Run Ronnie Run

Why on Earth would the guys who gave us one of the smartest "premise" based comedy shows on television choose such an easy target for their first film? New Line's tampering is not the reason the film isn't that great, guys. It's the idea to begin with. A parody of red necks? Ohhhhh, how cutting edge. THAT'S never been done before. The guys seem to have gone out of their way to play two really tired characters, in a tired situation (Reality TV) that we've seen parodied over and over again in other places and are now about as fresh and funny as a "Full House" rerun. This is a really sad loss 'cause I doubt it's likely anyone will poney up the money now to give these guys a second chance.

Also, the cameos. Great stuff with Jeff Goldblum, and Jack Black's bit is hysterical, but usually the famous people are just standing around without a single amusing thing to do ( Sarah Silverman and Gary Shandling immediately come to mind).

Ronnie is a mullet headed redneck who lives in a trailer, drinks a lot of beer, raises hell and gets arrested. A failed infomercial pitchman sees Ronnie and decides to have him star in a new reality-based TV show where Ronnie goes from city to city, gets drunk and in trouble, and ultimately ends up getting arrested. It's like "Joe Dirt" meets "Cops".

The show becomes a big hit. Ronnie gets to mingle with the stars, buy a big house and finally nail the hot girl who is in his favorite beer advertisement.

Ronnie begins to feel the hallowness of his fame and then goes through the stereotypical soul searching that we've seen in a lot of movies.

This movie had some great, almost classic moments. And I was loving it, up until the last 20 minutes. It's another example of a movie that would have benefitted from a re-edit or two. The story just ran out of steam.

There are a boatload of very funny celebrity cameos, some uncredited. Also, there is an animation at the beginning of the movie which looks like a classic 1950's style "Please refrain from talking during the movie" cartoon, but it ends up being anything but. It looks like a Cricfalusi animation and it's pretty funny.

Look for the fake music video which also is very good.

Also, the ending credits have a few surprises including a great send up of Jackie Chan closing credits.

Supposedly, this movie failed to get a distributor. It is certainly strong enough to be released. I just wish they'd punch up the ending.

I give it a 6.5 to 7 out of 10. The team that made this movie is certainly talented. Be sure to check out the memorable quotes.

Not bad but...clearly either a case of too many cooks in the kitchen or massive studio interference marred what could have been a real blast of a comedy based on the cult favorite show MR. SHOW'S most enduring sketch.

After viewing the DVD's deleted scenes section is becomes very clear that a truly hilarious film does exist somewhere in there (including a much better ending, and a great rant by David Cross inspired by a similar one he did on the very first HBO episode of the t.v. show) but as it is the film is fun and occasionally very funny but often only passably amusing. Some inspired cameos, especially the one featured in the Broadway Musical rendition of Ronnie's life story which I will not spoil for you here, some nods to the stream of consciousness style of the show itself and of course all the familiar cast faces (Bob and David in particular) help elevate this endeavor, but as a long time fan who has seen every episode of the source of this movie, HBO's t.v. show "MR. SHOW", multiple times, I have to say the end result is a bit of a let down. Don't get me wrong, it's enjoyable, but it's hard not to wish another cut could be made that includes more of the cut material. That along with cutting a bit of David Koechner's part (and he is pretty funny here, like he usually is, but less would be more in this case), or maybe losing his narration altogether, would really put this flick up where it should be. A mistake early on in the general concept of the movie was made when Ronnie was made more likable than his television version. The film suffers a bit from sentimentality as a result and loses a lot of the MR. SHOW bite. This new sentiment could have still worked, however, if the cuts to Koechner's character and the reinsertion of the deleted scenes (including even more that's featured in the trailer but aren't even in the deleted scene section) could have been made. Seeing how neither is even remotely likely, I'll just have to go on wishing, and enjoy the picture for what it is, a flawed attempt that is still a must see for fans. Here's to some alternate cut turning up one day, grainy and edgy...which is really the way MR. SHOW is meant to be anyway!

A swamp of wasted comic ingenuity, Run Ronnie Run has about 10 minutes of clever, even hilarious parody to its name before being cleaned out of laughs. For the remainder of the time, this Sundance handout spun off from David Cross and Bob Odenkirk's hilarious HBO program Mr. Show With Bob and David, stumbles along, confusing with trendy and audacious all the infantile throwaways and pop culture references that it tediously stretches to frame its running time. Camouflaged behind a bulletproof mullet, Cross plays the Ronnie in question, a beer-gorging deadbeat hayseed who whiles away the hours wreaking havoc on his Georgia hometown. His exploits are caught on tape by a Cops-like reality show called Fuzz, and he's noticed by pathetic infomercial personality/inventor Terry Twillstein, played by an astute Bob Odenkirk, who sees Ronnie's popularity with lowbrow viewers. He promotes the idea to TV executives for a show in which he is arrested in a different city each week. The show becomes phenomenally successful, making Ronnie rich and famous, surprise surprise.

But while the text isn't up to Mr. Show's lofty benchmark, some big laughs do emerge, as when Hollywood stars beseech Ronnie to rob them, or when Ronnie's one semblance of soul-searching on death row involves his last meal: waffles, squarely nosing out corn dogs. Cross and Odenkirk, who ultimately disowned this movie, hardly reproduce a shred of the wit of any one of various sundry sketches from their show, but David Koechner has some time here to do his thing as an illiterate alcoholic redneck moron and Sarah Silverman Program regular Brian Posehn is one of the writers.

Ronnie's guilelessness is essentially a one-dimensional gag. Cross can be hilarious, but he's just more fitting when he's bald. Here his act is eclipsed by the innumerable celebrity cameos such as Jack Black, Trey Parker and Matt Stone, John and Rebecca Romijn Stamos, Ben Stiller, Jeff Goldblum, Mandy Patinkin, Kathy Griffin, etc., and episodes which don't follow at all from the premises, including one that reveals the "gay conspiracy" overseen by Patrick Warburton and forces them to give up their plot for world domination. It's completely non-sequitary in the film, and it's particularly memorable.

An average episode of Mr. Show began with one idea and, by the end, returned full circle to that original idea. Run Ronnie Run follows that cycle. Ronnie Dobbs was first introduced in the first Mr. Show episode, and now years after the show was cancelled, we return to Ronnie in his very own movie to close the circle.

The movie, as an inside joke filled with many inside jokes that only fans of the show will get, is a disappointment. Many situations can only be fully appreciated if you have seen the series from HBO. Those who haven't will find themselves wondering why so many jokes fell flat. For those who have seen the full series, we find ourselves wondering, once again, why so many jokes fell flat.

The movie, a loose plot based on one portion of the first Mr. Show episode, anchors a handful of poor skits that just don't have the wit or anti-establishment humor that the series showcased.

At three times the length and only half the jokes of a Mr. Show episode, it makes sense that Run Ronnie Run has been sitting so long waiting for someone to take a chance on distributing it.