Ein Paar suchte sich Jahre nach der Nacht, in der sie sich das erste Mal trafen, verliebten und sich trennten, in der Überzeugung, eines Tages würden sie zusammen enden.Ein Paar suchte sich Jahre nach der Nacht, in der sie sich das erste Mal trafen, verliebten und sich trennten, in der Überzeugung, eines Tages würden sie zusammen enden.Ein Paar suchte sich Jahre nach der Nacht, in der sie sich das erste Mal trafen, verliebten und sich trennten, in der Überzeugung, eines Tages würden sie zusammen enden.
- Auszeichnungen
- 3 Nominierungen insgesamt
Michael Guarino Jr.
- Customer At Bloomingdale's
- (as Michael Guarino)
Victor A. Young
- Mr. Buchanan
- (as Victor Young)
Empfohlene Bewertungen
Jonathan Tragger (John Cusack) meets Sara Thomas (the gorgeous Kate Beckinsale) by chance in the Christmas eve, in Bloomingdale's, both trying to buy the unique pair of black gloves available for sale. They decide to go to the cafeteria Serendipity and Jonathan asks for her name and phone. Sara decides to write it in a book, and his on a five dollars bill. She gives the bill to a newspaperman and she says that she would sell the book in a New York used books store. She states that if destiny wants them two together, Jonathan will get that book back. Or she will receive that bill again. From this day on, Jonathan will 'chase' Sara's book trying to reach his lost love.
I did not know the word 'serendipity'. In accordance with Webster' dictionary, it means 'an apparent aptitude for making accidental fortunate discoveries'. The character of Sara believes on it, but regrets for her belief in the end of the story. This is the typical predictable and commercial film, but supported by a very charming actress (Kate Beckinsale) and actor (John Cusack). I am a suspicious viewer to make any comment in this regard, since I love Kate Beckinsale and John Cusack. But I really believe there is no way that any viewer dislikes this movie. The cover of the DVD is also very beautiful. My vote is seven.
Title (Brazil): "Escrito ans Estrelas" ("Written in the Stars")
I did not know the word 'serendipity'. In accordance with Webster' dictionary, it means 'an apparent aptitude for making accidental fortunate discoveries'. The character of Sara believes on it, but regrets for her belief in the end of the story. This is the typical predictable and commercial film, but supported by a very charming actress (Kate Beckinsale) and actor (John Cusack). I am a suspicious viewer to make any comment in this regard, since I love Kate Beckinsale and John Cusack. But I really believe there is no way that any viewer dislikes this movie. The cover of the DVD is also very beautiful. My vote is seven.
Title (Brazil): "Escrito ans Estrelas" ("Written in the Stars")
Often I spend my time with a movie outside of it, watching me watching it, imagining how and why it became what it is.
But every once in a while, I fall into the thing. It succeeds in its intent, to charm me. It happens almost never with date movie because the conventions and expectations are so rigid. That makes them obvious and invites me to step outside. But this worked for me, and it might for you.
I think it is because it does three things. The first is that it is remarkably competent; film-making at least this kind requires attention to so many elements. This is quite simply one of the most well engineered date movies I have ever seen in terms of those elements. No risks, no innovation, no real art except in the performances. Just polish, skill, craft.
The second is that it unashamedly touches on romance, the heart of romance as well see in movies. Its a rich notion that probably exists only in movies and a few magical times with the person you love so you know it is real. But cinema inflates and freezes it for you to hold. Perhaps that is not so wise, but it is what romantic films are about and this plays those keys.
The third thing is what interests me the most. Mind you, I only suss this out afterward.
I have recently come to appreciate the invention of what I'll call noir, the noir world of fate. Its entirely a movie notion that as we watch, we become gods and goddesses that (perhaps against our wills) change the world we see so that coincidences apply. Often they are unhappy, but noir fate can work the other way as well. Not usually; it takes some clever invention which we have here. Its why there's mention of Cassiopeia. See? (I mean that literally.)
Its such an attractive idea, that two souls are fated to meet, (one a film producer, the other an analyst). They were born to be together, born alike in some fundamental way. The world will contrive to make the natural fit. Its something to yearn for, and that's what date movies are for: a pinnacle of happiness in love.
This captured me. I suppose it was fate. I wish something similar for you.
Ted's Evaluation -- 3 of 3: Worth watching.
But every once in a while, I fall into the thing. It succeeds in its intent, to charm me. It happens almost never with date movie because the conventions and expectations are so rigid. That makes them obvious and invites me to step outside. But this worked for me, and it might for you.
I think it is because it does three things. The first is that it is remarkably competent; film-making at least this kind requires attention to so many elements. This is quite simply one of the most well engineered date movies I have ever seen in terms of those elements. No risks, no innovation, no real art except in the performances. Just polish, skill, craft.
The second is that it unashamedly touches on romance, the heart of romance as well see in movies. Its a rich notion that probably exists only in movies and a few magical times with the person you love so you know it is real. But cinema inflates and freezes it for you to hold. Perhaps that is not so wise, but it is what romantic films are about and this plays those keys.
