Die Affenmaske

An interesting film, since there are only a few of this kind. It seems that is hard to convince the viewer in the beginning but as it runs it gets better. Bear in mind that K.McGillis is older than the woman she's impersonating, same stands for S.Porter. The story has some unclear points, but the director has managed to cover them. In a few words, a nice try - next time better luck (or script). It is not a 'MUST' film to see, but I do recommend it (at least is far and away more interesting from many others of its kind).

Caught this on cable last night and I've decided that I like Susie Porter very much - she's got an incredibly expressive face (along with her adorable body, which we get to see a LOT of) and she was thoroughly convincing as the p.i. trying to solve the murder of a teenage poet while falling in love with the poet's teacher (Kelly McGillis, not quite believable in her role but she still looked good with Porter in the bathtub). Not very well-written or directed either - it's too long, too self-conscious and too convoluted - but it does have a certain style. . .and it DOES have the very appealing and watchable Porter.

"The Monkey's Mask" tells of a young Aussie woman who is 99.9% lesbian and 0.1% private detective charged with finding the killer of a young woman poet. A naive flick which has some style but precious little reason to watch or keep watching and no reason to care about any of the characters, "TMM" is mostly pretentious hogwash with people behaving in ways people only behave when they're acting in a movie. The film is annoyingly divided into chapters, the characters are boring, poetry and lesbian themes don't ring true, and the whole flick is about as palatable as Spackle on a Saltine. Passable stuff not worth the time. (C-)

I did enjoy The Monkey's Mask but lets face it, this script needed some more re-writing. Porter is very good and her character is interesting but she's really not cut out to be a private investigator. When she announces to someone that she's a PI working on the case you expect some of the characters to brush her aside and say "Beat it"! The chapter element of the film is really not needed. This film has no chapters. It's not that long of a film and it flows nicely so it was pointless to have it at all. I did enjoy the sex scenes with Kelly McGillis who doesn't appear in films nearly enough and she's always had great beauty and even though she's probably nearing 50, she looks great. I'm not buying the attraction of the two for each other but the nudity is pretty daring and I enjoyed the audacity of that part of the film. The whole way that she solves the case is not convincing and it looks like anyone could have figured it out. Not a bad little independent film from Australia. I recommend it for Porter's performance and her scenes with McGillis.

I could not find anything interesting in this film. Prose and poetry divided into chapter headings and dished up as an experimental film failed as a piece of entertainment. Let it be a lesson to other film makers.

Don't be misled by the title. The writer chose the title before she wrote the book because she rather liked the Japanese haiku of that name. Believe me, there are no monkeys or masks, but after due consideration they might have livened up the film.

The sex scenes were passable but with little delicacy. The writer said she had hoped for a more grubby presentation of those scenes. I could not see much point in the scene where the woman walks into a room with her panties off. Do lesbians like to advertise their pubic hair? On the positive side the cinema photography was excellent. Glimpses of Sydney harbour and its famous bridge put me in a great mood anticipating what beautiful scenes might follow. Alas! What a strange mixture.

In one of the final scenes we see a notice warning people to take care because the Sydney Harbour rocks are slippery. I waited in trepidation because i was sure something terrible was about to take place. But no! We hear a man addressing a lesbian investigator ...."Thank you for making love to my wife; you sure put a light in her eyes".

I'd be surprised to learn if a film like this could prove to be a profitable venture. My recommendation: AVOID!