Eine geschiedene Frau und ihre zuckerkranke Tochter flüchten in den Panikraum ihres kürzlich erworbenen Hauses, als drei Männer auf der Suche nach einem geheimen Vermögen in das Haus einbrec... Alles lesenEine geschiedene Frau und ihre zuckerkranke Tochter flüchten in den Panikraum ihres kürzlich erworbenen Hauses, als drei Männer auf der Suche nach einem geheimen Vermögen in das Haus einbrechen.Eine geschiedene Frau und ihre zuckerkranke Tochter flüchten in den Panikraum ihres kürzlich erworbenen Hauses, als drei Männer auf der Suche nach einem geheimen Vermögen in das Haus einbrechen.
- Auszeichnungen
- 1 Gewinn & 9 Nominierungen insgesamt
Ty Copeman
- Truck Driver
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Nicole Kidman
- Stephen's Girlfriend on the Phone
- (Synchronisation)
- (Nicht genannt)
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This claustrophobic suspense thriller sets itself up well with a remarkable, if digitally enhanced, one-shot that neatly and necessarily establishes the geography of the central location, while also planting the seeds for the seedy uses of various tools laying about the house, so that the action that comes later is clean and clear without ever needing to slow down for the sake of audience reorientation. 'Panic Room (2002)' is pretty pacy and nicely gritty to boot, being unusually violent for pictures of the kind but never less tense either. It manages to make a compelling home-invasion seem suitably layered, presenting the bad guys as rounded individuals with differing yet believable motives and personalities. It still feels immediately dangerous, though, never losing sight of its protagonists and the escalating peril they're placed in, until it finally reaches its truly edge-of-your-seat and slightly unexpected finale. 7/10
In her first suspense-thriller since her Academy-Award winning turn in "The Silence of the Lambs", Jodie Foster registers quite well as middle-aged New Yorker Meg Altman, who moves into an EXTREMELY spacious brownstone with her daughter Sarah (Kristen Stewart), a diabetic tomboy. The building is equipped with a special shelter designed in the event of a break-in, known as a 'panic room'. Meg and Sarah waste no time in putting the claustrophobic area to use (on their first night, no less) when a trio of burglars (Forest Whitaker, Jared Leto and Dwight Yoakam) make their way into her building to retrieve a large sum of money. The catch is that the burglars' stash is in the very room in which Meg and her daughter are hiding! While 'Panic Room' is not exactly white-knuckle suspense, it definitely has its moments, especially the heart-pounding moment when Meg leaves the panic room to grab her cell phone, and the the tension-building scene when Whitaker and Yoakam enter the panic room when Foster leaves. The only main plot hole is clear in the very beginning: Why would a recently separated woman with one child want to purchase a four-story brownstone? What does she need all of that space for? Besides that, 'Panic Room' is an intelligently written and directed thriller from director David Fincher (Fight Club). The only characters that don't make sense are Meg's friend in the opening scenes and her husband (Ann Magnuson and Patrick Bauchau). They both seem hopelessly unnecessary; otherwise, 'Panic Room' is a first-rate thriller with similarities to several shockers of the early 1990s, 'Unlawful Entry' (1992) being one in particular. Whitaker has to be one of the nicest thieves in recent film history!
This movie kept me at the edge of my seat from 10 minutes inside of it and all through until its very end. A very good story highlighted by very good performances.
My hat off to Jodie Foster and Kristen Stewart, they're great playing mother and daughter.
Country-singer-turned-actor Dwight Yoakam outdoes himself portraying one of the burglars.
My hat off to Jodie Foster and Kristen Stewart, they're great playing mother and daughter.
Country-singer-turned-actor Dwight Yoakam outdoes himself portraying one of the burglars.
David Fincher directs this cleverly conceived thriller about a mother and daughter trapped inside a panic room by three criminals. The film is well-paced and the camera work is slick. The film does well in exploring the confines of the house. Jodie Foster is effective and maintains a high intensity throughout. Kristen Stewart is decent as her daughter. Forest Whitaker plays a slightly sympathetic criminal and does well. Unfortunately, after an engrossing game of cat and mouse, the conclusion is weak. Staple clichés crop up and the film goes for a crowd-pleasing finale that doesn't quite feel right. Still watchable.
Overall 7/10
Overall 7/10
Director David Fincher lays out a tight simple thriller. It takes place all in and around the house. Meg Altman (Jodie Foster) is recently divorced and buying a house in the Upper West Side of Manhattan. It has a panic room. On their first night in the house, they get invaded by three criminals (Forest Whitaker, Dwight Yoakam, Jared Leto) intend on getting something from the previous owner left in the panic room. Only Meg and her daughter Sarah (Kristen Stewart) get there first.
Fincher has striped away all the unnecessary filler from the story. It's a simple cat and mouse game. Nothing could be simpler. Even at almost 2 hours, there isn't a slow moment. All the actors get their fair share. Jodie and Forest lead the cast, but Jared and Kristen also shine. I wouldn't say this was the greatest or the most original. It is simply a good movie.
Fincher has striped away all the unnecessary filler from the story. It's a simple cat and mouse game. Nothing could be simpler. Even at almost 2 hours, there isn't a slow moment. All the actors get their fair share. Jodie and Forest lead the cast, but Jared and Kristen also shine. I wouldn't say this was the greatest or the most original. It is simply a good movie.
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- WissenswertesAccording to David Fincher, Kristen Stewart grew more than three inches during filming of this project. She was smaller than Jodie Foster when the production started and towered over her when the final shots were done.
- PatzerWhen Meg starts searching for a "chocolate bar" once Sarah's sugar level drops, Sarah says she had already searched in the box and had found nothing. Yet we clearly see standard U.S. Military M.R.E. (meal ready to eat) packages which include a high sugar ration (in the form of, or in addition to, a dessert with the meal itself and sugar to be used with the included instant coffee), when Sarah was first searching.
- Crazy CreditsOpening credits are amazingly realistic in that they cast shadows and are reflected on the surrounding glass buildings.
- Alternative VersionenThe film's VHS & HDTV release presented the film open-matte, at an aspect ratio of 1.78:1, meaning there is more picture at the top and bottom of the frame than on DVD, which presents the original theatrical aspect ratio (2.39:1).
- VerbindungenEdited into HBO First Look: The Making of 'Panic Room' (2002)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- La habitación del pánico
- Drehorte
- 38 West 94th Street, Manhattan, New York City, New York, USA(townhouse exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 48.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 96.397.334 $
- Eröffnungswochenende in den USA und in Kanada
- 30.056.751 $
- 31. März 2002
- Weltweiter Bruttoertrag
- 197.079.546 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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