Perfect Opposites

Centering around a fresh out of college couple, this story of two young lovers begins with how they met at school, moved in together, and all the happenings before, during and after.

With Martin Henderson leading and narrating the film, you see generally only his perspective of the story. Piper Perabo, plays his girlfriend, and true love. Although the film can be a bit slow at times, and a little silly...it does have some very funny situations and moments.

I enjoyed it, and will probably see it in the future as well. It's not the best film out there, but for the budget they probably filmed it with, and the locations and actors, it's really not bad at all.

A light romantic comedy, which is probably best suited for either a lonely Friday night at home, or a good date movie.

From the beginning this movie had a nice story,a bit predictable but you can't see much creativity in teen movies : all come back to the same story : young people falling in love(you know the end).But even if it's not the best comedy/romantic I saw I must admit it's pretty interesting and the acting is good.The acting really makes you interested,moves you in a certain way.It's a good take-home movie.The story puts you in a romantic mood,it even makes you feel a bit sad because of the breaking-up part.But as in almost all romantic movies it has a nice ending leaving you with the feeling that even in real life love conquers all,even it's not completely true.It's worth seeing and I had a comfy evening watching it.

Recently at the movies, there hasn't been a lot of GOOD romantic comedies without either being 1) cheesy and predictable, or 2) sappy and not funny. A Piece of my Heart (aka My Last First Date) not only has some great scenes about the 'truth of dating', it also provides some comical fillers and connections between the lives of all the characters. Based from the play 'Heart', this script had many truthful analogies about what each sex is thinking. It covers both sides of a relationship (Martin Henderson and Piper Perabo) and then gains more insight from the friends watching the relationship. This movie is brutally honest and I believe that EVERYONE who goes to see this movie will say (at least once), 'That's happened to me before'. Finally, it's a good romantic comedy since last year.

In "Perfect Opposites," Drew and Julia, two college grads from "a school in the Midwest," decide to head to L.A. to start life together as a committed couple (not much of a move, as it turns out, since the college scenes were actually filmed at USC). However, in no time at all, the pressures of trying to establish their careers, combined with Drew's innate fear of commitment, end up putting a serious strain on the relationship.

"Perfect Opposites" is a fairly conventional romantic comedy that does at least offer a few flashes of insight into the complexities of man/woman relationships, even though the motivations for some of the characters' actions are strangely arbitrary and inscrutable at times. Nevertheless, as the complications arise, we find ourselves identifying with the two main characters more than we expect to at the beginning of the story. Unfortunately, the film insists on parading a bunch of cutesy L.A. stereotypes before the camera, severely undercutting the sense of reality it establishes in the scenes between Julia and Drew. There is one very funny scene in which Drew's old college roommate lays out his theory about where men and women fit in the evolutionary scheme of things, but the film doesn't achieve that level of comic cleverness very often.

As Drew and Julia, Martin Henderson and Piper Perabo make an attractive, likable couple, and the secondary performers do what they can with the characters they've been handed.

"Perfect Opposites" is a hard film to call because it feels both artificial and realistic in roughly equal measure. It takes a slightly more mature view of the world than most films of its type, building to a final scene that is a tad more thoughtful than what we are accustomed to in a romantic comedy. For that reason alone it deserves some recognition.

Any movie that begins with a title in written like: "A film made by everyone who worked in it", is a movie that was realized with people having fun; people enjoying the term of "filmmaking". It shows in "Perfect Opposites" that everybody worked with happiness and dedication. It's a comedy, but it's well made, funny and good.

The story is told by Drew, played naturally and confidently by Martin Henderson. He wants the viewer to know what happen to him and a girl he is in love with. He places himself in Los Angeles about to get it on with her, but suddenly the movie stops. Drew has stopped it; to go back in time and tell us how both of them met (it has been done before, but it's constantly repeated here and it works every time)…Julia is the name of the girl.

There was a movie I saw a long time ago about some girls struggling for their life and trying to be independent, and one of them wanted to be a singer. It was called "Coyote Ugly", and I don't remember liking the movie very much, but the girl in the main role; a beautiful and talented actress called Piper Perabo who illuminated the screen and still does today, here as Julia.

Julia and Drew suffer every couple's problems, and the movie does a very good job putting them on screen. Drew's friend Danny (Jason Winer) has a theory about the monogamy of men: "They can't have sex with one woman only". And Drew starts to think about that and concludes that if he stays with Julia he'll have sex with only one woman in his life.

But he loves her, and although she loves him and it should be enough, we know that most of the time it's not. They become friends of an older couple (a null Jennifer Tilly and a wonderful Artie Lange) who gives advice to each of them when they go through rough times. It happens that we know what we want but we are not able to show it.

The movie is an example of the comedies with pleasure we should be getting every week in theaters. Pieces about people with feelings and aspirations…Like Drew, who works for Louis (an excellent Joe Pantoliano) and forgets about Julia. But we laugh then, because they are very similar and they find themselves because of it; and we smile when they kiss with passion.

Director Matt Cooper causes that effect on us, and he should be proud. Stewart Zully, who wrote the picture with Cooper, should be proud too. They do their best to skip the clichés of the genre, and they skip a lot of them. And the few they show are so in the tone of the film that they don't seem like clichés. They are connected to the characters and their forms of being, and we believe it.

Because in every romantic comedy, whether good or bad, the clichés are just clichés because they need to be in the film. Not here; this is a comedy at a different level, away from everything you've seen lately. Take my word.