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The Feast of All Saints

  • Fernsehfilm
  • 2001
  • R
  • 3 Std. 33 Min.
IMDb-BEWERTUNG
6,5/10
875
IHRE BEWERTUNG
Gloria Reuben in The Feast of All Saints (2001)
DramaRomanze

Füge eine Handlung in deiner Sprache hinzuSet in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and ... Alles lesenSet in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and black oppression.Set in nineteenth-century New Orleans, the story depicts the gens de couleur libre, or the Free People of Colour, a dazzling yet damned class caught between the world of white privilege and black oppression.

  • Regie
    • Peter Medak
  • Drehbuch
    • Anne Rice
    • John Wilder
  • Hauptbesetzung
    • Robert Ri'chard
    • Peter Gallagher
    • Gloria Reuben
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    875
    IHRE BEWERTUNG
    • Regie
      • Peter Medak
    • Drehbuch
      • Anne Rice
      • John Wilder
    • Hauptbesetzung
      • Robert Ri'chard
      • Peter Gallagher
      • Gloria Reuben
    • 21Benutzerrezensionen
    • 16Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Primetime Emmy gewonnen
      • 3 Gewinne & 3 Nominierungen insgesamt

    Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung60

    Ändern
    Robert Ri'chard
    Robert Ri'chard
    • Marcel Ste. Marie
    Peter Gallagher
    Peter Gallagher
    • Philippe Ferronaire
    Gloria Reuben
    Gloria Reuben
    • Cecile Ste. Marie
    Jennifer Beals
    Jennifer Beals
    • Dolly Rose
    Ossie Davis
    Ossie Davis
    • Jean-Jacques
    Ruby Dee
    Ruby Dee
    • Elsie Claviere
    Pam Grier
    Pam Grier
    • Suzette Lermontant
    Jasmine Guy
    Jasmine Guy
    • Juliet Mercier
    James Earl Jones
    James Earl Jones
    • Older Marcel
    Eartha Kitt
    Eartha Kitt
    • Lola Dede
    Ben Vereen
    Ben Vereen
    • Rudolphe Lermontant
    Forest Whitaker
    Forest Whitaker
    • Daguerreotypist Picard
    Jenny Cooper
    Jenny Cooper
    • Aglae Dazincourt
    • (as Jenny Levine)
    Bianca Lawson
    Bianca Lawson
    • Anna Bella Monroe
    Nicole Lyn
    Nicole Lyn
    • Marie Ste. Marie
    Rachel Luttrell
    Rachel Luttrell
    • Lisette
    Jason Olive
    Jason Olive
    • Richard Lermontant
    Daniel Sunjata
    Daniel Sunjata
    • Christophe Mercier
    • Regie
      • Peter Medak
    • Drehbuch
      • Anne Rice
      • John Wilder
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen21

    6,5875
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    Empfohlene Bewertungen

    3silverwings

    A Badly Directed & Disappointing Waste of TALENT

    "Feast of All Saints?" Where...? When...?

    Was the Feast of All Saints storyline and theme edited out?

    What a waste of a wonderful title! There is never anything in the story that has the remotest connection to the "Feast of All Saints." Nor is there anything in the story about "All Souls Day" which the term is referencing. Why bother to use this title if you never intend to including any kind of storyline or theme about "All Souls Day" or the "Feast of All Saints"?

    Embarrassly Bad Script & Amateur Writing

    How did they attract such great talent to this clunker? The writing is so amateur--characters that have known each other all their life go into big long speeches about their life history for the sake of the audience. Not at all the way people talk to each other.

    What was the Director Thinking?

    The directing is equally bad! The forced and overly deliberate style feels amateurish. In one scene, a character is yelling "Take your hands off of me" and NO ONE is touching him! The most badly directed scene however, is the incredibly over-the-top battle scene at the beginning of the film.

    Excessive Gore in a Very Fake, Silly Battle Scene

    There are so many dead people in the most fake battle scene. It looks like a Saturday Night Live skit!! You can see extras waiting for their cues to walk across camera. Everyone plays their death scene like 4th grade boys--exaggerating every little gasp and twitch. The blood on battle victims is so excessive and carelessly applied it looks like someone used a ketchup dispenser and just squirted straight lines of red on the costumes.

    This whole battle scene comes off as the spoof of a really cheesy war movie. You almost expect someone like Will Ferrell and Mike Myers to ride up on a horse and deliver the punchline.

    Who in Real Life Would Ever Behave this Way?!

    The most ridiculous bit of writing, directing and casting is actually the focus of the scene:

    A little girl is standing under the dead body of her hanging father--who is terribly mutilated, and literally dripping blood form his gaping wounds. Even a totally idiot would know he is dead! Yet she is--very monotonously--repeating over and over "Daddy, daddy..." while looking at someone off-screen. She delivered it with about as much believability and passion as you could expect from an non-actor kid that had been repeating the line for the cameras all day.

    Even if the poor kid had any acting skills, the scene is completely unbelievable. The little girl wouldn't even BE in the middle of the battlefield after hours of carnage--surrounded by hundreds of dead bodies, while she calmly stands there!! Natural instincts would had the kid screaming and terrified, running AWAY from the bloody carnage!

