IMDb-BEWERTUNG
4,3/10
8828
IHRE BEWERTUNG
Trotz der Führung durch die Blaue Fee und der Liebe seines Vaters führt ihn der neugierige Geist einer Holzpuppe in ein wildes Abenteuer nach dem anderen.Trotz der Führung durch die Blaue Fee und der Liebe seines Vaters führt ihn der neugierige Geist einer Holzpuppe in ein wildes Abenteuer nach dem anderen.Trotz der Führung durch die Blaue Fee und der Liebe seines Vaters führt ihn der neugierige Geist einer Holzpuppe in ein wildes Abenteuer nach dem anderen.
- Auszeichnungen
- 5 Gewinne & 24 Nominierungen insgesamt
Claudio Bellante
- Fruttivendolo
- (as Claudio Bellanti)
Empfohlene Bewertungen
First a warning - do not watch the dubbed release of this film - it's terrible. Watch the original Italian version with English subtitles - it makes all the difference in the world. Visually stunning while only partially flawed by Benigni's casting of himself in the lead role (you have to like him to like the movie), this film is wildly entertaining - more in the vain of Terry Gilliam's The Adventures of Baron Munchausenthan the Disney classic Pinocchio.
First thing I did was to erase from my head the version of the puppet that was created by the Disney factory. Then I had to struggle to admit old Roberto as a kid, and his wife as a fairy, but now I am old enough to admit both licenses, especially from someone who did something as silly as "La vita è bella". But most of all, I had to have a bigger, harder struggle to take off those stupid glasses we wear more often than not, to see everything through Hollywood eyes. And there I was: watching an Italian film about an Italian puppet, based on an Italian book, with an old Italian clown in the main role, done with a lot of affection, with great cinematography by Spinetti, and great art work by Donati, to whom the film is dedicated... I enjoyed it very much, and even if it is hated by almost anybody that saw it, I still would recommend it to my dearest friends.
The Italian language version is gorgeous and very faithful to the wonderful book. People make too big a deal out of Roberto playing a boy. He's quite good in the role and far more restrained than anything else I've seen him in, except maybe Son of the Pink Panther, which was pretty dreadful. That we are so hung up on the age of a man playing a living puppet shows how much imagination we have lost and how much baggage we bring into a film. It's sad to me that my kids won't be watching the film, because they are too young to read subtitles and the English language version sounds awful. I thought this was great.
nice. but not convincing. beautiful. but not enough. amusing. only for few sequences. touching. for good intentions. its sin - each viewer has his image of Pinocchio. and this image is very and deep different by Benigni work. his ambition to create the Collodi legendary character is far to be inspired. it is silly and too strange. because, unfortunately, it is not a joke but a movie , not a parody but adaptation of a great book. sure, poor Benigni is innocent. but his innocence, his desire to do a good work remains a failure. not for acting but for mixture between costumes, delicate images and his old humor recipes. he is saboteur of his labor. explanation - no measure of ingredients and the sparkles of ridiculous. but it is an exercise. not catastrophic. only very far by expectations.
I must admit I admired the set designs and the effects of this film, which were quite colorful and entertaining. The film started well and I settled in expecting to be amazed.
Then Pinocchio spoke, and I saw Roberto Benigni as the wooden puppet who longed to be a boy. WOW was that bad casting! I couldn't keep track of the amount of times I winced in pain and rolled my eyes as Benigni, a middle-aged man, ran around like a spoiled brat spouting things many 3-year olds have outgrown. I must admit I wanted to make kindling of this puppet.
Worth seeing for the set pieces, costumes and effects. Too bad we can't edit out the parts with Pinocchio!
5 out of 10 (all 5 for the sets and costumes).
Then Pinocchio spoke, and I saw Roberto Benigni as the wooden puppet who longed to be a boy. WOW was that bad casting! I couldn't keep track of the amount of times I winced in pain and rolled my eyes as Benigni, a middle-aged man, ran around like a spoiled brat spouting things many 3-year olds have outgrown. I must admit I wanted to make kindling of this puppet.
Worth seeing for the set pieces, costumes and effects. Too bad we can't edit out the parts with Pinocchio!
5 out of 10 (all 5 for the sets and costumes).
Wusstest du schon
- WissenswertesRoberto Benigni originally conceived this project as a collaboration, with Federico Fellini directing it. When Fellini died, Benigni became its director.
- Alternative VersionenThe Italian version with English subtitles was screened to most critics, before a last-minute English dubbed version using English-speaking celebrities was used, including Breckin Meyer, Glenn Close, John Cleese, Eric Idle, David Suchet, Cheech Marin, Eddie Griffin, Topher Grace, Erik Bergmann, Queen Latifah, James Belushi, Kevin James and Regis Philbin.
- VerbindungenFeatured in The Cinema Snob: Zombi 7: Zombie '90 - Extreme Pestilence (2010)
- SoundtracksLa Fata Turchina
By Nicola Piovani
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Roberto Benigni's Pinocchio
- Drehorte
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Box Office
- Budget
- 40.000.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.684.305 $
- Eröffnungswochenende in den USA und in Kanada
- 1.151.463 $
- 29. Dez. 2002
- Weltweiter Bruttoertrag
- 44.310.395 $
- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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