Donnie Darko

Sweets. They are not nourishing, but they're delicious.

This is how I feel about this film. If I make a conscious attempt at explaining why I like "Donnie Darko", I can see no real meat in it. I got no lessons from the flick, I hardly got a story... Forget what others say about this movie as "philosophical", "clever" or "trascendent". It's not. But, my!, how such a young director almost manages to make you believe it is... I don't know about you, but I call that talent.

Yes, the movie is empty. The story goes nowhere, there is no message, no moral, but the way it's all wrapped up keeps you salivating throughout. Don't think it's mere flashy fireworks, though. This is not a case of style over substance. It's something more complex, and that's where "Donnie Darko" distances from the rest. This movie is freaking special, is full of personality. I wish more films had this character. The charm of this film relies on a lot of pieces that fit like a giant puzzle:

-Chosen time (1988) is strangely proper (you'll have to see this movie to understand it, sorry).

-The movie is BLUE. Its photography is blue, its characters are blue, its story is blue. Everything is blue.

-Music is great.

-Emotions are overwhelming. They come from everywhere and at the same time. You don't know what's happening, but what might be happening actually affects you.

-I can see some Lynch influences. The scene where the gym teacher talks to Donnie's mother at the doorstep is 100% Lynch.

-Some scenes are, almost, scary.

-This is one of the movies that present the idea of "beyond" in a most seductive way. You feel there's something more than this world. It never gets explained, but heck, I don't care.

-Finally, and most important, the main appeal of the movie is that it throws together unrelated concepts in such a way that they feel ghostly linked. The movie is a melting pot of vague ideas, that, thanks to a great direction, get connected in the subconscious.

Exactly because of this, I understand this movie has so much appeal for some people, and so little for others. If you fall in the trap, it will touch you, and this movie could mean the world to you. If you don't, it won't, and you won't see more than a bag of tricks. Whatever the category you fall in, you have to recognize the skill of Richard Kelly. The execution of "Donnie Darko" is more than remarkable.

I like to think of "Donnie Darko" not as a movie, but as a niche some people feel comfortably unsafe inside, that people being 25-30 year olds with an affection for sci-fi and darkness. The more you fit in this role, the more you'll get into this.

RATING: 8.3

"Harvey" meets "The Mothman Prophecies," as a troubled teen starts hallucinating a horrific 6-foot-tall bunny rabbit that brings him dark forebodings about death and disaster in the very near future. A streak of "Heathers" is mixed in as well, with trenchant satirical observations of high-school life in the late '80s (story set in Oct. 1988), involving a priggish teacher, a self-help guru (Patrick Swayze!), and a put-upon fat girl at the fringes of the herd. Finally, a whiff of "Back to the Future," in the form of a local eccentric who just may have discovered the secret of time travel, but a secret that has more to do with spirituality than technology.

A lot goes on here. There's a meditation on the possible overlap between madness and the ability to perceive the divine. There's a demonstration of why, in the Bible, angelic messengers (if that's what "Frank" can be taken to be) are often so terrifying that they have to start by saying "Fear not." There's an enlistment of what martial artists refer to as the "ki" (or personal energy, emanating from a person's midsection) in the type of time travel depicted here (the term "ki" is never used in the flick, but the term "path," another word for Tao or "Way," is). Quantum physics theory about wormholes is tied to the Fortean phenomenon of things falling unexplained from the sky, in a way that's more pivotal, and therefore more interesting, than the gratuitous rain of frogs in "Magnolia."

Time travel paradoxes and ironies enter the picture as well. One character (no spoiler!), whose life is saved by Donnie's ultimate trip back in time, wouldn't have died in the first place if he hadn't dragged her along to the opening of the wormhole. Another character (again, no spoiler!), whose truly terrible secret comes to light in the wake of an arson investigation, must go unexposed as a result of that same time reversal, since the arson now won't happen. Surely that's no oversight on the part of the screenwriter; it must be an acknowledgment of the choices and trade-offs in life, as well as of a confidence that no such terrible secret can remain hidden forever.

