Water

I just saw this last night at the TIFF with no expectations (originally didn't even want to see it). But what an enjoyable film this was!!! The dialogue was quite witty, the stars were attractive and gave very believable performances (my friend said that she was so drawn into it that she forgot those people were just acting and weren't really living the life of the characters). The story had the audience empathize with the situation and all those involved, with lightened bits of humour intermixed with sad/dramatic parts throughout.

What captivated me the most was how beautifully filmed each scene was (in that respect, it reminded me of House of Flying Daggers). The stunning cinematography, vivid colours were all so carefully planned. In every frame, I can envision a beautiful photograph which can be composed from it.

The score was also very good and added to the mood of the film.

Go see it if you have the opportunity, you will not be disappointed (oh, might want to bring some Kleenex tho').

oh, and since it was at TIFF, Deepa spoke a few words (she appears to be very down to earth and sincere) and the cast was also present (John Abraham and Lisa Ray are absolutely gorgeous but very modest and subtle). These people did such a fabulous job, but remain so approachable and true. Am so proud of them!!!!

I saw this film on a Saturday afternoon in a theater with about 40 other people, split about 60/40, females to males. All ages although the younger viewers were mainly female. (late teens) Towards the end, as I was choking back tears and grabbing at Kleenex's, I looked around as there was total silence from the audience. It was AWED SILENCE, people! Every woman was bawling her eyes out and the men, without exception, were scrunched down into their collars, staring intently, holding back tears. This is Deepa's finest hour. She can retire now knowing she has made a worthy film. I would have voted 10 but there were a few technical glitches such as one moment were the color/lighting changed for about 3 seconds in an important scene and then snapped back. No blame to Deepa, though. I have sent several to see the film and all have raved about it, Can hardly wait to buy the DVD and see it again. The criticisms were political and should not be considered. Any film that criticizes aspects of a religion gets blasted from fundamentalists. This film is NOT a political statement. It is entertainment based on a political statement. It should not be missed. Brava!!!

WATER is delivered likened to a fable, yet the story told is not at all a fantasy. In fact, another film, "White Rainbow" by w-d Dharan Mandrayar, delivers a tale of four women with similar subject matter in a modern day setting vs. the 1930's Colonial India of Mehta's "Water." The deplorable deprivation situation of the widows of India with powerless means is real.

Check out the production notes on WATER, you'd learn of the travails and hurdles filmmaker Mehta has to go through, determined and dauntlessly she forged on. We are fortunate to be able to see the result (thanks to Fox Searchlight Pictures distribution). Perhaps the casting ten years after could very well meant to be: Seema Biswas as Shakuntula - the protective, courageous Didi with unyielding faith; Lisa Ray as Kalyani, the beautiful 'sole bread-winner' with lovely hair and a tender companion to young Chuyia; John Abraham as Narayan, the idealistic young man returning to the village after his law exam and smitten by Kalyani; introducing the talented 8 year old Sarala from a village near Galle, Sri Lanka playing Chuyia, the 'girl widow'- she sure captures the spirit of the story/film.

Seeing what these women had to endure/endured all these years, prompts us to think how lucky we are - not to assume/take for granted the goodness and abundance we so readily have. The struggles/problems we may have compared to their grievous hardship sure makes one rethink - putting things in perspective. The film is not preachy at all, in fact, it's dramatic with mystery and secrets, not depressive in spite of the storyline but contains dashes of hope, laughter and tender moments. An impressive production all round, with cinematography by Giles Nuttgens, who collaborated with w-d Mehta on her trilogy installments: FIRE 1996 and EARTH 1998; music complements from Mychael Danna, who participated with w-d Mira Nair in "Monsoon Wedding" and "Kama Sutra: A Tale of Love" and on fellow Canadian filmmaker Atom Egoyan's ventures.

The film, with its controversial political ripples 'at home', is a human story with much kindness at heart. It's intriguing and a tear-jerker for me - it's naturally emotional. Somehow WATER also reminds me of director Jag Mundhra's "Bavandar" (2000, India: Hindi title aka "The Sand Storm") - another worthwhile film from India.

I felt really really sad after watching this movie. After watching a movie like this one feels empathy towards the women. We know women and children are being treating worse than animals...by patriarchy.

