Teddy Bears' Picnic

I love Harry Shearer. I've been a fan of his subtle, ascerbic humor going back to his Credibility Gap days on KRLA in Los Angeles, through the genius that was Spinal Tap, on to the Simpsons and right up til today with his weekly radio show. That's why I was so dissappointed in this effort; it simply isn't up to his standard.

With so much talent to work with and a perfectly good premise (no spoilers here), Shearer fails to pull off what could have been a good natured poke at the Bohemian Club. Instead, he briefly introduces us to a bunch of characters (never long enough to appreciate why such people would be at such a place), who would be much less annoying if they were at least funny. Alas, they are not, and the plot (such as it is) becomes just juvenille enough to bring the whole thing crashing down.

Even though this movie is an utter failure, I still have faith in Harry's gift for wry humor. Everyone lays an egg sooner or later, and this, unfortunately, what his.

This film adds up to much less than the sum of its parts, and by parts I'm referring to the fantastic and star-studded cast. With Fred Willard, Michael McKean, George Wendt, Bob Einstein, the guy from Sledge Hammer (sorry I forget his name but he's great) and a ton of other people I am surprised at how bad the movie turned out. I think the big problem was with the script (lacks laughs and isn't a very meaty story, it's just a bunch of gags one after another and they aren't that funny) and mostly with the production value, the sound and video are of very poor quality. This cast deserves better and so does Harry Shearer, who also wrote and directed this. Maybe he was busy working on the Simpsons or something but he is usually much more funny than this movie would have you believe. 3 out of 10.

I was fortunate enough to see this film at one of its world premieres as part of the St. Louis International Film Festival. Unfortunately, Harry Shearer could not come and talk to us about it, as was scheduled, but from what I hear, his make-up Q&A session a few days later was riotous.

Naturally, this comes as no surprise. In the fashion of earlier works such as *This Is Spinal Tap,* *Waiting For Guffman,* and *Best In Show* (not all of which had anything to do with Shearer himself, necessarily), the comedy relies heavily upon quirky yet somehow realistic characters in situations to match. Improvisation and satirical exaggeration combined with portrayal of bizarre characters by some unexpected performers and comic pacing that only someone like Shearer could pull off make this one of the better comedies of the year. While I'm unsure of how well-distributed the film will be, all fans of the aforementioned films should make an effort to see it.

Its not a good film. It's not very funny.

But what's worse is that this is little more apologist piece on behalf of long term Bohemian Grove guest Harry Shearer.

Quite how this film managed to get made leads to some very worrying thoughts. Viewers might want to catch Alex Jones's "The Order of Death" for an alternative view of the goings on at Bohemian Grove.

But politics aside, is it anything more than a grown up a very of Animal House? I'm sorry to say it's not. In fact to be honest, it makes Animal House look like Citizen Kane by comparison and I can only imagine this would be because of the poor concept at the start of production.

Not very original at all.

So would I rent it (again)? No. Would I watch it on TV? (not again!).

I found myself consciously suppressing chuckles because several of the early jokes were racial slurs designed to make you cringe, but the movie audience was decidedly multi-ethnic. I bet it fares better on home video where the audience won't be so self-conscious. George Wendt has the juciest role as a general who goes overboard in trying to cover up Zambizi Glen's, and his own, secret. My personal favorites are Howard Hessman's portrayal of a grossly-overqualified theatrical director, and the actress playing the TV news producer. Morgan Fairchild has a very welcome, if small role.

I wanted to see this in a theater because it was shot in 480P video. My amateur's eyes couldn't see any difference between this and traditionally filmed movies-- quite surprising because this is lower resolution than even HDTV.