Somehow this pastiche works, largely on the strength of good performances. Jake Gyllenhaal is appropriately moody and, also appropriately, not always likeable in the title role. Drew Barrymore, who executive produced, appears as a frustrated first-year teacher. The movie's often dreamlike atmosphere is enhanced by the cinematography, the subdued but effective special effects, and the choice of the music on the soundtrack, which includes '80's pop tunes, of course, and a haunting original song (over the end credits) titled "Mad World."

Not for all tastes, but better, stranger, and more complex than I expected.

Donnie Darko is a truly fascinating film experience. It's not a perfect film, but it's an ambitious one, and for the most part, it fulfills its ambition.

I will give no spoilers here, as the experience of watching this film for the first time is something I dare not strip away from any readers. For a small plot summary, Donnie Darko is a teen in high school who sleepwalks, and begins to experience ethereal visions from a ghostly rabbit named Frank, who informs him about a dangerous event, which plagues Donnie's life for a month.

Why is this film great?: Jake Gyllenhaal gives a stellar performance as Donnie Darko. The character goes through so many emotional beats, and Gyllenhaal nails each one. The teen angst is played perfectly, and he's truly someone we can all say we've felt like, or seen at some point. His development is realized expertly by Gyllenhaal, and is truly a character who has made a change by the end of the film. It's not heavy handed though, so you might have to go on a symbolism hunt whilst watching the film. Don't worry though, because it's a fun film to find symbolism in. Remember, in this film, the secrets lie within the subtext.

The script and direction from Richard Kelly are simply incredible for a first film effort. While some of Kelly's characters do have loose ends, and some aren't explained well or given enough screen time, the plot is fully realized, and mesmerizing. The twists in this film are confusing, but so ingenius once you understand the film. Kelly crafts a plot that makes sense in the end, and better yet, is not only constructed well, but has several meanings. The film is interpretable in many ways, and it uses ambiguity in the way ambiguity should be used: Sparsely, but effectively.

If you don't get this film upon first viewing like me, don't assume you didn't like it, and forget about it. Watch a couple of analysis videos, and it will not only make sense, but you might be like me, and feel like a big dummy for not noticing it the first time. That's the fun of watching film though! Learning about new things, and experiencing topics and messages in new visual experimentations and arrangements. Don't feel bad if you don't get it. It's meant to be understood over time. It's just that good of a film. It's the kind of film that lingers with you after the credits roll.

In conclusion, Donnie Darko suffers from some early 2000s corniness and has some faults in characters, but the plot and main character are so incredibly solid that it renders those mistakes seemingly unimportant and unnoticeable. You might not get it, but that's okay. Donnie Darko is a purposefully complicated film, and is also a purely emotional film upon first viewing. All that thinking comes after the credits roll. Not too many films these days make you think and feel directly after one another. Give this film a watch. I don't think you'll regret it if you give it a chance. It's a thought provoking film to view while in this time of quarantine!

From the first scene this movie had me hooked till the end. There wasn't a single dull moment. The characters were interesting, had good acting and sound design.

I'm rating this movie a 7 after my first viewing. The problem I have with it is the fact that I don't understand the story, I blame this on my own limited intellectual capabilities rather than being the fault of the writer/director. Last thing I would want is for movies to dumb themselves down to appeal to a wider audience. So the 7 score might be underrated to the true value of the movie but it helps me to keep track of how my perception changes in case I decide to watch it again in the future. I hope whoever reads this can understand.

All that being said, I would recommend this film to any adult fan of cinema, it's well executed and entertaining.

I first saw this on cable tv. Thumbing through the channels I stopped just as Donnie Darko was beginning. I thought the title was weird, and readied my thumb on the remote channel selector...pointed it at the TV...and it stayed there for the rest of the movie! I couldn't stop watching! I've never seen a movie like this. The movie has a beautiful aspect (especially the end). And there are a few chuckles as well. Contrary to the more critical commentary, there is depth and complexity to the story that kind of requires you to see it more than once. I'm no genius, but what I gathered the basis of Donnie Darko to be is about our part in the deliberate DESIGN of our destiny, and I catch more each time I watch it.

Regardless of anything, sincere thought and expression went in to the making of Donnie Darko. Mixed with skill and technical ability = Art.

A WORK OF ART! In the top 100 movies of all time in my opinion.