Amores perros

A young man gets into the world of illegal dog fighting in order to get enough money together to be able to run away with his brother's wife, but in the meantime he starts tension with another dog owner. A beautiful young model signs a lucrative contract with a perfume company and moves into her new flat with her lover – only for her tragedy to strike and her dog to go missing. Finally an ex-convict and guerrilla mourns the wife he left decades ago and longs to meet the daughter who thinks he is dead – but is also contracted to kill a businessman. These three lives come together in a car crash that acts as a catalyst in changing their lives.

After seeing 21 Grams I knew that I had to get round to seeing this film. With it's appearance on TV (BBC4 showing itself to really be a 'place to think' and a wonderful channel to have) I took the opportunity to watch it, expecting a film that would match the good things I had heard about it. >From the opening car chase that results in the crash that the film spirals outwards from like debris, through for most of the first hour, I was hooked – the pace was great and the story gripping. It was violent, exciting and yet had a human element to it as well. However the second story knocked the wind out of it for a moment, and seemed to lack the emotion of the first. It was based around an urban myth of sorts and wasn't as good – even if it did pick up towards the end.

The third story saw it return to a much more involving story of pain and the grinding out of life (as in 'getting by'). Maybe it was the rich lifestyles of the characters in story two that stopped me caring as much – I don't know but I know that the contrast between one & two made it more obvious how much the pace had dropped – especially when we are left wanted to know what happened to the characters we had spent an hour getting to care about. Anyway, the third story is a satisfying ending to the film and drew me back in emotionally where the second story had cut me off by it's abrupt start. Story two finishes before story three begins, and therefore it was easier to move on.

I think the problem with this film for me was not the fact that three stories were intermingled but that I didn't think they were actually mixed well – the way the film moves away from characters before concluding their section (eg Octavia), the way the stories are actually quite separate from one another, these things and other I felt weakened the films – although each story was strong on it's own I just felt that story 2 was such a change to the film that it hurt it.

However, as a film debut this is an amazing piece of work and is relentlessly impressive. From the opening car chase to the dog fights to the silent pain of the model looking out where her image once hung – in all these different moments I thought he did a great job and visually the film was never dull once no matter if it was set in a penthouse flat or a basement of an old building with the blood of dead dogs. And while we're on the subject, at the time of release I heard critics say they walked out of the film, refusing to watch cruelty to animals even being simulated. I can see their point but also think that they missed the fact that the animals in the film are mostly loved (even if they mostly die!) – however it is love and compassion for other humans that the film shows the characters having difficulty with, and this is where the emotional impact of the film is – not in simulated dogfights, albeit very well simulated dogfights that are hard to hear even if they are mostly unseen.

The cast were all natural but I always find it hard to judge performances when they are not in English. Having said that, there were no bad performances in the whole thing – even if some have better material to work with than others. Of course I still think this is a director's film and the cast often take second place to the style and the feel of the film.

Overall I really enjoyed this film but don't believe it deserves to be considered one of the 'best films ever made™'! The opening hour is superb and it's pace is relentless (even in more sensitive moments) but the sudden stop the film makes when it changes to story two is too much to stand and really caused the film to stutter for me. It gets better and is fully back on track for story three but there are problems running all through the narrative. Even though it has a lower rating on IMDb at time of writing, I'd still say that 21 Grams offer this same fragmented style but with a much more satisfying narrative. Regardless of my nit picking I still think this is a powerful film that makes 150 minutes fly by with a huge amount of style from the first-time director, even if it does not live up to the endlessly gushing praise lavished upon it by many viewers.

This Mexican movie was surprisingly good. I confess the sin of prejudice concerning Mexican cinema, this being maybe the second Mexican film I have ever seen, but here my sins are punished. This is the work of a director of big talent. Hopefully, he will not be spoiled by the success.

Three different stories in today's Mexico mix with very few common elements. The characters belong to different social categories, and nothing connects them at first sight, excepting the feeling of un-happiness, and - yes - dogs. Dogs play an important role in all three stories. One more warning - there is a lot of cruelty including dog fights - this film is certainly not for sensitive animal lovers.

Directing is excellent, the stories are human and complex and despite their melodramatic or sometimes tragic outcome, they still leave you with a shade of hope - maybe because the humanity that the author uses to create his characters. There are so many memorable scenes, that I would commit another sin to pick any and describe it here - just rent, or go to watch this movie in the theater - it is worth all 150 or so minutes you will spend. 9/10 on my personal scale.

Maybe for most of you, people outside third-world countries like Mexico or Colombia, my home, movies like ths one are only representations of another world... something away from you. My city, medellin, is one of the most dangerous cities on the world. Mexico city can be as dangerous as medellin. I`m not talking about politics. maybe you haven`t lived violence as near as i have, but im gonna tell you something, that is the main reason i voted 9 this movie: Amores perros is not fiction. Its a perfect peep to what life is here. We have expensive models that go to stupid tv shows, we have dog fighting, we have mercedes, we have old trucks, we have killers, businessmen, we feel love, we have houses... our life, as you can see in the movie, isn`t as different as you think. Amores perros can show you that life is not easy here. but that`s it. What you saw is thousand`s of people life. that`s why it`s so magic to you. Yourè seeing what you will never live there, in london, new york, seattle, paris, berlin... reality is weirder than fiction... see it on amores perros, and you`ll believe me... live it here, and no movie will surprise you

Nothing in this film happens for no other reasons than bad decisions taken from the depth of the most negative emotions of our species. It's a portrait of how brilliant we are at just doing harm to ourselves while also having an impact on the lives of the people around us. A very good film, with good storytelling, good acting, good photography and good musics, which is a tribute to human unease.

'Amores Perros' impressed the hell out of me. Three interrelated tales of the darker side of life in contemporary Mexico City, each one as fresh and as fascinating as the last. Each of the three stories are dark, disturbing and filled with humanity. Superbly acted all round, but especially noteworthy is the standout performance by Emilio Echevarria as El Chivo, a political dissident turned hitman, and if the charismatic Gael Garcia Bernal (Octavia, the lovesick dog fighter) isn't an international star in the making I'll eat my words. This brilliant movie shows up the mediocrity of most current Hollywood "product", and to my mind ranks with a small handful of movies made this decade ('Chopper', 'The Pledge', 'The Way Of The Gun') that are truly memorable and with genuine substance. This one is a winner and essential viewing for all movie lovers. A future classic.