Baise-moi - Fick mich!

Take excessive violence, add a some hardcore porn scenes and French alternative rock music and what you´ve got is a hip and provoking movie, a shocking and disturbing portrait of generation X... STOP - because this formula doesn´t work always!!! "Baise moi!" ("Fuck me!") wants to be a piece of modern art, but it´s only a little stupid flick with a nearly nonexisting plot, surface characters and nutty dialogues! The film is shot with a hand-held camera and the amateur illumination and the shady set decoration convey you every time that feeling to be in a real porn movie. The special scenes including close-ups of sexual practices were just added to break another taboo, but they make this film looking more and more cheap, scruffy and repulsive. Serious provocations make you think about possible deplorable states of affairs, but "Baise moi!" is only pure showmanship without any message! Nevertheless this movie is very boring: the scanty 75 minutes (German version) seemed to last for an eternity... (1/10)

I first saw a poster advertising this film on a street in Helsinki, Finland in June of 2000. What caught my attention was the proud proclamation advising all readers that the movie, although itself French, had been "Banned in France". Upon returning home to New York, I discovered that one of the "Art House" movie theaters in the City was screening the film, and so (with my Finnish fiancee) decided to see what all the fuss was about. Boy, did we ever.

From the comments read here, and the reviews I knew the movie was violent and sexually explicit. Not necessarily offended by either of these two conditions, I went with an open mind to see what had perturbed the sensibilities of our Gallic cousins. Presumably, as anyone who is reading this will know, the story involves two women who embark on a crime and murder spree in France (the movie has English subtitles). The resemblance to "Thelma and Louise" however, ends with that; the sex is unusually graphic (and in copious supply) as is the violence (a lot of stomping to death, and a lot of blood and other organic matter splattering after bullet impact).

On an intellectual level, one could make the case that the film's very essence is the relationship of sex and violence (as manifested by the only sex these women know: one is a small-time prostitute, and the other has earned money from time to time by performing in pornographic films. When they, during their descent into crime and murder, have the upper hand over their sexual situations, they react only with the same violence and brutality that they themselves know and understand. It is important to note, however, that the victims of their rampage are not only creepy men interested in creepy sex, (of which there are several)but innocent passersby, a woman at an ATM, for example, as well.

I myself do not really understand why the repeated "porn-movie" shots were all that necessary, (except to depict the physical contact as cruel, unpassionate and debased) and the unrelenting gore did get rather tedious after the first few violent spasms.

It is a coarse and crude movie, but in fairness, it is dealing with coarse and crude people and equally unpleasant circumstances. From one point of view, the lives of the French underclasses is explored, and it's pretty grim; a travelogue for France it definitely is not- perhaps that's why the French banned it.

I've read a lot of the comments for this movie and think that many of you have missed the point. The directors claim this to be a movie about friendship - and that the bonds of that relationship have nothing to do with the circumstances from which they are born. I'm somewhat sceptical about that. If you just wanted to make a movie about friendship, it could be about nuns. Or puppies. Or just about anything. But Baise-moi (which translates as Shag Me, not F**k Me) serves to highlight very clearly the moral hypocrisy that surrounds cinema, and has done ever since the days of the Hayes Code. The irony here lies in the fact that it is the explicit sex that caused the film to be banned in so many territories. No one has a problem with the violence. Sure, the violence might be simulated, and the sex isn't - but they both occupy the same space on the screen. And while it's legal to have sex in the privacy of your home, the violence depicted could never be legal. After all, you can see worse violence in Freddy vs. Jason, and more explicit sex on any porn video you might choose, so what is it about the combination that riles people so? I'll concede that the film is flawed, and demonstrates the debutant directors lack of experience, but for the challenge it sets to our jaded set of morals in the west, it should be applauded.

Maybe it's because I live in Holland and have a very open mind to sex, drugs and well, maybe not to murder but I was not that shocked.

Of course the rape scene was a bit hard and did not leave much to your imagination, but the rest.... Me and my girlfriend were just entertained by the rest of the movie.

I just read some other 20 user comments and I was in fact shocked by those. Prudish americans and british telling you that it is shocking and garbage and so on. A 5.0 average makes also clear that most of the people are still filled with tabboos.

Big erections and mindless sex.... so what? shooting people up there arse? surely I'd prefer that compared to what happens to the guy that rapes marsellus wallace in Pulp Fiction.

Indeed this was a low budget movie and the camerawork was perhaps of poor quality but it suits the pic. As a student indeed a search for reasons and meaning and I find it hihgly irritating that some people complain about things left unexplained. What are you? Can't you think and maybe even guess for yourselves? Does everything have to be explained?

We both liked it and surely I understand this is not a movie for everyone. I think more of it as an experimental piece of work, seek your own reasons for what they are doing, enjoy this wild ride and if you persist in having a monumentuous storyline, oscar performances and so on, and you are not specifically entertained by x rated sex, lots of blood and the socalled 'holes' in this story then....

Just don't watch this movie!!!!

The backside of the DVD or VHS gives plenty of clues that this is a controversial movie and when you have an open mind and like these kind of movies, i recommend it.

We give it a 7.0

Why are people so outraged by BAISE-MOI (which literally means F**K ME, the English language title is a travesty) ? Is it because of the explicit sex (far more fleeting than that shown in any porno tape freely available at most corner video shops), the stylized ultra-violence or the combination of the two ? Unlike some films, this one doesn't in any way glorify violence though, it merely shows the sad inevitability of it as far as its two main characters are concerned.

Both Nadine (Karen Lancaume aka Karen Bach) and Manu (Raffaella Anderson) routinely endure violation both in word and deed on an almost daily basis as sex workers, prostitute and part-time porno performer respectively. The gang rape of Manu and her drug-addicted friend shown here is totally different from the clichéd they-may-protest-at-first type of rape scene encountered in some adults only features. While the other girl cries and screams throughout (and is ever more horribly abused because of it), Manu adopts a facade of indifferent resignation, cleverly robbing her rapists of their sadistic thrill. Rest assured that the scene goes on a lot longer than anyone would want it to and that it is very painful to watch, which is the whole point of it.

When Manu and Nadine meet and embark on their violent road trip, fully aware that they ultimately can't 'get away with it', sex becomes a source of liberation to them. Like so many guys on the lam in any criminal buddy movie you can think of, they take what they want, when and how they want it, casually discarding (not always violently) their casual partners post-orgasm. One of the most common accusations at porn's address is that the explicit sex scenes dehumanize the people performing them, but here that could not be further from the truth.

Former hardcore actresses Lancaume and Anderson are both terrific in their parts and the sex they have (and, yes, it is 'real' sex) enhances their characterizations, rendering them more complete. The 'cinema vérité' rawness of the digital video format in which it was shot, interrupted by sudden flashes of style when violence erupts (an artistic decision to give the viewer a feel for the power and pleasure the women derive from their acts as an escape route from their drab lives), draws the viewer uncomfortably close to the action. Again, that seems to be the point.

So don't let the negative publicity fool you. BAISE-MOI is a rare film that utterly achieves what it sets out to do and it bodes well for debut cinéastes Despentes (author of the sulfurous source novel) and ex-porn star Coralie. You may love it (as I obviously did) or you may hate it, but this is an important film that no one is likely to ever forget, no matter how hard they might try.