Most women in the western world to not even know the meaning of this word. In North America what is the worse thing that happens to us...we encounter betrayal and gossip mostly by other women. We are too busy comparing ourselves to even appreciate our rights. Oprah (has said) that we are lucky just to be born in North America.

All the women in this movie were strong willful characters, like many Indian women they accepted their fate, BUT they still made choices. Lisa Ray's character still fell in love despite her destiny. Despite her circumstances she was so mentally, spiritually, emotionally and overall more evolved than John's character.

One even feels empathy towards him, as a man he is so out of touch with reality...he lives life according to his idealism. This is how he copes with struggles in his life. He choices are also constrained by circumstance From an outsiders point of view, John's character seems to have it all, respect, a sweet mom (Waheeda). I loved WR in Guide that is one of my favorites. His world shatters when he learns of his fathers secrets...

Lisa's character knows her fate, yet she takes the initiative to follow her heart. As a Canadian I am really proud of WATER, I usually do not watch these kinds of movies but sometimes a wake up call is necessary especially when we are wrapped up in our own selfish needs. Water is masterpiece...I am proud of Lisa Ray for taking the time and actually learning about the craft of acting.

In 2001, well-regarded Iranian director Majid Majidi came out with Baran, a film about a young girl forced to pretend to be a boy in order to bring money to her immigrant Afghani family, living illegally in Iran and not permitted to work. Baran means 'rain' in Farsi, and the allegory of water was a very important one thematically within the film.

Baran was later thematically pilfered by a less successful film, Osama, which dealt with the harsh reality of an anti-feminist Taliban in Afghanistan, where a girl is caught pretending to be a boy by the Taliban regime, and the horrible consequences of her actions - only committed for the purpose of survival.

Water is similar to both of these films on several thematic levels. Deepa Mehta finishes he trilogy on a powerful note. She gives us the story of two women, each trying to discover a sense of self-worth and purpose while trapped in a seemingly endless life of forced confinement. she also gives us the story of a woman who is not only trying to keep her faith but understand it, and a man who is looking for change in a world of stagnation and traditionalism.

The feminist ideal is a prominent one, as is survival against the harshest of odds. Inhumanity on one level contrasted against the theme of renewal, both physically and spiritually - the essence of water, the ever-moving, indispersable, and essential aspect of life itself. But Water succeeds on the level of Baran - unlike Osama, which preaches incessantly, hitting you over the head with its point until your concussed with what the director has to say. Water, like Baran, is subtle, preferring to let the human side of the story tell you what you need to know, and showing us the necessity for change, for hope, for unbroken faith, without holding our hands through the process.

Mehta has given us a very successful film. What struck me most about this film was that the subject matter is one that the Western world would likely exclaim as being incomprehensible - that of widows being thought of as untouchable, and spiritual pollution (as though it was their will that their husbands die on them...) - and yet so much of the Western World exists in this film. This is not merely an Eastern film that we should look at and cluck our tongues, saying 'those crazy Indians!' These issues exist in our back yards - the ill treatment of foreigners, of neighbours, of our own peoples.

This film is very heavy, but there is a light side to it - the message of Ghandi, and the promise of renewal of spirit. That faith is not something to twist to your own beliefs, but something for your beliefs to be twisted to. We are constantly reminded of Ghandi's teachings - but we are never preached to. Instead, Ghandi could almost be an absent narrator - his voice is only heard for a brief instant near the end of the film - instead we hear his voice through the voice of Narayan, who is the avatar of Ghandi in the film, and the avatar of change.

Water teaches us that problems exist, and that many are rooted in our own traditions and beliefs - often misinterpreted or twisted by us to fit our agendas. The British can't be scapegoats for THIS set of issues (though they were responsible for plenty of others). Change is hard to come by, but the one thing that is eternal is Water. Sure, there are a few moments of unsubtle prodding in the film, but the fine acting and smart writing overcame any moments of forced drama. And the heart-wrenching twists within the story were surprising in their finality, and not Disneyesque tear-jerking moments. Our faith (and not necessarily religious faith) must be like water - for without either, we cannot hope to survive. 9.5/10.