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Pushpaka Vimana

  • 1987
  • 2 Std. 5 Min.
IMDb-BEWERTUNG
8,6/10
3984
IHRE BEWERTUNG
Amala Akkineni and Kamal Haasan in Pushpaka Vimana (1987)
DramaKomödie

Füge eine Handlung in deiner Sprache hinzuAn unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is aft... Alles lesenAn unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.An unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.

  • Regie
    • Singeetam Srinivasa Rao
  • Drehbuch
    • Singeetam Srinivasa Rao
  • Hauptbesetzung
    • Kamal Haasan
    • Amala Akkineni
    • Tinnu Anand
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,6/10
    3984
    IHRE BEWERTUNG
    • Regie
      • Singeetam Srinivasa Rao
    • Drehbuch
      • Singeetam Srinivasa Rao
    • Hauptbesetzung
      • Kamal Haasan
      • Amala Akkineni
      • Tinnu Anand
    • 29Benutzerrezensionen
    • 5Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 7 wins total

    Fotos47

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    Topbesetzung13

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    Kamal Haasan
    Kamal Haasan
    • Unemployed graduate
    Amala Akkineni
    Amala Akkineni
    • Magician's daughter
    • (as Amala)
    Tinnu Anand
    Tinnu Anand
    • Killer
    Narayana P.L.
    • Beggar
    Agnis
    Farida Jalal
    Farida Jalal
    • Magician's wife
    Sameer Kakkar
    Sameer Kakkar
    • Rich man
    • (as Samir Khakhar)
    Vasant Kamat
    Ramya Krishnan
    Ramya Krishnan
    • Rich man's wife
    • (as Ramya)
    Loknath
    • Hotel owner
    • (as Lokanath)
    Prathap Pothen
    Prathap Pothen
    • Lover
    • (as Pratap Potan)
    K.S. Ramesh
    • Magician
    Mandeep Roy
    Mandeep Roy
    • Regie
      • Singeetam Srinivasa Rao
    • Drehbuch
      • Singeetam Srinivasa Rao
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen29

    8,63.9K
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    Empfohlene Bewertungen

    Chrysanthepop

    Comic Poetic Silence

    After numerous recommendations I finally managed to get a hold of this movie. I appreciate the director's attempt of making a silent movie that is charming, funny but very flawed. As much as I enjoyed it, I would not place it among the best movies. Some of the humour is too tacky for my liking, especially the toilet humour (for example the whole toilet situation with the hostage) and some comic tracks just fall flat. At times, the film moves at a lethargic pace. The Tinu Anand track did not need that much focus. That entire track could have been better left out. Yet, 'Pushpak' remains likable. I loved the irony in the end and that beautifully concludes the poetry of the entire movie. In terms of acting, 'Pushpak' belongs to Kamal Hassan. The actor gets into the skin of the character and nails the part. I never thought of him as one of the best actors in Indian cinema but i admire his attempt at experimenting with different things and he is exceptional in 'Pushpak'. Amla is vivacious in a smaller role. Director Singeetham deserves credit for daring to make a silent film, and one that mostly manages to avoid the clichéd gimmicks. Perhaps this was his homage to the voiceless movies made in the 30s. I loved his use of symbolism and metaphors especially in the end sequence. For the most part, 'Pushpak' is a fun watch and I thin it would have been excellent had the editing been more crisp but there's enough good about it that compensates for the weaknesses.
    son_of_stars

    Easily one of the best movies I have seen(in any language)

    A poor and unemployed youth, played by Kamal Hasan enjoys the good life by stealing the identity of a rich middle-aged drunkard. Pushpak is the name of the apartment-hotel the rich man resides in. While an imposter, Kamal gets to experience a life normally not granted men of his station and meets a beautiful girl and falls in love with her. But, like all good things, this brief excursion into paradise must end.

    The movie is set against the backdrop of vast urban unemployment among educated youth in the India of the Eighties. While peppered with numerous comic incidents, the movie is quite serious in adressing its central theme. The glaring contrast between the lifestyles of the rich and the rest is evocative of Indian society. A rich beggar, whose possessions the public tries to scavenge after his death and a bungling killer who gets electrocuted are interesting diversions that do not detract from the depth of the storyline. But, what makes this film a cinematic masterpiece in my opinion is that such a powerful portrait of the times is created without resort to dialogue. This is a silent movie !! It is truly difficult not to be atleast a little moved by the ending.
    10hprashantarora

    The Silence Speaks For Itself...

