Malliswari

Malliswari (1951): Brief Review -

An iconic Telugu romance based on the concept of Rani Vasam. Malliswari was initially a flop upon release but later gained both money and fame. Today, it is regarded as one of the early classics in the romantic drama genre-and rightfully so. The musical narrative, historical touch, artistic characters, and their grounded romance all come together to make it a beautiful watch. The film begins with the childhood of Malliswari and Nagaraju, who enjoy each other's company and grow up together, eventually falling in love. One of the most beautiful frames in the film shows two children running behind a temple and emerging from the other side as adults. Malliswari dances and sings beautifully, while Nagaraju is a master of sculpture. The two cross paths with King Krishnadevaraya and poet Allasani Peddana. Jokingly, Nagaraju suggests that Malliswari should be sent to the Queen's mansion as part of Rani Vasam. Unexpectedly, it actually happens, and the two lovers are forced to part ways. According to the rules of Rani Vasam, the lady cannot meet or have any relationship with a man. This leaves Malliswari unhappy, while Nagaraju lives a reclusive and secretive life. Fate brings them together again-but will they be able to challenge the King and his strict rules? The movie features grand sets, which were quite unexpected for a romantic film, but they add a lavish and majestic feel. Some songs do slow down the pace, but overall, the music works in its favor, setting the perfect mood for an old-school classic romance. NTR looks terrific in his role, and P. Bhanumathi rules every single frame. Sreevsta, T. G. Kamala Devi, and Nyapathi Raghava Rao were good. Many consider this B. N. Reddy's best work-and it might just be. I just wish it had something more to offer in the ending, as the climax felt rushed after two back-to-back songs. Overall, a genuinely adorable romantic drama with a timeless appeal for its audience.

Rating - 7/10*

By - #samthebestest.

In the bygone era of 1951, the cinematic landscape bore witness to the emergence of "Mallishwari," an Indian Telugu-language historical romance film that unfurled its tale under the discerning eye of the accomplished B. N. Reddy. Within the frames of monochrome, Bhanumathi and N. T. Rama Rao graced the screen as Nagaraju and Mallishwari, a couple ensnared in the clutches of familial avarice.

The narrative unfolds against the backdrop of the Vijayanagara Empire, where Mallishwari, in adherence to the tradition of "Rani Vasam," is dispatched to the regal abode, laden with the glittering offering of gold and jewels. The heart of the story beats with the forbidden love that prompts Nagaraju to defy conventions, clandestinely infiltrating the palace to reunite with Mallishwari, thereby paving the way for the ensuing consequences.

On the eve of December 20, 1951, the film made its cinematic debut, greeted initially by a lukewarm response from the box office. However, the tides swiftly turned in its favor as the echoes of commendation reverberated through word of mouth, leading to a commendable surge in ticket sales. Despite its subdued inception, the film found redemption in its subsequent re-release, transcending the shackles of its initial underperformance.

"Mallishwari" ascended to cult status within the realm of Telugu cinema, standing as a testament to B. N. Reddy's directorial prowess. Regarded as one of his magnum opuses, the film casts an enduring spell on the viewer, akin to a poetic masterpiece captured in celluloid.

This cinematic marvel is a nostalgic voyage, an immersive tapestry of kings and proud queens, resplendent baroque-style palaces, ethereal dancers, and ordinary mortals who dared to defy societal norms in the pursuit of love. "Mallishwari" remains etched in the annals of cinematic history as a lyrical symphony, an evocative composition that resonates long in the collective memory of aficionados.