Füge eine Handlung in deiner Sprache hinzuEstranged twin brothers - one a con man, the other an Episcopal deacon - accidentally switch places... and find God in the process.Estranged twin brothers - one a con man, the other an Episcopal deacon - accidentally switch places... and find God in the process.Estranged twin brothers - one a con man, the other an Episcopal deacon - accidentally switch places... and find God in the process.
John W. Mann
- Harry
- (as John Mann)
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Entertaining and humorous film, yet thoughtful film. Solid work by David A. R. White, Eric Roberts and Cynthia Watros. Some uncanny similarities to Oceans Eleven, except this movie came out first. Reminds of The Sting as well. Enjoy!
I am a fan of Christian films, but most are cheesy at best. This one was movie-making at its best--pure art. The writing was superior to anything I've seen lately. I'm glad to see quality film making representing what I believe in.
David A.R. White gets to play twins in Mercy Street. On the one hand White is a deacon in the Episcopal church and ready to take his ordination vows in a month or so. The other White is a notorious con man who may be ripping off the wrong people. But his mentor Eric Roberts wants White the conman around for a really big score.
That greatest of conman films The Sting is the inspiration for what these guys have planned. They have it mind to make the mark part with his money the same way Newman and Redford did to Robert Shaw.
Deacon White is having some agonizing doubts about becoming a priest because of something in his childhood where he let his brother down in a crisis. In the mysterious ways of the Creator/Deity he gets a chance to make it up.
The outright preaching is kept to a minimum. White in his two roles and Eric Roberts do fine. This one is more than for church audiences.
That greatest of conman films The Sting is the inspiration for what these guys have planned. They have it mind to make the mark part with his money the same way Newman and Redford did to Robert Shaw.
Deacon White is having some agonizing doubts about becoming a priest because of something in his childhood where he let his brother down in a crisis. In the mysterious ways of the Creator/Deity he gets a chance to make it up.
The outright preaching is kept to a minimum. White in his two roles and Eric Roberts do fine. This one is more than for church audiences.
This was a good film about two brothers on different sides of the law and walking two different walks of life. One brother (Jeremiah, an aspiring priest) living his suburban life with the curse of a childhood incident in which his brother was assumed dead. The other brother (John) fresh out of jail in working for a top rate con-man Rome who is looking to get another job out of his right hand man. Reluctant to go back to jail, John decides he is going to double cross Rome and through a series of events ends up on the run. He decides to turn to Jeremiah for help. Rome, in hot pursuit, kidnaps Jeremiah thinking he is John during his daily jog. The brothers have to switch roles...John becomes Jeremiah in an attempt to find the money he needs to escape and Rome forces Jeremiah to help him finish the original job in John's place. Confused yet? Sure the plot for this film is quite unbelievable, but do we really go to the movies for reality? This movie, from the same people that brought us the Omega Code (which sucked), has given us a nice caper film with a cool independent feel to it. Production is good and it shows the talent of director John Gunn who makes this unbelievable story seem just the opposite. Using some nice little techniques like freeze framing some shots, he gives us something different from the traditional hollywood outing. Its definitly not overly preachy and all the better because of it, displaying its message smartly. Add a nice soundtrack with songs from Moby and Sixpence None the Richer and some much needed comedy from Rome (Roberts) and his tattoo covered henchman and you have well rounded and enjoyable film. Most reviewers have been hard on this film, and I agree that the acting is not oscar worthy but it serves the film extremely well. The story moves along and mostly importantly keeps our interest until the very end. I have a feeling that if this film had Hollywood big shots behind it, it would be given much more respect then it has. This film is very solid and stands on its own in many aspects. I would recommend it to anyone who is looking for a good film with a story that keeps you interested, but is sick of movies ruined by sex and language that are thrown in to attract a certain demographic. Go see it, you won't regret spending the money, and besides the more we support films like this the better they will get!
Why do people feel that foul language MUST be used to make a movie good. We are so indoctrinated in gutter language now that we feel it is not "real" if a movie does not contain it. How about the STORY, folks? How about the characters? Plot? Timing? Why is it that we can accept the old "classics" that never contained any serious swearing, but we have to dis a newer movie that omits such language? It just shows how low we have sunken as a society. Mercy Streets was a really good movie on every level. A lack of swear words should have nothing to do with how one judges it.
In terms of the acting (it seemed realistic), the pacing (it moved along quickly), the story (it was compelling), and the editing (it was contemporary and well done),the movie worked on all levels. I am very suspicious of people who reject movies because they are "Christian" but accept just passable movies like "Blair Witch". It's funny that movies that deal with occult issues, which are also supernatural, as are Christian themed movies, are somehow OK, but Christian ones are not in the eyes of many people. I think it is actually the message Christian movies put forth that many people do not want to accept and deal with in their own lives that cause them to criticize them.
Just one man's opinion.
In terms of the acting (it seemed realistic), the pacing (it moved along quickly), the story (it was compelling), and the editing (it was contemporary and well done),the movie worked on all levels. I am very suspicious of people who reject movies because they are "Christian" but accept just passable movies like "Blair Witch". It's funny that movies that deal with occult issues, which are also supernatural, as are Christian themed movies, are somehow OK, but Christian ones are not in the eyes of many people. I think it is actually the message Christian movies put forth that many people do not want to accept and deal with in their own lives that cause them to criticize them.
Just one man's opinion.
Wusstest du schon
- WissenswertesFrank Stallone was considered for the role of Jesus but turned it down
- PatzerWhen Rome confronts John in the alley, Rome lowers the gun in one shot; in the next it is still raised.
- Crazy CreditsSpecial thanks to CHIEF JOHN KUNKEL who, without hesitation and with great joy, allowed the members of the EXETER POLICE DEPARTMENT and his equipment to participate in this film.
- VerbindungenFeatured in The Making of 'Mercy Streets' (2001)
- SoundtracksRUN ON
Written, Produced, Performed and Recorded by Moby
LITTLE IDIOT MUSIC/WARNER-TAMERLANE (BMI)
(P)1999 RAVE NEW WORLD
under exclusive license to V2 RECORDS, INC.
Courtesy of V2 RECORDS, INC./MUTE RECORDS, LTD.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Mercy Streets - Straße der Vergebung
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 600.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 173.599 $
- Eröffnungswochenende in den USA und in Kanada
- 79.607 $
- 5. Nov. 2000
- Weltweiter Bruttoertrag
- 173.599 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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