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Pushpaka Vimana

  • 1987
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
8,6/10
4158
IHRE BEWERTUNG
Amala Akkineni and Kamal Haasan in Pushpaka Vimana (1987)
DramaKomödie

Füge eine Handlung in deiner Sprache hinzuAn unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is aft... Alles lesenAn unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.An unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.

  • Regie
    • Singeetam Srinivasa Rao
  • Drehbuch
    • Singeetam Srinivasa Rao
  • Hauptbesetzung
    • Kamal Haasan
    • Amala Akkineni
    • Tinnu Anand
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,6/10
    4158
    IHRE BEWERTUNG
    • Regie
      • Singeetam Srinivasa Rao
    • Drehbuch
      • Singeetam Srinivasa Rao
    • Hauptbesetzung
      • Kamal Haasan
      • Amala Akkineni
      • Tinnu Anand
    • 31Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 7 wins total

    Fotos47

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    Topbesetzung13

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    Kamal Haasan
    Kamal Haasan
    • Unemployed graduate
    Amala Akkineni
    Amala Akkineni
    • Magician's daughter
    • (as Amala)
    Tinnu Anand
    Tinnu Anand
    • Killer
    Narayana P.L.
    • Beggar
    Agnis
    Farida Jalal
    Farida Jalal
    • Magician's wife
    Sameer Kakkar
    Sameer Kakkar
    • Rich man
    • (as Samir Khakhar)
    Vasant Kamat
    Ramya Krishnan
    Ramya Krishnan
    • Rich man's wife
    • (as Ramya)
    Loknath
    • Hotel owner
    • (as Lokanath)
    Prathap Pothen
    Prathap Pothen
    • Lover
    • (as Pratap Potan)
    K.S. Ramesh
    • Magician
    Mandeep Roy
    Mandeep Roy
    • Regie
      • Singeetam Srinivasa Rao
    • Drehbuch
      • Singeetam Srinivasa Rao
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen31

    8,64.1K
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    Empfohlene Bewertungen

    moviesenthil

    Silent Masterpiece.

    This is pure cinema at its best. For a popular mainstream director to do a silent project as recently as the 80s is in itself staggering, but to pull it off with elan as Singeetham Sreenivasa Rao has done in Pushpak is commendable.

    "Pushpak" is the name of the aircraft upon which all human dreams come true in Indian mythology. ("Pushpaka Vimaana"), and we get to see in these two hours how one's dreams can indeed come true, and makes us wonder if this life is in itself a dream.

    To go into this theme so fluidly and to still entertain us wholeheartedly, there is something at work here that may not be quite easily understood, but Pushpak is here to entertain, and I would highly encourage you to delve right in!
    10hprashantarora

    The Silence Speaks For Itself...

    Words are not enough to describe the strengths of this movie of which there are so many that no doubt Pushpak deserves the status of a cult-movie. A silent movie and an intelligent one at that should have shaken up the world of cinema. Alas, it was not meant to be. Nevertheless, it is a landmark film. Had it been made in Hollywood, it could have been the "Avatar" of 3D viewing experience.

    It tells the story of an unemployed youth Kamal Hassan who kidnaps and steals the identity of an alcoholic businessman, locks him in his one room apartment, and starts living the life of his dreams in the hostage's suite in a luxury hotel. What follows next is a mix of Alice-in-Wonderland like excitement; boy meets girl charm; hit man-on-the-loose pandemonium; guilt and redemption - all served with a puff of magic.

    Despite having no dialogs, the makers of this movie have managed to create such endearing characters that unless you are like me who has watched this movie more than 20 times, you watch with wide eyed wonder at the innovativeness with which each character's story and the situations they find themselves in is revealed. For example, in the musical chairs being played out between Kamal Hassan and random characters in front of the public bathroom, each one of them is desperate to out maneuver the other to get the best "seat" and it is a sight to behold. You can't help but marvel at the subtlety with which Kamal Hasssan plays this scene. Even more intriguing is the sequence of events that propel the action from a daily routine like having a surrogate breakfast, romancing the magician's daughter (an irresistible Amla) at a funeral, dodging the hit-man's innovative weapon, to pouring alcohol down the hostage's throat after cleaning his bottom. It's a remarkable mix and you wonder how much of it was improvised.

    Interestingly, the entire concoction is held together by symbolism and metaphors. The idea of boosting one's ego by drawing inspiration from the story of the clever crow that drops pebbles into a jar to raise the level of water in order to quench its thirst plays out beautifully when the protagonist does the same with a cup of tea. Only this time, he drops knick-knacks into the cup. In another scene, once the protagonist has successfully kidnapped the alcoholic businessman and taken over his identity, for a brief moment, stands in front of the hotel logo that has wings on its sides thus forging the idea that he himself has grown wings and is now ready to explore the world that has been out of his reach so far. The movie also boasts creative situational music, some of which sounds like as if it belongs in a lullaby but seems to gel beautifully with the well-choreographed sequences.

    Pushpak has a very strong message, especially for the youth, and you don't need spoken words to understand that honesty is still the best policy both in life and in love no matter how bitter-sweet the outcome. If you loved "Jaane Bhi Do Yaaro" and "Chashme Buddoor", make it a point to see Pushpak. If not for anything, watch it for Kamal Hassan and witness how he inhabits his quirky character and missteps not even once.
    9sanghvir

    Loss of words for this wonderful Film

    You just have to LISTEN TO YOUR EYES to belive it.

    Yes you got it correct listen to your EYES. This movie has no verbal dailouges at all (except for some seconds background chattering). And surprise surprise its a full length feature film with Romance,Crime,Thrills and a social message. Just amazing how it has been directed and excellent acting by all and sundry.

    Will recommend to one and all. (****1/2)
    9ravisuniverse

    rare movie

    rare movie that too in the mainstream Indian cinema. a movie with out words, but conveys much more than words can convey. good direction , good screen play , good background score, good acting. the movie has mixed emotions , comedy, sentiment , love. funny way of handling the scenes of unemployed poor guy. how he tastes fortune in impersonation. the craziest scene is how the guy poses that he has more money than the beggar and get insulted as the beggar has more money than him. later after stealing money he goes near the beggar to show of his money and feels sorry to see the beggar dead and people running after beggar's money. even the romance scenes are handled well.
    10sudindra

    As good as it can get

    First of all, if you did not know that this is a silent movie, you will never realize it unless somebody tell you. Such is the brilliant direction, background music and acting. This movie was shot in Bangalore (mostly in Windsor Manor Hotel).

    Brief Story: An unemployed young man who lives frugally bumps into a rich unconscious drunkard. He takes the drunkard to his house and gags him and ties him to his cot. He than assumes the drunkard's identity and lives in the drunkard's suite in a luxurious hotel.

    Most memorable moments: 1) The way he feeds the drunkard and takes care of his morning chores. 2) The ending

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    Handlung

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    • Wissenswertes
      Satyajit Ray, after watching the film, commented "Singeetam Srinivasa Rao has created a love scene around a dead body". He appreciated the film and Kamal Haasan's performance.
    • Verbindungen
      Referenced in Crimes Aaj Kal: Murder Most Foul (2023)

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    Details

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    • Erscheinungsdatum
      • 27. November 1987 (Indien)
    • Herkunftsland
      • Indien
    • Sprache
      • Noon
    • Auch bekannt als
      • The Love Chariot
    • Produktionsfirmen
      • Mandakini Chitra
      • Raajkamal Films International
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 2 Std. 5 Min.(125 min)
    • Farbe
      • Color

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