The 24th Day

Scott Speedman and James Marsden's one-night stand turns into an intense power play between captor and captive.

A independent film adaptation from a play by Tony Piccirillo and directed by same, is a tour de force with very good acting by Scott Speedman and James Marsden. Although straight forward and attentively simple, one is easily engrossed by the story. The dialog carries well, and the ending very human.

It's not often I enjoy simplified concept pieces but this was vital and endurable for the criticssm.

A flawless, and beautifully moving film. A important work for our time.

Director, P.J. Castellaneta, did close to this same thing (minus the death threats) 13 years earlier in his 1991 release, "Together Alone." Here's how the two films line up:

--2 hunky guys (one married / one not---in both "24th" and "TA").

--A night of lovemaking (remembered+talked about in "24th" / actually in bed in "TA").

--AIDS as a factor (does he have it / does he not---in both films).

--A night of philosophizing (what if this / what if not this---in both films).

Apparently 1991's "Together Alone" garnered even lesser acclaim than has "24th" (but Castellaneta did go on 7 years later to make a somewhat more successful 'little number' you've probably heard of titled, "Relax......It's Just Sex"). Actually, "TA" has never made it to DVD's ranks from its original VHS video release.

Scott Speedman? While still somewhat newer and 'a-learning' as an actor, it takes only moments to see the shock waves of guilt, sorrow, and anger this man throws off in his role as Tom. Wow!

James Marsden? Dear gods, don't be jealous........for this man is so beautiful. (Just an aside: at times I find it almost difficult to look at him. While everyone's perception of beauty differs, to me this man is just plain arresting---watching him here and in "Heights" is almost too much). Nonetheless, his physical attributes are far surpassed by a freshness and depth of feeling, rare in such a young performer, which he brings to his dramatic roles, that of Dan being no exception.

Since I can add nothing more concerning performances and plot points than is contained in the several 7- to 10-Star reviews already here, I will mention only one character detail: Tom is, at his most basic and essential, a good and honest human being. That is never lost sight of in this film, and, I think, is meant to clue us in on the real way in which the film is intended to end.

****

The other reviews have pretty much said it all, although I expected a little more from this given the rather over-the-top ecstatic reviews (certainly I expected more than the one plot 'twist' I got just over half way through - one that had already been revealed to me on the blurb on the back of the DVD).

One can argue it's a homophobic piece or one can argue entirely the opposite, but one can't argue that it's a well scripted, well paced and well acted movie that is worthy of 90 minutes of anyone's time in the world of Hollywood formulaic drama that dominates the mainstream. There isn't, truth be told, a lot of plot here, but what little there is turns out to be surprisingly gripping, thanks to the superb job of both the actors who are never less than totally believable in their roles.

I was amazed to read one 'review' here that just appeared to be a spiteful attack on the perceived commercial success of James Marden's acting career - just because he's easy on the eye is no excuse for slating a performance that most actors would be envious of as a career best. Well worth a viewing!

The 24th Day is a tense, low-budget gay thriller which focuses on Tom who holds Dan (an ex-trick) captive. Tom had tested positive to HIV 24 days ago and is convinced that Dan was the one who gave it to him. He extracts a blood sample from Dan and threatens to do bad things if it comes back HIV positive.

The 24th Day has a well conceived story-line (apparently it was based on a play written by the Director or something) - and although it takes a little while to get going - I think it sets the scene well and draws you to the characters.

It's basically a two-man film and the two leads are quite well acted - Dan (played by X-Men's James Marsden) is cocky, self-assured (for the most part) and defiant while Scott Speedman's Tom is uneasy and simmering (in the angry sense).

The film quality (as in picture) is fairly poor - but it doesn't distract from the film.

24th Day is a cool little thriller which is worth checking out if you like low-budget movies.

Tony Piccirillo's 'The 24th Day' is a character-driven chamber-piece based on his own play. The film raises the issue of responsibility that comes with sexual relationships. It starts off with two roommates Dan (James Marsden) and Isabella (Sofía Vergara) chatting at a bar. They meet a charming stranger, Tom (Scott Speedman). Dan and Tom decide to hook up that night and once the two enter Tom's apartment things gradually take an unexpected turn where Dan is held hostage and Tom wants answers.

Piccirillo stays focused on these two characters. His writing is brilliant. The characters are well-defined. The dialogues are amusing, thought-provoking, philosophical and there are some interesting references to pop-culture, sports and politics. The twists and layers are superb. He also succeeds in creating a tense atmosphere and keeping the viewer engaged.

The editing is good. At first the flashback sequences are mildly confusing but that parallels well with Dan's confusion. Of course, it all adds up in the end. Efficient use is made of the props and sets as to not distract from the characters.

James Marsden and Scott Speedman are in top form. Chambre pieces require great acting and both actors make fine ingredients. Speedman is restrained while Marsden delivers an authentic performance. Unfortunately, Sofía Vergara is wasted.

This would obviously make a great theatre piece and I'm very curious about the play. I would like to catch a show if it's happening nearby. As for the film, it is well worth the watch.