The third thing is what interests me the most. Mind you, I only suss this out afterward.
I have recently come to appreciate the invention of what I'll call noir, the noir world of fate. Its entirely a movie notion that as we watch, we become gods and goddesses that (perhaps against our wills) change the world we see so that coincidences apply. Often they are unhappy, but noir fate can work the other way as well. Not usually; it takes some clever invention which we have here. Its why there's mention of Cassiopeia. See? (I mean that literally.)
Its such an attractive idea, that two souls are fated to meet, (one a film producer, the other an analyst). They were born to be together, born alike in some fundamental way. The world will contrive to make the natural fit. Its something to yearn for, and that's what date movies are for: a pinnacle of happiness in love.
This captured me. I suppose it was fate. I wish something similar for you.
Ted's Evaluation -- 3 of 3: Worth watching.
Since I have always wondered about fate/destiny and the alike, it was not for one moment, hard for me to embrace this movie. To me, this movie signifies the importance of saying what you feel and feeling what you say. All to often in life people pass each other by and subsequently up all because of being afraid to feel, say, think, and of what others will think. I have tried to become more honest in my life as a result of seeing this movie.
Serendipity...I went to meet an old friend for drink that had just moved back in to town. I was running late, parked at the opposite end of the street where I always parked and missed them. I ran into another friend who asked, me to fill in on a dart team. Then I met a man who was at the next board and talked with him all night. At the end of the night I was walked to my car by one of the guys. On the way home our paths crossed again. To make a long story short we crossed paths again, and the next day he asked me to marry him. I waited two years and we have been married for twelve years. Unfortunately yes, I was in a relationship when we met. It does happen! Even though I thought this film had a few problems. I liked the actors, the story and for gosh sake stop being so cynical everyone!!!
... and I don't just mean Cusack either *grin*
Now, normally, I loathe romantic comedies. Wait, allow me to re-say that, I L-O-A-T-H-E romantic comedies. However, I had seen the trailer for this one several times on front row and I couldn't resist!
Okay I'll admit, I only watched this movie at first for Cusack, but I gotta say, I was pleasantly surprised. The plot, though simple and obvious, played out nicely with alot of little messages in.
The humour was great (Jon's friend was great and the store clerk at bloomingdales had me falling off my seat laughing - rock on Jim's dad!)
Anyway, in more detail... I loved the way they brought the whole fate thing into it - the fiver dollar bill, the book... also I liked the subtle signs that each character was shown.
The acting was great and the jokes were genuine and funny. The only thing that annoyed me about the movie was the little kid in the devil suit... god, how many people's "little brother" is he, eh?
In closing, this movie is enjoyable, simple and romantic. If you're in to Die Hard movies ONLY, stay far, far away my friend. If you're open minded and/or romantic, then step right up and watch a great movie.
9/10
Now, normally, I loathe romantic comedies. Wait, allow me to re-say that, I L-O-A-T-H-E romantic comedies. However, I had seen the trailer for this one several times on front row and I couldn't resist!
Okay I'll admit, I only watched this movie at first for Cusack, but I gotta say, I was pleasantly surprised. The plot, though simple and obvious, played out nicely with alot of little messages in.
The humour was great (Jon's friend was great and the store clerk at bloomingdales had me falling off my seat laughing - rock on Jim's dad!)
Anyway, in more detail... I loved the way they brought the whole fate thing into it - the fiver dollar bill, the book... also I liked the subtle signs that each character was shown.
The acting was great and the jokes were genuine and funny. The only thing that annoyed me about the movie was the little kid in the devil suit... god, how many people's "little brother" is he, eh?
In closing, this movie is enjoyable, simple and romantic. If you're in to Die Hard movies ONLY, stay far, far away my friend. If you're open minded and/or romantic, then step right up and watch a great movie.
9/10
Wusstest du schon
- WissenswertesJohn Cusack and Kate Beckinsale filmed only a few days together during the shoot, much like their characters saw each other only for a limited time.
- PatzerWhen Jonathan finds the receipt for the gloves, the receipt has a date in 1990, while he first met Sara in 1994.
- Alternative VersionenOn the DVD, there are a few deleted scenes:
- An alternate opening of how Jon and Sara meet.
- A scene where Sara asks Jon questions called she calls 'cubing'.
- Their first kiss.
- Jon and Dean talking about fate in the car while Eugene Levy's character is driving.
- Eve explaining how to use the Casanova candle.
- Sara going to see a psychic after she sees the "Cool Hand Luke" poster.
- Sara getting a phone call asking if her building sells cashmere gloves.
- Sara explaining to Eve how she feels about her fiance and a painting she once saw.
- Jon going home and looking out the window after he loses Sara.
- SoundtracksCool Yule
Written by Steve Allen
Performed by Louis Armstrong
Courtesy of MCA Records
Under license from Universal Music Enterprises
[Played during the opening credits, the last scene and the end credits]
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Señales de amor
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 28.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 50.294.317 $
- Eröffnungswochenende in den USA und in Kanada
- 13.309.241 $
- 7. Okt. 2001
- Weltweiter Bruttoertrag
- 77.516.521 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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