Kindertransport
Originaltitel: Into the Arms of Strangers: Stories of the Kindertransport
IMDb-BEWERTUNG
7,7/10
2029
IHRE BEWERTUNG
Der heimliche Schmuggel von 9.300 jüdischen Kindern aus Nazi-Deutschland in den späten 1930er Jahren.Der heimliche Schmuggel von 9.300 jüdischen Kindern aus Nazi-Deutschland in den späten 1930er Jahren.Der heimliche Schmuggel von 9.300 jüdischen Kindern aus Nazi-Deutschland in den späten 1930er Jahren.
- 1 Oscar gewonnen
- 7 Gewinne & 6 Nominierungen insgesamt
Judi Dench
- Narrator
- (Synchronisation)
Empfohlene Bewertungen
The Testament of holocaust survivors is always worth hearing, lest we forget the depths to which humanity proved it was capable of sinking. In fact, the scale of the tragedy is almost incomprehensible to a privileged modern mind, hence the appeal of stories like 'Schindler's List', which focus on a few who were luckier than most: they give us an insight into the horror, without totally disconnecting from our own, more fortunate, experience. 'Into the Arms of Strangers' likewise tells a more human story than the bleakest truths, namely that of Jewish children taken in by Britain before the war. It's not a bad film, and yet to me it was not the most powerful account of the holocaust I've seen in spite of its human scale. Perhaps this is because the worst fate suffered by the rescued - the death of the families they left behind - was a burden gradually assumed, not directly witnessed, and the survivor's stories are thus that little bit more polished and analytical than in the most compelling documentary - whereas perceptions of events are static (and thus retain their quality of immediacy), our interpretations of our feelings are influenced by what happens afterwards, and even our own stories become slightly second-hand over time. Or perhaps this impression is merely created by the film-makers' slightly heavy-handed use of background music and images. In spite of the above, this is still a highly poignant and important film. We who live today should count, and guard, our blessings.
This is a film that must be seen by your entire family. True, it's very disturbing, but it's one of the best films ever made about the horrors of war. Beautifully made, touching and moving, this is just a marvel. It should be shown every year on national television, to make sure that people never forget. Technically a marvel, there is not one thing wrong with this film, other than the fact that people haven't seen it.
"Into the Arms of Strangers" (2000): This is a documentary about parents who try to get their children OUT of the reach of Nazis (focusing on the "Kindertransport" system). Once in awhile a documentary comes along that is SO full of information you did not have, SO mesmerizing, and SO important to your understanding of the World, it is a must-see - for EVERYONE. Can you imagine what it is to send your children away
to
somewhere, not knowing what will become of them, and wondering if you shall EVER see one another again? Can you imagine being a young child, and as you're being put on a train for the escape, you scream to your parents (who are not going with you) that you must be adopted and they never did love you? Can you imagine being the child whose father, out of pure, illogical, last-second panic LOVE, pulled you back out of the moving train through the window, nearly killing you from the fall, and whose fates would then send you both to concentration camps? How would YOU and YOUR father DEAL with this, if you both "survived"? It uses excellent archival film (appears restored), beautiful scoring, artful editing, and lots of interviews (with surviving children and a few of their "foster parents"), make this an incredibly moving, horrific, inspiring experience. Really, you NEED to see "Into the Arms of Strangers".
This film clearly demonstrates how ashamed this country should be in regard to some of it's actions during WW2, and how evil the people in power in government could be. In some ways, no better than the Nazi's. We had the clear chance to save 10's of thousands of children's lives, yet we denied safety to the most innocent of victims of Hitler. And all because of a 'moral majority' that said it wasn't right to separate children from their parents. The same 'moral majority' that controls this country today. In fact, I believe if someone asked us to save the lives of children in places like Afghanistan and Iraq, we would probably again refuse. The real reason being because these are people with different religious beliefs. And these people have the audacity to call themselves 'Christians'. These are the same type of 'Christians' as those who formed the Spanish Inquisition. Who have founded their religion on hatred of anyone different or simply anyone who has a different idea than they do. It's truly ironic that Washington has a Holocaust museum when it's clear that the government (who knew exactly what Hitler was doing to the Jews long before the common people did) supported Hitler's genocide by it's silence on the matter, just as the Catholic church did. But in the case of the Catholic church it was no surprise, because it has always been a representative of hatred toward all Jews, Muslims, and anyone who isn't 'Christian'. And by the way, I'm not Jewish, I'm not anything, just someone who hates intolerance and cruelty of any kind.
This film continues to haunt me. With such delicacy, honesty, and poignancy, the great tragic horror of the holocaust is brought home to us on a human scale from a child's vantage point. Each unique story is told with such quiet strength and dignity. It is not only what is said, but what is not said, that is so moving. It would have been so easy to over-sentimentalize or shock, yet this film navigates through the emotional landscape with compassion and sensitivity. The voices are wise, direct and articulate on the surface, but just below, there are complex layers of remembrance, guilt, shame, grief, rage, fear, loss, despair, sadness, faith, relief and hope.
The interweaving of the past and present, black and white and colour, child and adult, is crafted with great skill. The musical score is a perfect counterpoint to the unfolding drama. There is not one false note, not one. Everything is presented with a remarkable aesthetic and thoughtfulness.
No other holocaust documentary has had a greater impact on me. As a grownup 'child' and now as a mother, I will think about this film for a very long time to come.
The interweaving of the past and present, black and white and colour, child and adult, is crafted with great skill. The musical score is a perfect counterpoint to the unfolding drama. There is not one false note, not one. Everything is presented with a remarkable aesthetic and thoughtfulness.
No other holocaust documentary has had a greater impact on me. As a grownup 'child' and now as a mother, I will think about this film for a very long time to come.
Wusstest du schon
- Zitate
Nicholas Winton: We did have the feeling that the position was much more urgent than anybody in London thought.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Kindertransport - In eine fremde Welt
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 374.555 $
- Eröffnungswochenende in den USA und in Kanada
- 32.037 $
- 17. Sept. 2000
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Kindertransport (2000) officially released in India in English?
Antwort