    Are we Suppose to be Horrified or Laugh...?!

    One particularly goofy detail, that gives the scene an SNL satire tone, is the father hanging, with a huge hook through his mouth and cheek. He looks like a fish on a hook! The unintentionally funny details, make the whole scene come across as fake and silly.

    In Fantasy La-La-Land, Mothers and Daughters are the Same Age!

    Another funny detail, is that you see a central character--the little girl's mother--at the end of the scene and in the next scene, that occurs 20+ years later, she looks exactly the same! She is still young and beautiful, and now the same age as her daughter!

    I almost turned the movie off right there because the direction and writing were obviously awful--but I tried to stick it out because I wanted to see the Louisiana settings and I like all the actors. I don't know what these fine actors were thinking when they accepted these roles!

    Who was the Targeted Audience?

    The excessive amount of blood and badly acted violence in the opening scene are weirdly out of place with the soap opera storytelling tone that follows. It is also a strange way to start a movie that, for the rest of the time, seems targeted to romance novel reading females. Weird inconsistency in tone!
    9ladonnanichole

    a coming of age story

    Historical drama and coming of age story involving free people of color in pre civil war New Orleans. Starts off slow but picks up steam once you have learned about the main characters and the real action can begin. This is not just a story about the exploitation of black women, because these were free people. They may not have had all the rights of whites but they certainly had more control over their destinies than their slave ancestors. The young men and women in this story must each make their own choice about how to live their lives, whether to give into the depravity of the system or live with optimism and contribute to their community. I enjoyed all of the characters but my favorites were Christophe, Anna Bella, and Marcel.
    10LezaMessiah

    It's The Story Of My Family

    My family goes back to New Orleans late 1600's early 1700's and in watching the movie I knew it was a history my grand-parents never talked about, but we knew it existed. I have cousins obviously black aka African Americans and others who can "pass" as white and chose not to. It's a hard history to watch when you realize that it's your family they're talking about and that Cane River is all a part of that history. It makes me want to cry and it makes me want to kick the 'arse' of my great grandfathers who owned those plantations and wonder in awe of how my great grandmothers of African heritage lived under that oppressive and yet aristocratic existence...And at the same time had I not come out of that history, I probably wouldn't be the successful business woman I am today living successfully in a fairly integrated world. The acting was both excellent and fair depending upon the actor, but it is a movie that NEEDED to be made. Anne Rice is incredible and I ask myself, why is she 'symbolically' writing about my family and I'm not. I recommend this movie to everyone. Leza
    4Hatshepsutely

    C'est Horrible!

    I read Rice's novel with interest, and became quite enchanted with its characters and heartbreaking tale based on historical truths.

    However, I was simply APPALLED at this disastrous adaptation. The casting was based merely on physical appearance, and not acting talent (with the obvious exception of Peter Gallagher, who was neither blond-haired, or able to act his way out of a wet paper bag). The cast's embarrassingly clumsy and inconsistent attempts at affecting a French accent was hilarious, but not in an entertaining way. I found myself wincing through this muddled and melodramatic tripe, and was surprised I made it to the end.

    A warning to fans of the novel - stay away from this one.
    2auctionmaestra

    Mostly bad--could have been so good!

    This movie was so badly written, directed and acted that it beggars belief. It should be remade with a better script, director and casting service. The worst problem is the acting. You have Jennifer Beals on the one hand who is polished, professional and totally believable, and on the other hand, Ri'chard, who is woefully miscast and just jarring in this particular piece. Peter Gallagher and Jenny Levine are just awful as the slave owning (and keeping) couple, although both normally do fine work. The actors (and director) should not have attempted to do accents at all--they are inconsistent and unbelievable. Much better to have concentrated on doing a good job in actual English. The casting is ludicrous. Why have children of an "African" merchant (thus less socially desirable to the gens de couleur society ) been cast with very pale skinned actors, while the supposedly socially desirable Marcel, has pronounced African features, including an obviously dyed blond "fro"? It's as if the casting directors cannot be bothered to read the script they are casting and to chose appropriate actors from a large pool of extremely talented and physically diverse actors of color. It's just so weird! This could be a great movie and should be re-made, but with people who respect the material and can choose appropriate and skilled actors. There are plenty of good actors out there, and it would be fun to see how Jennifer Beals, Daniel Sunjata and Gloria Reuben would do with an appropriate cast, good script and decent direction.

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      In the book, Marcel has blue eyes.

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    Details

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    • Erscheinungsdatum
      • 11. November 2001 (Vereinigte Staaten)
    • Herkunftsländer
      • Vereinigte Staaten
      • Kanada
    • Sprache
      • Englisch
    • Auch bekannt als
      • Anne Rice's The Feast of All Saints
    • Drehorte
      • Spadina House - 285 Spadina Road, Toronto, Ontario, Kanada(interiors)
    • Produktionsfirmen
      • Feast Productions Limited
      • John Wilder Nightwatch Productions
      • Katherine Company
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      • 3 Std. 33 Min.(213 min)
    • Farbe
      • Color
    • Sound-Mix
      • Stereo
    • Seitenverhältnis
      • 1.33 : 1

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