Vergänglicher Ruhm - Die Monkees Story

Uncanny physical and vocal resemblances by the young cast to the actual Monkees highlight this VH1 film about the fictional TV show band who wanted to be a real rock group. Being shown on television followed by a Behind the Music profile of the actual band, the audience is thoroughly convinced that the Monkees we see in this TV film are indeed the same Monkees we saw in the 1966 - 1968 TV series. Sometimes this type of impressionist casting can be distracting, but in this case each actor seems to be the madcap Mickey Dolenz, the down home Mike Nesmith, the spiritual Peter Tork, and the prim and corny Davy Jones. In fact so convincing, sometimes it seems we are watching a feature length version of the TV show. When we are introduced to Mike Nesmith he really is wearing a wool hat and driving a red convertible. In other words, what we were seeing was closer to their actual lives than we may have originally thought.

The film begins with an idea by the producers of the TV show to create a fictional band (complete with actual albums released in record stores) and show their personal life on television in a slap stick comedy format not too different than the The Beatles film efforts. The music would be produced using the best studio musicians and songwriters (Boyce and Hart, Neil Diamond, Jeff Barry, Paul Williams, Stephen Stills) and featuring the vocal talents of the four young actors (two of whom can actually play instruments). The music is a smash busting the charts both as singles and albums. Not satisfied with their success they strive to become a real band (lead singer Mickey Dolenz learning to play the drums, Mike Nesmith rising as the behind the scenes leader of the band) and set off to prove their critics wrong by playing live concerts to packed arenas. The film is mostly light comedy with a happy ending which in itself sets it apart from most stories of destruction we see in other efforts made about the lives of Karen Carpenter and The Beach Boys or end with a fatal air crash such as The Buddy Holly Story. This film actually ends with all the performers alive, well, and happy. In the Behind the Music profile that follows, we see that decades later they are still alive, well, and happy.

Some parts of the film are not as successful. The meeting between the Beatles and the Monkees just doesn't work. Short segments that show Davy Jones talking to his dad and being told how unhappy he really is or Mike Nesmith talking to his wife seemed tagged on. The actor portraying Jack Nicholson (he scripted the Monkees movie "Head") seemed to be doing Jim Carrey doing Jack Nicholson. But the movie is very enjoyable, as fluffy as a TV sitcom, and the pre-fab four are just four guys who are given their shot and make the most of it while trying to keep their pride and dignity. A band of Pinnochio daydream believers who for a short while merge fantasy with reality and become a real band.

Okay, I must confess that this movie is more like a fanfiction than a real biography, but it based on "Hey Hey We're The Monkees", by Harold Bronson and the same named Interview Special. The guys who played the Monkees did a very good job (and it was a hard one!) and so did the people who produced the film, although they didn't have much time or money to do the movie. Sure the wigs DO look ridiculous and sure there ARE lots of mistakes in the film, but the feeling of the sixties shines through it. L.B. Fisher was excellent as Peter Tork, Jeff Geddis portrayed Mike Nesmith very good (especially the rage of fury!), George Stanchev must have practiced Davy's dancing very hard and sometimes I thought Aaron Lohr WAS Micky Dolenz. And by the way: These guys are just cute and absolute adorable!