    Words are not enough to describe the strengths of this movie of which there are so many that no doubt Pushpak deserves the status of a cult-movie. A silent movie and an intelligent one at that should have shaken up the world of cinema. Alas, it was not meant to be. Nevertheless, it is a landmark film. Had it been made in Hollywood, it could have been the "Avatar" of 3D viewing experience.

    It tells the story of an unemployed youth Kamal Hassan who kidnaps and steals the identity of an alcoholic businessman, locks him in his one room apartment, and starts living the life of his dreams in the hostage's suite in a luxury hotel. What follows next is a mix of Alice-in-Wonderland like excitement; boy meets girl charm; hit man-on-the-loose pandemonium; guilt and redemption - all served with a puff of magic.

    Despite having no dialogs, the makers of this movie have managed to create such endearing characters that unless you are like me who has watched this movie more than 20 times, you watch with wide eyed wonder at the innovativeness with which each character's story and the situations they find themselves in is revealed. For example, in the musical chairs being played out between Kamal Hassan and random characters in front of the public bathroom, each one of them is desperate to out maneuver the other to get the best "seat" and it is a sight to behold. You can't help but marvel at the subtlety with which Kamal Hasssan plays this scene. Even more intriguing is the sequence of events that propel the action from a daily routine like having a surrogate breakfast, romancing the magician's daughter (an irresistible Amla) at a funeral, dodging the hit-man's innovative weapon, to pouring alcohol down the hostage's throat after cleaning his bottom. It's a remarkable mix and you wonder how much of it was improvised.

    Interestingly, the entire concoction is held together by symbolism and metaphors. The idea of boosting one's ego by drawing inspiration from the story of the clever crow that drops pebbles into a jar to raise the level of water in order to quench its thirst plays out beautifully when the protagonist does the same with a cup of tea. Only this time, he drops knick-knacks into the cup. In another scene, once the protagonist has successfully kidnapped the alcoholic businessman and taken over his identity, for a brief moment, stands in front of the hotel logo that has wings on its sides thus forging the idea that he himself has grown wings and is now ready to explore the world that has been out of his reach so far. The movie also boasts creative situational music, some of which sounds like as if it belongs in a lullaby but seems to gel beautifully with the well-choreographed sequences.

    Pushpak has a very strong message, especially for the youth, and you don't need spoken words to understand that honesty is still the best policy both in life and in love no matter how bitter-sweet the outcome. If you loved "Jaane Bhi Do Yaaro" and "Chashme Buddoor", make it a point to see Pushpak. If not for anything, watch it for Kamal Hassan and witness how he inhabits his quirky character and missteps not even once.
    9sanghvir

    Loss of words for this wonderful Film

    You just have to LISTEN TO YOUR EYES to belive it.

    Yes you got it correct listen to your EYES. This movie has no verbal dailouges at all (except for some seconds background chattering). And surprise surprise its a full length feature film with Romance,Crime,Thrills and a social message. Just amazing how it has been directed and excellent acting by all and sundry.

    Will recommend to one and all. (****1/2)
    10murali83

    The movie speaks for itself

    Well, the movie might belong to the genre of silent movies, but the movie speaks for itself. Instant Classic, Amazing direction truly flawless acting make this a memorable experience.

    Kamal has shown in this movie, what skill set someone requires to reach high standards. The movie has comedy, nice drama and an exceptional ending to wind it all.

    This movie was rightly honored by the Cannes Jury in 1988 and I would say it deserves much more. It can be appreciated by everyone. If you are not an Indian maybe you will take 20-25 Min's to start appreciating the movie, but take my words, after that you'll love it.

    It is a redefining piece of work in Indian Cinema. A silent movie itself has its own charm, but this one is a silent movie with a great story and a marvelous crew to support that. This is more than perfect.

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    • Wissenswertes
      Satyajit Ray, after watching the film, commented "Singeetam Srinivasa Rao has created a love scene around a dead body". He appreciated the film and Kamal Haasan's performance.
    • Verbindungen
      Referenced in Crimes Aaj Kal: Murder Most Foul (2023)

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 27. November 1987 (Indien)
    • Herkunftsland
      • Indien
    • Sprache
      • Noon
    • Auch bekannt als
      • The Love Chariot
    • Produktionsfirmen
      • Mandakini Chitra
      • Raajkamal Films International
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      2 Stunden 5 Minuten
    • Farbe
      • Color

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    Amala Akkineni and Kamal Haasan in Pushpaka Vimana (1987)
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