IMDb-BEWERTUNG
5,6/10
38.045
IHRE BEWERTUNG
Orin Boyd, ein harter Polizist in einem innerstädtischen Bezirk, entdeckt ein Netz aus schmutzigen Polizisten und Korruption.Orin Boyd, ein harter Polizist in einem innerstädtischen Bezirk, entdeckt ein Netz aus schmutzigen Polizisten und Korruption.Orin Boyd, ein harter Polizist in einem innerstädtischen Bezirk, entdeckt ein Netz aus schmutzigen Polizisten und Korruption.
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- Auszeichnungen
- 4 Nominierungen insgesamt
Empfohlene Bewertungen
For a plot with a lot of potential and decent acting from decent actors, this film could have been much worse. Seagall played his typical role as a tough mouthed and tempered cop who can't comply with authority figures. DMX also stars as a supposed criminal involved in the drug game. I expected how Seagall's part would pan out, however i was surprised on how DMX's presence and acting were not horrendous, though not great. Overall great effects and some fun plot twists Exit Wounds not a bad film to sit down and watch.
I had believed that Steven Seagal's exit wounds would be as good as under siege 2 which was his best film. Exit wounds does start well with a good fight scene but unfortunately the film lacks pace & too often wonders around going nowhere. IT could certainly have done without tom arnold who turns up as unwanted as a weak bowel.
DMX whoever he is seems comfortable in his role but I never really found out what his operation was. The bad cops in the film were good & there was plenty of decent action with them.
Steven Seagal once again proves himself as a top class actor with those scowls & frowns & that calmness he displays everytime he appears in a scene
Not a bad film but a liitle long
DMX whoever he is seems comfortable in his role but I never really found out what his operation was. The bad cops in the film were good & there was plenty of decent action with them.
Steven Seagal once again proves himself as a top class actor with those scowls & frowns & that calmness he displays everytime he appears in a scene
Not a bad film but a liitle long
Typical Seagal movie. Someone pushes him around and he fights back. Always a good watch. There's a a few cool moves he makes, but don't expect too much from this movie. The plot moves quickly and really isn't that interesting. It's all about the fight scenes.
One thing that really got to me was the movie takes place in Detroit City but there's almost a Canadian landmark in each scene. "Welcome to Detroit AM" [CN tower in the background], Sky dome signs, Canadian food chains and even in the first few scenes there's filming right in front of City landmarks. Why not just say Toronto rather than Detroit?
One thing that really got to me was the movie takes place in Detroit City but there's almost a Canadian landmark in each scene. "Welcome to Detroit AM" [CN tower in the background], Sky dome signs, Canadian food chains and even in the first few scenes there's filming right in front of City landmarks. Why not just say Toronto rather than Detroit?
Despite Fire Down Below being a No. 1 hit in America, it went straight to video here in the UK and killed Seagal's career for four years. But then veteran action producer Joel Silver thrust Steve back in the limelight, put him on the Slimfast diet gave him slightly better material to work with. After all, an actor can only do as good as the script.
From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker or so it seems.
There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies.
Dozens of cop movie clichés staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll.
Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd. We do want to feel more from him but he won't allow us. I guess this is just how Seagal is. He just can't get away from himself no matter what role he plays. I wish Seagal would try harder, but he just never bothers with making an effort.
From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker or so it seems.
There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies.
Dozens of cop movie clichés staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll.
Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd. We do want to feel more from him but he won't allow us. I guess this is just how Seagal is. He just can't get away from himself no matter what role he plays. I wish Seagal would try harder, but he just never bothers with making an effort.
'Exit Wounds' begins explosively with a terrorist raid on the Vice President, who is surrounded by an array of police escorts
When renegade Detroit detective Orin Boyd (Seagal) takes on the whole Michigan militant group to save the man's life, in true action hero fashion, he is punished for his lack of respect for authority and procedure and sent to one of the toughest precincts in the city of Detroit, the 15th
Once there, Seagal begins his usual habit of investigating things he's not assigned to, and quickly begins to suspect police corruption involving a major heroin operation
Seagal plays a super tough cop who stays in trouble for complaints filed against him for excessive force
He lands in a bad dangerous precinct and before you know it finds himself in nonstop furious action, trying to clean up the streets while taking on drug dealers and dirty cops pretty much all by himself
Seagal is accompanied in this film by rapper DMX and a few other familiar faces including Anthony Anderson who is absolutely hilarious
When renegade Detroit detective Orin Boyd (Seagal) takes on the whole Michigan militant group to save the man's life, in true action hero fashion, he is punished for his lack of respect for authority and procedure and sent to one of the toughest precincts in the city of Detroit, the 15th
Once there, Seagal begins his usual habit of investigating things he's not assigned to, and quickly begins to suspect police corruption involving a major heroin operation
Seagal plays a super tough cop who stays in trouble for complaints filed against him for excessive force
He lands in a bad dangerous precinct and before you know it finds himself in nonstop furious action, trying to clean up the streets while taking on drug dealers and dirty cops pretty much all by himself
Seagal is accompanied in this film by rapper DMX and a few other familiar faces including Anthony Anderson who is absolutely hilarious
Wusstest du schon
- WissenswertesIn an interview with Huffpost Live, Tom Arnold claimed that Steven Seagal fell into the water while filming a scene on his character's houseboat: Seagal had opted to shoot the scene without rehearsal and mistakenly exited through the wrong door, leading him to drop into the bay.
- PatzerDuring the shootout on the bridge, Orin Boyd knocks out an enemy and takes from him a submachine gun. Though each following shot shows Boyd wielding a .45 semiautomatic pistol instead of the weapon he just took, the gun still fires in automatic mode, which is impossible for that kind of weapon.
- Crazy CreditsWhen the end credits start rolling, T.K. is a guest on Henry Wayne's TV talk show. They talk about T.K.'s operation. T.K. greets his parents. Then they talk about things that turn them on.
- Alternative VersionenGerman retail video version is cut for violence to secure a "Not under 16" rating.
- VerbindungenFeatured in HBO First Look: Making 'Exit Wounds' (2001)
- SoundtracksFeelin' The Hate
Written by Ja Rule (as Jeffrey Atkins), Caddillac Tah, Romel Gill, Irv Gotti,
Ronie Lane, Tiffany Lane, Renan Thybulle and Roashoun Casey
Performed by Ja Rule
Courtesy of Def Jam Records
Under License From Universal Music Enterprises
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- How long is Exit Wounds?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Red De Corrupción
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 50.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.758.599 $
- Eröffnungswochenende in den USA und in Kanada
- 18.485.586 $
- 18. März 2001
- Weltweiter Bruttoertrag
- 79.958.599 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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