Being a true Monkees buff, I'd have to say that, after one gets over the inaccuracies in the script, the filmmakers couldn't have done a better job. Unmentioned in previous reviews is the all-consuming egomania displayed by Colgems music president Don Kirshner, who made so much money during his 9-10 months in charge that his casual dismissal of the four individual Monkees is nothing less than petty (to the end of his life, he always insisted on total credit for their success). The script manages to incorporate just about all the most famous names associated with the group: songwriters (Neil Sedaka, Neil Diamond, Carole King, Tommy Boyce and Bobby Hart), and performers (The Beatles, Jimi Hendrix, Jack Nicholson). The four actors were all praiseworthy, particularly L. B. Fisher's Tork, who conveys that inner essence the show rarely allowed. The three others basically played extensions of themselves, but Peter had to play a kind of 'Harpo Marx/Stan Laurel' composite, not so much 'the dummy,' as he himself described it, but simply the trusting, naïve innocent, which of course he definitely was not. George Stanchev really nails Davy's moves, and probably bears the strongest physical resemblance to his namesake (amazingly, neither of these two actors worked beyond 2003). Jeff Geddis gets the full portrait of Nesmith, who wasn't as volatile as this suggests, nor apologetic, simply an ambitious young man who saw the TV series as a means to an end. Of course, he had the most experience in the studio (both as a writer and producer), and did encourage the others to compose their own songs. Aaron Lohr's Micky isn't as good as the others, but to be fair it appears he had less to work with, scriptwise; Micky Dolenz was such an enormous talent in front and behind the camera, that to this day his remains one of the most recognized voices of the 1960s. Rather than carp on what's missing, consider how the existence of this modest little biopic shot in Canada is not just a boon for The Monkees themselves, but a nice introduction for younger viewers unfamiliar with the phenomenon (forget 1987's The New Monkees). Actual Monkees recordings used: "(Theme from) The Monkees," "Last Train to Clarksville," "I'm a Believer," "Daydream Believer," "I Wanna Be Free," and "(I'm Not Your) Steppin' Stone," the latter two actual live performances from the band's 1967 summer tour (heck, the only essential one missing really is "Pleasant Valley Sunday"). "All of Your Toys" was a Bill Martin composition that earned the distinction of being their very first studio recording as a band (Jan 16 1967), but due to it not being a Screen Gems copyright remained in the can until 1987's MISSING LINKS release. As an added bonus, used during their meeting with The Beatles, is "(All in the) All in All," from the 1998 disc RE-ZOOM by The Knack, a group that was ballyhooed in 1979 ("My Sharona," "Good Girls Don't") as being 'Beatlesque,' and once you hear it you'll understand why.

I didn't really know what to expect when I tuned into VH1 for their latest BioPic. After spending a day with Monkees episodes and then the Behind the Music, I was curious what it would be like to have "fake-Monkees" on the screen. What I found was an interesting film. The individual performances were 75% acceptable... I was actually awe-struck while watching L.B. Fisher portray Peter Tork. I think just about everyone has to admit that he certainly nailed his role. Aaron Lohr pulled Micky off alright. His hair was a little too curly, but that's forgivable, right? Jeff Geddis was a convincing Mike. Especially during the audition scenes. I actually believe he had the timing and the movements exactly correct, or at least very nearly. Now, for the not-so-pleasantly-reviewed-actor. George Stanchev may be a fine actor, but I don't think he was well suited for Davy. For one, he was too tall; Two, the accent.. ouch; and thirdly the cleft in his chin grabbed more attention than his acting. Agree? Disagree? Oh well. Did anyone else notice the green sign that read "Davy is Groovy" in *every* concert sequence? I found that kind of endearing, actually, the budget really must have been quite low, but I can deal with that.

Save the Texas Prairie Chicken!

This movie was an enjoyable watch; missed it the first time but caught it on Netflix recently. The resemblance of the actors to the real Monkees is amazing, particularly Davy (George Stanchev, although much taller than the real Davy) and Peter (L.B. Fisher). Although Mike Nesmith (Jeff Geddis) and Micky Dolenz (Aaron Lohr) were not exact lookalikes,they gave stunning portrayals. For example, Geddis' mannerisms and Texan accent were spot on. And Lohr's portrayal of Dolenz' over-the-top on-stage performances and his crazy facial expressions, mimicry, etc. brought back fond memories. All of the actors took great care in portraying each of The Monkees' individual personalities. Even their voices were soundalikes (although British viewers say that Stanchev's accent was not an authentic Manchester accent). Although the television show was depicted accurately, the writing for the entire movie was very poor; something was missing. SPOILER: For example, the Beatles threw a party for the Monkees when they were touring in London. This entire scene (which should have been exciting) was boring. All in all, this was a fond tribute to The Monkees but it could have been exceptional.