Italienisch für Anfänger

I had the pleasure of seeing Italiensk for begyndere in a pretty small, intimiate cinema, which set the audience up beautifully for this movie.

The characters really drive this story, rather than the film pushing the characters around. What results is a movie that takes its own time to say what it needs to say, and that allows us to gain insight on what really is a broad spectrum of very human, very diverse personalities.

Romantic comedies-dramas, by and large, are pretty hit-and-miss, though more miss than hit if they come from Hollywood. They're bogged down in clichés, saccarine melodrama and characters that don't at all behave like real people. Italiensk for begyndere avoids all that, giving us characters that could just as well be the person sitting three seats from you in the cinema, that's how human they are.

I didn't feel at all cheated with this film, and left the cinema feeling like I saw a film that speaks to people. Superb.

A clever film, with low production values but a witty script and great cast. The characters are so real and vivid. You sympathize with them, want them to succeed. There are so many tiny little things that make it leap from the screen. As you become caught up in the story you forget that the camera is a little shaky, the video not always perfectly focused. The scenes in Italy are absolutly beautiful. The director uses colors well, the color of the characters clothes reflects their emotions. Never heavy handed or pushy, just a sweet little film.

The thing I appreciated about this flick were the actors. Here I saw real people acting the way folks like you and me act in similar situations. None of the silly fresh faced cuteness that one sees on local programming of the 'Friends' genre. Here were people we could all relate with, people we know and have interacted with. After watching the various romances unfold I left the theater with the good feeling of, 'yep, that's the way it really happens.'

What an evening well spent watching this film. It's poignant, touching, funny. It explores themes that are not always easy to talk about on the big screen: euthanasia for one, impotence for another. It also touches the tragedy of losing someone close to you. The cast is very good, all six of them, but especially Anette Stovelbaeck, Ann Eleonara Jorgensen and Peter Gantzler. And Sara Indrio Jensen is superb! Too bad she hasn't played in another movie. The dogme style goes well with this story. But one must get pass the first 10 minutes or so during which the hand-held camera can make you a bit dizzy!

Seen at home, in Toronto, on March 25th, 2006.

80/100 (***)

I have to admit, after the first few minutes I was wondering if I'd even manage to finish the whole thing. Also, as this was the first Dogme film I'd seen, I was also really questioning the whole concept. The opening scenes seemed amateurish in both filming and acting, with jerky editing and camera movements, and seemingly one-dimensional characters. But it really grew on me as I kept watching. The more the characters revealed themselves, the more sympathetic and complex they became. It actually became quite engrossing as the film progressed. There were just so many moments of geniune warmth and humor. In fact, what really struck me about this film after it was all over was its geniuneness. I haven't seen anything so heartwarming in a long time. 8/10.