Chocolat... ein kleiner Biss genügt!

I had heard all the rave reviews, saw the number of Oscar nominations this flick received but still wasn't convinced it was a movie I'd like. I want to kick myself now for waiting this long to see it! Yes, I forsook the big screen for the video but I wasn't disappointed a bit.

Chocolat is a wonderful movie. It deals with real issues that people face. The characters are believable because they have flaws. They've got inward struggles which makes this film even better. It's a story of the human condition and how even deep prejudices can be overcome by the simple act of kindness and the willingness to strive for individuality.

I have to admit the only reason I wanted to watch this movie at first was because of Johnny Depp. I have to say I loved his performance as Roux. I wished the writers would've done more with his character but what we did get to feast on was incredible. Juliette Binoche was also incredible as Vianne and the chemistry between all the actors was great.

I would recommend Chocolat. If you haven't seen it, what are you waiting for? It's great to see there are still film makers out there that have a sense of humanity. Chocolat is all of that and more.

Chocolat was indeed Mmmm, Mmmm, good!!

What a pure delight Chocolat is. Gentle, Beautiful and heart warming. That could describe many films but unlike others it displays no clichés or tired ideas. It is refreshing and pure. The cast is superb, Binoche is a wonder who glides effortlessly through the part of the mysterious and beautiful Vianne. Molina is excellent as the repressed yet lustful Comte Renauld. Depp is as eccentric and wonderful as always.In fact the whole cast is fantastic. The story has all the elements of a wonderful fairy tale yet the perfect direction and the delightfully authentic french setting makes it serious movie. You really care about the characters and the many inter-twinned story lines keep you watching with joy.It also has a wonderful score and excellent costumes and sets, in fact in writing this review I cannot think of any criticism I could make. It is that rare thing : a truly perfect movie.

We all have our vices. Vices make us complete human beings. We can surpress them and deny them, but we can't quite run away from them. Does it not strike you as a little humorous when someone looks at a menu, knows exactly what they want, but then decides not to get it for fear they will not only offend their God, but offend their own nature? Lasse Hollstrom's latest film, Chocolat, knows all about that person.

Juliette Binoche stars as Vianne Rosher, a chocolate shop owner who not only gets people to talk about their forbidden fruits, but also has the ability to make people happily indulge in them. She, along with her daughter, Anouk (Victoire Thivisol), moves into a quiet French village during Lent and opens her chocolate shop. The townspeople look in the window, admire the confections for a moment, then walk on by.

One diabetic woman, Amande (Judi Dench), decides to stay for a little while. Vianne puts a colorful ceramic plate on the table and spins it around. She asks what Amande sees in the image. Amande tells her and Vianne presumes to know exactly what kind of confection Amande would like the best. We could only dream of such customer service this time of year.

Amande's young grandson, Luc, an aspiring artist, also can't seem to stay away from the chocolate store, in spite of the wishes of his churchgoing mother (Carrie-Anne Moss). Actually, the whole town goes to the same church and it doesn't take long before the Mayor (Alfred Molena) has his say against the shop, since many of the chocolates have been carved into the shapes of naked women and have names such as Nipples of Venus. The chocolates also seem to be changing people's behavior. A sexless, joyless married couple all of a sudden can't keep their Butterfingers off each other.

The non-churchgoing Vianne eventually becomes the center of the town's controversy, but she soon has company after the arrival of the river rats, a group of Irish merchants who travel by boat to pawn off whatever they can, much to the dismay of the townspeople. Here, Vianne meets Roux (Johnny Depp), and they become fast friends and, well, you know the rest.

The story of Chocolat could be described in one sentence-Footloose, only instead of dancing, it's chocolates. However, in this film we have some magic realism to deal with. Unfortunately, the film does not quite develop its own `magical' ideas. It gets bogged down by the usual story elements an d sub-plots we often see with this kind of story. We get the battered wife who finds solace in Vianne's shop and we get the burning of a particular place (here, a boat) to further drive home the point that outsiders will not be tolerated. I would have liked a little more `magic.'

On the other hand, we do get some magic in the form of the performances. Juliette Binoche actually smiles and acts charming, as opposed to the sorrowful and pensive roles in which we usually see her. What a relief to finally see her carrying a picture with warmth, confidence and wit, as well as beauty. The guitar-twanging Johnny Depp (reuniting with his Gilbert Grape director), with a ponytail and an Irish accent, compliments her with a rugged look and easygoing charm that makes his fly-by-the-seat-of-his-pants character a perfect soulmate for Binoche.

I recommend stopping by the candy counter or sneaking in some Fannie May confections before the movie starts. This film does for chocolate what Big Night did for Italian food. In spite of its flaws, Chocolat makes for a far more rewarding and satisfying film experience than Hollstrom's last feel-gooder, the over-rated Cider House Rules. In the end, something about this film won me over. It could have been the irrisistable theme of great food being as close to Godliness as one could get. It could have been the sights of chocolates being created and turned into glorious, statuesque works of art. It could have been the enjoyable cast, each member dealing with their hidden anguish and repression. Or it could have been all of the above, combined with the captivating and alluring grace of Juliette Binoche.

We all have our vices.

This film is not recommended to those who are on a low calorie diet, because it makes you want to dive into a bowl of succulent chocolate. It's amazing how a simple movie can do that, without even using the scent to lure you. Chocolate turns an ordinary village of France into a sweet world, a fairy tale among simple people. The costumes and the scenery are very believable, really capturing the era and the atmosphere, of that time. But the story is good as well, without getting boring, speaking about the love that can tie family and friends together, the stereotypes that support closed communities of the countryside and how a simple ingredient like chocolate, can turn everything upside down. Great performances from the main and supporting cast actors and a memorable soundtrack. All in all chocolate is a remarkable film.

Chocolat is about the oddball in the village, the outsider bringing new perspective. It's presented to us as a tale told from mother to daughter, almost like a legend.

The photography is beautiful. The sets are very immersive and realistic, with fitting wardrobe. The story is interesting and light hearted, with some hit of drama and laughters. The characters are well built and very well played.

The most annoying thing about this film is the mix of accent, real or false. I admit it's probably because French is my mother tongue, but still. You eventually get used to it though. Also, the ending is just too perfect, especially concerning the mayor. I know the whole story has a fairy- tale undertone, but he completely reverse not only his view on the stranger, but also his demeanor and his religious views on the sanctity of marriage. It's too much.

Still, I recommend to everyone, especially if you like a bit of romance and tall tales.