Late Night Shopping

With a few exceptions, British films of the past few years seem to have forgotten about the audience. Here's a new Brit flick that doesn't try to be gritty, ultra-violent, clever or just a showcase for film-makers who are more concerned with a stylistic wish list, than actually caring about the punter that's given up his evening and a fair wedge of cash to watch their effort.

Smart, witty and often laugh-out-loud funny, here's a comedy that builds upon emotions that we can all relate to. It's set in the twilight world that only shift-workers ever see. Our characters not only inhabit it, but are striving to make friends and eke out some kind of love life in it too.

Problem is, how is a serial one-night stand merchant, a guy too scared to check if he still has a girlfriend, a bloke with 'porno reactions' and a girl who has long since lost any daytime friends, ever going to find success? These social 'misfits' become increasingly endearing as their separate attempts to carve out romance all intertwine into a hilarious finish that's an absolute delight.

Short, snappy and a film with characters that you soon yearn to watch again, this is a smart Brit comedy that's a must-see.

I saw the film at the Stockholm filmfestval and i absolutely loved it. The director was there to present the film, and appologised for the misuse of music in the film, in the hilarious scene when foriginers is on the radio in the car and impossible to shut off. The story is thin but the excellent dialog is the best thing about it. The irony and british humour is splendid, and the actor are doing a good job. + for the beautiful Sienna Guillory. To be disturbed by small things as how Vincent could know where his friends were going is a sign of a person not feeling well. Ever heard of fiction?

I really enjoyed this film. It was much better than I was expecting from the box, which suggested both (i) another pointless Trainspotting knock-off and (ii) a laugh out loud pant-wetting comedy, of which this is neither (although there are some hilarious moments).

In fact this is a subtle comedy about a group of acquaintances becoming friends. The 'stupid coincidences' others have criticized here (the two girls knowing each other, Vince inadvertently pulling Sean's girlfriend) are indeed coincidences, but that is exactly the point. Because they ever only interact in the rather bleak nothingness of their nocturnal world, and superficially know so little about one another, they have no idea how interconnected their lives really are and how much they share.

A theme running through the film is the distinction between acquaintances, 'people you pass the time with', and friends. Which category do this group fall into? The unwitting and unrealised intersections between their lives initially indicate the former. However, their actions in helping Sean recover his girlfriend as the story goes suggest otherwise. Only Vince, the superficially shallow womaniser (and probably the best character), insists consistently that they *are* friends, that it is their actions towards one another that define their relationship, not the facts they can remember. By the film's (somewhat open) ending, the core group have moved firmly into the 'friends' category, not by learning that many more facts about each other, but by developing an understanding of each other's needs.

It's worth pointing out that this is all achieved without sentimental gushing at any point, something of a relief, and the films cynical tone rarely wavers. It's a credit to the young cast that they can express so much with barely a single heartfelt monologue.

There is also an underlying theme about the twenty-four hour society and the mundane, prospect-free jobs the group have. During the night, nothing changes - no-one really grows or develops, nothing is resolved, there is an air of helplessness at a bleak future doing the same pointless job for the rest of your life. (As Vince says, `And then what?'). It is only when they emerge into the daylight that anything can, and does, happen - things finally start to change.

In addition, the film is well directed and the production style is modern and distinctive without being intrusive. It's a relief to see a film with a young cast which has a bit of texture and depth, and which has not been designed around it's soundtrack.

All-in-all a very enjoyable watch, which is thought-provoking if you want it to be, and still very funny if you don't.

PS I feel obliged to answer at least some of the rather churlish and unfair criticisms which the film has received here:

1. `Why doesn't Sean just phone his girlfriend to see if she's still there?' Well, the other characters ask him this too, so it's not a plot hole. Instead it is establishing his character - he is incapable of facing up to the possibility she has gone, and paralysed by his fear of being alone. He's a bit neurotic, a bit paranoid, and he's stuck in his night-time world where nothing happens.

2. `How does Vince know where they are going?' BECAUSE LENNY TOLD HIM! This is established in the very next shot, when Jody realises the fact in the car and thumps Lenny. If you won't pay attention..

3. `Why are they all English when it's filmed in Glasgow? Why do the stop at a service station not on the route from Glasgow to Saltcoats?' Duh.. Just because it was filmed in Glasgow and Saltcoats, and therefore *looks* like Glasgow and Saltcoats, it is never confirmed to *be* these places. (In fact the seaside town was explicitly called something else). The city isn't supposed to be Glasgow, it's a fictitious AnyCity, UK. IT DOESN'T MATTER WHERE IT IS! It's not supposed to be anywhere *real*, because it's a story!

I rented this film from a local shop on a whim, not expecting much. My housemates and I watched and loved it, every one of us. Maybe it's because we can relate as late-working, unambitious slackers; however I think that it was the spot-on acting, funny and likeable characters, great writing, and unique freshness of this film that made it so good.

If you like a good, intelligent comedy, check this out.

I saw the film at the Stockholm filmfestival and i absolutely loved it. The director was there to present the film, and appologised for the misuse of music in the film, in the hilarious scene when foreiginers is on the radio in the car and impossible to shut off. The story is thin but the excellent dialog is the best thing about it. The irony and british humour is splendid, and the actor are doing a good job. + for the beautiful Sienna Guillory. To be disturbed by small things as how Vincent could know where his friends were going is a sign of a person not feeling well. Ever heard of fiction?