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1st to Die

  • Fernsehfilm
  • 2003
  • R
  • 3 Std.
IMDb-BEWERTUNG
5,5/10
744
IHRE BEWERTUNG
Robert Patrick, Tracy Pollan, Gil Bellows, and Angie Everhart in 1st to Die (2003)
ActionDramaKriminalitätMysteryThriller

Füge eine Handlung in deiner Sprache hinzuA group of female friends in San Francisco investigate a serial killer targeting newlyweds.A group of female friends in San Francisco investigate a serial killer targeting newlyweds.A group of female friends in San Francisco investigate a serial killer targeting newlyweds.

  • Regie
    • Russell Mulcahy
  • Drehbuch
    • Michael O'Hara
    • James Patterson
  • Hauptbesetzung
    • Tracy Pollan
    • Gil Bellows
    • Carly Pope
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    744
    IHRE BEWERTUNG
    • Regie
      • Russell Mulcahy
    • Drehbuch
      • Michael O'Hara
      • James Patterson
    • Hauptbesetzung
      • Tracy Pollan
      • Gil Bellows
      • Carly Pope
    • 38Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos4

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung42

    Ändern
    Tracy Pollan
    Tracy Pollan
    • Lindsay Boxer
    Gil Bellows
    Gil Bellows
    • Chris Raleigh
    Carly Pope
    Carly Pope
    • Cindy Thomas
    Megan Gallagher
    Megan Gallagher
    • Jill Barnhart
    Angie Everhart
    Angie Everhart
    • Chessy Jenks
    Mitch Pileggi
    Mitch Pileggi
    • Warren Jacobi
    Sean Young
    Sean Young
    • Joanna Wade
    Jerry Wasserman
    Jerry Wasserman
    • Lt. Roth
    Byron Mann
    Byron Mann
    • Derek Lee
    Pam Grier
    Pam Grier
    • Claire Washburn
    Robert Patrick
    Robert Patrick
    • Nicholas Jenks
    Kristina Copeland
    • Merrill Cale
    John Reardon
    John Reardon
    • David Brandt
    • (as John Henry Reardon)
    Sonya Salomaa
    Sonya Salomaa
    • Melanie Brandt
    Ona Grauer
    Ona Grauer
    • Becky DeGraaff
    Clint Carleton
    • Phillip Campbell
    Chiara Zanni
    Chiara Zanni
    • Heather Tibbs
    Warren Christie
    Warren Christie
    • Michael DeGraaff
    • Regie
      • Russell Mulcahy
    • Drehbuch
      • Michael O'Hara
      • James Patterson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen38

    5,5744
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    Empfohlene Bewertungen

    beni1l

    I must really like Robert Patrick

    An okay thriller. Not great. Not good, really, just okay. Based on the cheesily provocative novel by James Patterson, this three-hour movie event brought to you by the peacock network is about a women's coffee-klatsch trying to bust a serial killer who preys on newlyweds. This klatsch includes a very competent Tracy Pollan (L & O; SVU), the great Pam Grier (Jackie Brown), perky and pretty Carly Pope (Orange County) and veteran TV HITG Megan Gallagher (Hill Street Blues, Larry Sanders, and everything in between). Their chief suspect is a highly desirable undesirable named Nicholas Jenks (Robert Patrick of X-Files). Some of the good things about this movie: Carly Pope's imitation of a skank, Mitch Pileggi (X-Files) showing off his leg (Grazie!), Eddie, the flower delivery boy, the saucy vintner ("His restaurants are terrible!"), the Cleveland wedding spectacle, Pam Grier and, yes, Robert Patrick. I wish the movie could have just been Robert Patrick and Pam Grier. Here's an idea for a series: he's a crook in L.A. who's been flipped by the Feds, she's a no-nonsense Fibbie assigned to be his handler as he skulks the underbelly of the City of Angels, snitching... Ah, where was I? Right. The bad things about this movie: the romance between Gil Bellows (The Agency) and Pollan, the "You go, girl!" attitude of the Murder Club, Pileggi's mustache, Patrick's earring, the plot, the ending, the cheesy CSI effects and Gil Bellows. O, Gil! You were so fine in Love and a 45 and now DEK's gone and crushed your finesse under his well-manicured thumb. Damn you, DEK! Damn you to hell! Ahem. Michael O'Hara (Murder in the Heartland) does a fair job adapting a poor novel into something somewhat entertaining and wisely changes the ending. It's not the ending I would have wanted but it was a hell of a lot better than Patterson's original idea. Russell Mulcahy, meanwhile, is wise to return to his beloved genre of Scots & SciFi (The Highlander: The Source) after this so-so effort. Not even Sean Young's violent death or Angie Everhart's breasts could save this movie from mediocrity. Now, about that series...
    gianello

    Very weak movie.

