Vergänglicher Ruhm - Die Monkees Story

I didn't really know what to expect when I tuned into VH1 for their latest BioPic. After spending a day with Monkees episodes and then the Behind the Music, I was curious what it would be like to have "fake-Monkees" on the screen. What I found was an interesting film. The individual performances were 75% acceptable... I was actually awe-struck while watching L.B. Fisher portray Peter Tork. I think just about everyone has to admit that he certainly nailed his role. Aaron Lohr pulled Micky off alright. His hair was a little too curly, but that's forgivable, right? Jeff Geddis was a convincing Mike. Especially during the audition scenes. I actually believe he had the timing and the movements exactly correct, or at least very nearly. Now, for the not-so-pleasantly-reviewed-actor. George Stanchev may be a fine actor, but I don't think he was well suited for Davy. For one, he was too tall; Two, the accent.. ouch; and thirdly the cleft in his chin grabbed more attention than his acting. Agree? Disagree? Oh well. Did anyone else notice the green sign that read "Davy is Groovy" in *every* concert sequence? I found that kind of endearing, actually, the budget really must have been quite low, but I can deal with that.

Save the Texas Prairie Chicken!

This movie was an enjoyable watch; missed it the first time but caught it on Netflix recently. The resemblance of the actors to the real Monkees is amazing, particularly Davy (George Stanchev, although much taller than the real Davy) and Peter (L.B. Fisher). Although Mike Nesmith (Jeff Geddis) and Micky Dolenz (Aaron Lohr) were not exact lookalikes,they gave stunning portrayals. For example, Geddis' mannerisms and Texan accent were spot on. And Lohr's portrayal of Dolenz' over-the-top on-stage performances and his crazy facial expressions, mimicry, etc. brought back fond memories. All of the actors took great care in portraying each of The Monkees' individual personalities. Even their voices were soundalikes (although British viewers say that Stanchev's accent was not an authentic Manchester accent). Although the television show was depicted accurately, the writing for the entire movie was very poor; something was missing. SPOILER: For example, the Beatles threw a party for the Monkees when they were touring in London. This entire scene (which should have been exciting) was boring. All in all, this was a fond tribute to The Monkees but it could have been exceptional.

Being a true Monkees buff, I'd have to say that, after one gets over the inaccuracies in the script, the filmmakers couldn't have done a better job. Unmentioned in previous reviews is the all-consuming egomania displayed by Colgems music president Don Kirshner, who made so much money during his 9-10 months in charge that his casual dismissal of the four individual Monkees is nothing less than petty (to the end of his life, he always insisted on total credit for their success). The script manages to incorporate just about all the most famous names associated with the group: songwriters (Neil Sedaka, Neil Diamond, Carole King, Tommy Boyce and Bobby Hart), and performers (The Beatles, Jimi Hendrix, Jack Nicholson). The four actors were all praiseworthy, particularly L. B. Fisher's Tork, who conveys that inner essence the show rarely allowed. The three others basically played extensions of themselves, but Peter had to play a kind of 'Harpo Marx/Stan Laurel' composite, not so much 'the dummy,' as he himself described it, but simply the trusting, naïve innocent, which of course he definitely was not. George Stanchev really nails Davy's moves, and probably bears the strongest physical resemblance to his namesake (amazingly, neither of these two actors worked beyond 2003). Jeff Geddis gets the full portrait of Nesmith, who wasn't as volatile as this suggests, nor apologetic, simply an ambitious young man who saw the TV series as a means to an end. Of course, he had the most experience in the studio (both as a writer and producer), and did encourage the others to compose their own songs. Aaron Lohr's Micky isn't as good as the others, but to be fair it appears he had less to work with, scriptwise; Micky Dolenz was such an enormous talent in front and behind the camera, that to this day his remains one of the most recognized voices of the 1960s. Rather than carp on what's missing, consider how the existence of this modest little biopic shot in Canada is not just a boon for The Monkees themselves, but a nice introduction for younger viewers unfamiliar with the phenomenon (forget 1987's The New Monkees). Actual Monkees recordings used: "(Theme from) The Monkees," "Last Train to Clarksville," "I'm a Believer," "Daydream Believer," "I Wanna Be Free," and "(I'm Not Your) Steppin' Stone," the latter two actual live performances from the band's 1967 summer tour (heck, the only essential one missing really is "Pleasant Valley Sunday"). "All of Your Toys" was a Bill Martin composition that earned the distinction of being their very first studio recording as a band (Jan 16 1967), but due to it not being a Screen Gems copyright remained in the can until 1987's MISSING LINKS release. As an added bonus, used during their meeting with The Beatles, is "(All in the) All in All," from the 1998 disc RE-ZOOM by The Knack, a group that was ballyhooed in 1979 ("My Sharona," "Good Girls Don't") as being 'Beatlesque,' and once you hear it you'll understand why.

DAYDREAM BELIEVERS: THE MONKEES' STORY

Aspect ratio: 1.33:1

Sound format: Stereo

The rise and fall of a manufactured pop group - America's answer to The Beatles - who struggled to be taken seriously as bona fide musicians.

Appropriately for a band as airbrushed and stage-managed as The Monkees, Neill Fearnley's entertaining biopic is equally airbrushed and stage-managed, dispensing with unpleasant reality (for the most part) in favor of feel-good party tricks. Ron McGee's innocuous teleplay (based on Harold Bronson's book 'Hey Hey We're the Monkees') sketches the group's history in broad narrative strokes, from the audition which brought Davy (George Stanchev), Micky (Aaron Lohr), Peter (L.B.Fisher) and Mike (Jeff Geddis) together, to the international success of their madcap TV show (used as little more than a marketing tool) and their subsequent disillusionment, sparked by management's refusal to allow them greater creative input. Events are depicted in pastel shades, rather like the TV show, but without the laughs. Peter is shown smoking pot, and the guys' bickering descends into chaos as the band falls apart (they disbanded in 1970), but the script refuses to take risks, which means viewers are short-changed by a lack of historical accuracy: For example, there's no mention of the resentment caused when Peter Tork became the first to jump ship in 1969, only a bittersweet ending which barely mentions their break-up at all.

Fans will be astonished by the physical resemblance of the actors to their real-life counterparts (except for Lohr, whose similarity to Micky Dolenz is superficial at best), and their impersonations are equally remarkable, especially during the lengthy musical interludes (including a meticulous recreation of the famous 'Daydream Believer' promo, and the opening montage of the TV show), all realized with startling accuracy. If nothing else, however, "Daydream Believers..." reminds us that The Monkees produced some of the most enduring pop songs of the 1960's (including 'Last Train to Clarksville', 'I'm a Believer' and the excellent 'All of Your Toys'), reproduced here in their entirety (the actors mime to original recordings). Devotees will either be outraged or enthralled.

NB. 'Jack Nicholson' and 'John Lennon' turn up in brief cameos, both played by uncredited actors.

Wow. This really was not that great.

The producers did a great job with casting, the actors all LOOKED like the Monkees, and for the most part sounded like them, too. (Fake Davy could use some work, and Fake Mike went a little soft on the drawl)

It was in the writing that the Daydream was un-Believeable. TWO guys created the show, Bob Rafelson and Bert Schnider, NOT one guy named Van. And the Monkees didn't meet on a beach and discuss the obvious after Head, that was just cheesy. In fact, the entire ending was cheesy. Also, many scenes were just so ridiculously historically inaccurate that it was both sad & funny at once! (Thanks, VH1, for Popping it up today and pointing out things I missed) It seemed like the writers were more concerned with pinpointing certain specific moments than with presenting the real story.

Awesome soundtrack, though. :)