Ein Mann sieht rosa

Francois Pignon is a shy, unassuming accountant in a French rubber manufacturing firm. With redundancies on the way, he knows that, because he is not respected by his boss or colleagues, that he will be the first one out the door. After a discussion with his new neighbour, Pignon fabricates photographs that make himself look undeniably gay – thus preventing his employers from sacking him without making it look like they did it due to his sexuality. When he 'comes out', the rumours start but his job is safe – in fact, the management move to clamp down on the behaviour of one of the management team who is homophobic. Worried for his own job due to his warning, Felix Santini is convinced that, in order to fit with the company line on homosexuality, he must be especially nice to Pignon and show how modern he is. However this only serves to create more misunderstandings within the workplace.

With the natural American remake surely only a matter of years away, I was glad that I had the chance to see this film before the remake rather that afterwards. Able to view it as an original piece of work without any other spin, I found it to be a rather charming little film – slight and lacking real bite but still providing gentle laughs and subtle comment. The plot allows for the film to look at the way that homosexuality has changed over the decades to the point now where it is acceptable and yet still looked down upon (but not openly in public – that is not PC!). It also manages to bring in other threads involving Felix's homophobia, a thread that starts out being very funny but later becomes quite touching and delicate. It never really gets very convincing as a serious plot or a real sharp commentary but it is a light comedy – I didn't expect it to. A heavier plot would have spoilt the enjoyable light mood the film had which does manage to turn a little more serious towards the end without losing the comic spirit it had early on.

Veber is a good comic direction and I have liked several of his films that I have seen. Here he brings together a good cast to build on his witty script. Auteuil is, as he often is, very good. A comic little fool that grows on the audience and develops as a person over the duration of the film, he plays it well and is nicely understated – I hate to think how Hollywood will deal with a character pretending to be gay: terrible camp clichés (Will & Grace, Birdcage) will be much more likely than anything else. Depardieu was a surprise find but he was also very good – starting out in a very comic role at first but skilfully making more of it and making the changes to his character pretty convincing. Support from Lhermitte, Laroque, Aumont and others are all good but the film is easily stolen by Auteuil and Depardieu.

Overall a very enjoyable little film that has a good comic tone as well as an interesting story. Never consistently hilarious or going too much the other way to be pointed and political, it judges the mood just right and has a bit of both, producing a balanced film that, despite being a little slight in several regards, is enjoyable and interesting – I hope the inevitable remake can do it justice.

Anti-discrimination laws are given a tweaking in this light, amusing French comedy. Auteuil plays an unassuming, rather colorless, 20-year employee of a condom factory. When, one day, he is told that he will be let go due to corporate downsizing, he is suicidally despondent. However, a caring neighbor (Aumont) devises a scheme that will possibly save Auteuil's job. He decides to "out" Auteuil as gay so that the dismissal will look like discrimination, thus panicking the company into keeping him on staff. This act sets into motion a number of comical complications, much of which involve the company macho man/bully (Depardieu) and Auteuil's boss Laroque. The film is pretty superficial and doesn't really delve into all the ramifications of it's storyline situation, but it does provide some easy laughs and some strong performances throughout. Auteuil is properly average, yet eventually ingratiating. Depardieu shows why he's one of France's top actors with a right-on, finely nuanced portrayal. His is probably one of the most complicated characters in the film and he handles it well. Laroque is an attractive and solid presence as well. Aside from a host of good actors, the film also boasts a gorgeous production design. All of the costumes, sets and color schemes come together to create a distinctive and pleasing look. The plot is almost paper thin and characters don't often act as real people would, but this is a farce and, as such, it delivers some amusement and interest. One disconcerting thing is the level of cruelty in some cases. One character is savagely beaten and another has his life virtually destroyed all in the name of "fun". This could be due to a different perspective between a U.S. viewpoint and a French one. It tarnishes the goodwill and fun of the film, but only slightly. Mostly, it is a pretty and frothy concoction (complete with one of the most adorable kittens ever seen on screen) that shouldn't offend or upset any of it's target audience.

This is a delightful character study and social commentary masquerading as a broad farce. It is very, very funny. They avoid cheap "queer" jokes and cheap "homophobe" jokes even as they bluntly portray attitudes about homosexuals. Even though they use very real language to illustrate the attitudes. There is some great acting throughout. Each of the characters is a study in itself. The homophobic character (Depardieu) emerges as intriguing and sympathetic, where it could have been two dimensional. The relationship between Auteil and Aumont almost brought me to tears. The transformation of the lead character is believable, despite the improbable context that the film creates. The final scene with his ex-wife is powerful. Others have pointed out that the lead character never changes, the perceptions of others change. This makes his actual transformation that much more effective. This movie is a real find.

This amiable and amusing film is delightful as it plays around with political correctness, homophobia, machismo, and business management.

The dull-witted and just plain dull main character keeps his job by pretending to be gay -- at the suggestion of a neighbor who is an industrial psychologist that once lost his own job BECAUSE he is gay. With that premise, the film is off to a wonderful series of misunderstandings and revelations as our hero discovers a great deal about life, people around him, and most of all, himself. The fact that all of this takes place is a very prim, high-tech condom factory makes the comedy all the more lively.

I wasn't expecting the lift that the film gave me. It has a flimsy giddiness about it lacking in most comedies about being gay or straight or anything else. See it if you get a chance.

Faced with a choice of American "look-alike" movies, I watched this little gem on the basis of the cast alone. What an excellent choice!

This is a brilliantly funny movie, with some unforgettable moments - particularly the "testing department" sequence in the condom factory. The story is amusing, the cast are perfect, particularly Gerard Depardieu's hilarious, touching, crazy mixed up macho/gay guy. The premise, that in order to keep his job a colourless little accountant has to pretend that he is gay (a very tongue in cheek comment on prejudice here) - the can of worms that he opens up has many aspects, both good and bad. And they gave us a happy ending - what more can one ask for? Recommended.