    My wife wanted me to get this off Netflix on a recommendation.

    Immediately I had a feeling it had been a TV movie. This must have been a very tedious experience watching this weak movie with commercials! Plus it was rate R for some reason. Why if it was on network TV?

    Only Robert Patrick does a reasonable job as the villain. Even the reliable Pam Grier couldn't bring much to her role as the coroner. Tracy Pollan is really a subpar actress. Only the slight plot twists made this any small reason to waste 2 and half hours viewing this. Mitch Pileggi was very credible and Gil Bellows very disappointing. Don't was any time on this movie. There are so many other good movies to rent or purchase.
    4Useful_Reviewer

    They did the worst thing a filmmaker can do

    To me there's really only one thing a filmmaker/writer should never ever do. They can use all sorts of little cheats and suspend the laws of physics for stylistic effect as much as they want, but when they use those same cheats to resolve the main mystery of the plot, then that's just too stupid. To avoid giving too much detail I'll use a hypothetical example: Suppose you're watching a suspense film and the heroine is up against the wall with killers all around her. They're armed, she isn't. She has no help and no way out, and the situation has been tensely evolving to this point for two hours. Then she just magically turns invisible and flies away with no explanation for how, when, or why she suddenly developed the ability to fly and turn invisible. The end. Good film? No. A terrible cheat. And 1st To Die is just that way. The plot's mystery is resolved by a sudden revelation that someone can do something that's impossible. Stupid, Stupid, Stupid.

    Any idiot can write a good mystery if you don't have to explain how it worked within the laws of physics. Imagine the old "locked room mystery" where the victim has been killed in a room that has been locked from the inside, so how did the killer do it? If the answer is that the killer suddenly developed the ability to pass through brick walls without disturbing them, then it's not a very good mystery, is it?
    7mariesoleil86

    Good Movie

    I read the book 1st to Die a few months ago and I really enjoyed it. When I heard a movie was being made about the book I wasn't quite sure what to think, usually movies are totally different from the book. I have to admit 1st to Die was pretty much like the book. Of course there were a few changes made but basically the movie tends to stick closely to the book. The movie was good. If you're a Patterson fan I recommend it and even if you're not. It's a good thriller.
    MSpikes82

    Mr Patterson... what's the deal?

    I love the comments that I'm seeing on this board. I totally agree with most of the people here that 1st to Die was horrible. While it stayed pretty faithful to the book, it was still inexplicably horrible. I can't believe it was 3 hours long! I was so mad at the performances, I couldn't even watch half of it.

    The book is spectacular like all of Patterson's novels but, like others have said... filmmakers have yet to make a decent adaptation of one of them... Mr Patterson, are you actually watching these movies? Aren't you mad at what hollywood is reducing them to? This movie was basically a sweeps ratings boost. You can't have it come out that fast and not think that. Sir, please ask these screenwriters... is it that hard to do this right???

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Patzer
      When Nicholas Jenks escapes from the Department of Corrections car, he kicks out the rear window in order to get out. When the police are at the crash scene, the window is back in place.
    • Verbindungen
      References Auf der Flucht (1963)
    • Soundtracks
      Tell Me That You Love Me Tonight
      Written by Joe Lervold , Larry Batiste & Dennis Wadlington

      Courtesy of Master Source

    Top-Auswahl

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    Details

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    • Erscheinungsdatum
      • 23. Februar 2003 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Always a Bridesmaid
    • Drehorte
      • Vancouver, British Columbia, Kanada
    • Produktionsfirmen
      • Michael O'Hara Productions
      • NBC Studios
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 3 Std.(180 min)
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.33 : 1

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