blamed for so much. 'The Women's Murder Club' scenes are so poorly conceived, that the entire idea falls flat early on. And what can one say about Pam Grier?
The film is a full 160 minutes long, the last twenty encompassing every tiresome twist one has come to expect. A wonderful example of truly awful writing.
Only half of the principal characters are well-played. Gil Bellows, Megan Gallagher and Mitch Pileggi deserve some applause for their efforts. However, the rest of the cast play their characters either over-the-top or with the enthusiasm of a grape. The scenes with Tracy Polan (shrill) and Carly Pope (tedious) are so awful as to be beyond any credibility - the worn-out dialog can only be blamed for so much. 'The Women's Murder Club' scenes are so poorly conceived, that the entire idea falls flat early on. And what can one say about Pam Grier?
The film is a full 160 minutes long, the last twenty encompassing every tiresome twist one has come to expect. A wonderful example of truly awful writing.
Wusstest du schon
- PatzerWhen Nicholas Jenks escapes from the Department of Corrections car, he kicks out the rear window in order to get out. When the police are at the crash scene, the window is back in place.
- VerbindungenReferences Auf der Flucht (1963)
- SoundtracksTell Me That You Love Me Tonight
Written by Joe Lervold , Larry Batiste & Dennis Wadlington
Courtesy of Master Source
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Details
- Laufzeit
- 3 Std.(180 min)
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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