Alai Payuthey

Mani Ratnam has once again created a movie par excellence. A movie with a romantic touch takes you through a romantic journey in which you are glued to your seat on account of the excellent cinematography...A.R.Rehman's ear soothing numbers add color to the movie..Pleasing choreography and camera work for the song "Pachai Niramae" is a treat for eyes...Unique editing adds to the success of the movie..Overall a movie that any movie buff does not want to miss... Mani continues to mesmerize people with his simple telling techniques.. Creativity added with good script has been always been Mani Ratnam's trademark.. "Roja","Nayagan","Thalapathi" and now "Alai Payuthey" speak why Mani Ratnam is one of the best directors' India has ever seen...

With 'Alai Payuthey', Mani Ratnam comes back with an urban love story set in contemporary India. While he has used similar themes in his previous films such as 'Bombay', it was usually against the backdrop of another theme such as the case of political Hindu-Muslim dilemma in 'Bombay'. 'Alai Payuthey' solely focuses on Karthik and Shakti's love story and how it develops from before till after marriage. Ratnam's storytelling is sincere and even though one has witnessed such story numerous times in Indian cinema, 'Alai Payuthey' feels fresh. The chemistry between Madhavan and Shalini, the romantic moments, Karthik and Shakti's struggle post marriage, the guilt etc..all of it is well demonstrated. There are a few glitches here and there, like some of the petty fights between the newly weds seems a little too petty to be believable. A.R. Rehman's melodious soundtrack is mesmerizing but a few of the songs, especially the item number, could have better been left out. The two leads are outstanding but the 'Alai Payuthey' belongs to Madhavan. The actor really gets under the skin of the character. Shalini too is brilliant though at times she's a little over the top. The supporting cast is adequate. Overall, this is another winner for Mani Ratnam and I hope he comes back to making good films like he did before 'Yuva'.

At first sight this may seem like just another feel good film about love.But the core theme of this film is the complexities that lovers-turned-couples face.

The chemistry between the film's lead pair is good.the hero steals your heart with his expressions right from his introductory song. the score is exceptional in the original version.But in the Hindi version the lyrics suffer proving that the music is complex.

The lyrics deserve a special mention. especially when the lyricist tries to visualise the colour red through the legs of a new born baby and brings out the difference between marriage and love.

Cinematography is the hallmark of this film. various parts of India such as Kashmir,kerala,chennai and goa are picturised beautifully in the song sequences.

The maker has been successful in bringing the muted emotions to the fore.The film sends a subtle message that love before marriage is shortlived and more of illusion while the affection that blossoms after marriage is permanent and real.

I have NO words to describe HOW WELL this movie has been made. This movie rediscovers the beauty of LOVE, long after the success of DDLJ, when creativity started dwindling with more and more movies trying to replicate it rather than coming up with something altogether different or FRESH. We thought to ourselves, WILL WE EVER GET TO SEE A DECENT AND TOUCHING LOVE STORY??!!!! Mani Rathnam heard us and gave us `Alai Payudhe'.

As we all know, Mani is the JACK-OF-ALL-TRADES and MASTER of none, but after watching this movie, we feel that is an UNDERSTATEMENT to praise such a talented Filmmaker who's always filled with new ideas. Hats off to him and his GREY CELLS, which come in use ever so often.

It is the way in which he goes about telling the story which GLUES us to our seat and makes us LAUGH till we CRY. The treatment is what is important in a LOVE STORY and NOT the Cast or the Locales, which has been given MOST importance in Bollywood and nowadays, even Madrasi filmmakers are going the same way. Mani tries to prove all of them WRONG.

Truly different, this movie has the Best of Mani's creativity, Rahman's music, P.C.Sreeram's cinematography (though it's a bit shaky in the climax), and SUPERB performances by the WHOLE cast. Well worth the money I spent on the VCD!!!

Pros Award winning Direction, Music, Cinematography, Dialogues, First rate performances by the whole cast, simple storyline and Superb screenplay.

Cons Few clichés, minor glitches in photography, tear jerking climax and the scantily clad Sophiya Haque song.

This is a repost.

It is an urban love story. In Mani's own style. Not like usual love stories in which heroes will be diving over boards and bikes to fight against the will of (mostly) heroine's dad or some wicked uncle, this one goes some months after a love marriage and tries to look in the problems somewhat realistically.

Basic elements of love story such as good songs, photography and interesting scenes are amply available. So it's a treat and fun to watch. I watched this movie between 15 to 50 times(max). The foremost reason being Shalini for whom I had got such a likening. It's unfortunate that she did not continue acting after her marriage. She gives a good performance with Madhavan(introduced in this film).

AR Rahman's songs of this film are still standing melodies. The film was a huge hit in A and B centers in TamilNad, India. I even know certain instances of marriages following this film's logic. Heard somebody said this one was from an English movie and all. This one might have some influence but definitely not a copy.

Another interesting thing to me in this film is the narration style. If the same story narrated in a linear mode then it would not have evoked the same emotions one would feel. Writer(director)'s choice was good.

I bet at least 70% of Chennai city lovers would have watched this movie. Was such a popular one at that time. This is a well made, perfectly acted, scored, photographed and scored movie. But can not be a classic. My rating is a 7. Oh..+ 2(just for Shalini alone).

Watch it to get your mind wavered with love(alai payuthey's literal meaning is '{my mind} is wavering').