Things Behind the Sun

The good parts of this movie, apparently inspired by a true story, makes me wish it was better as a whole. Kim Dickens is great as a troubled singer still haunted by a gang rape as a teenager. Don Cheadle as her manager and ex-lover has stereotypical characteristics, but gives a very good performance (his final words and expression in the scene with the writer was classic). Eric Stolz is excellent as well. And, the scenes at the music magazine was interesting, if incomplete. The whole movie, however, also has an incomplete feeling to it. The passion and message is there, and the brutal honesty about rape and its effects on all involved valuable. Nonetheless, the movie drags too often and often feels incoherent. Also, the writer is a rather pathetic character, and I got tired of him mighty fast. A better script would have made this movie much better ... as is, it is a worthy misfire.

I tend to prefer character-driven movies with strong plots. In that sense, this movie score highly. Kim Dickens turns in a passionate performance as a self-destructive women trying to reclaim her soul after it was taken from her in an adolescent rape. Don Cheadle turns in yet another great performance. Wow, what a great actor. Eric Stoltz has little screen time, but he does a lot with it. Again, what a great actor.

This movie suffers a little on the technical front. There are scenes that could have been edited out because they failed to enhance the story line. At times the direction seemed to be a lackluster. Neither of these hurt the movie that much, but it does not quite reach its full potential. It is still worth seeing. I enjoyed it.

A compelling film. This film really touched my heart. While the film is certainly far from perfect, I thought it dealt wonderfully with the subject matter and showed such a sensitivity towards not only victims of violence but also towards how scars incurred in childhood can mar us forever.

Gabriel Mann was awesome in this. He gave the role such a conscience and it was nice to see him used fully as an actor as opposed to his rather less than full role in 'High Art' (which I happen to love nonetheless). But whereas High Art was Radha Mitchell and Ally Sheedy's film, this film really, for me, belonged to Mann. Kim Dickens did a great job also, but Mann still takes top billing in my book. My hat off to Allison Anders - it's nice to know that there are filmmakers out there that are not so concerned with commercialism as they are with substance and exploration. The fact that it says that the film is semi-autobiographical just makes me applaud her more. If you're into character studies and the way the past effects ones life, this is a movie worth seeing.

I've seen. Slow and painful this story gets into the psyche of the victims unlike most other stories treating the same subject. The stories and writing style of Joyce Carol Oates came to mind through the intentionally slow, methodical pacing revealing each layer of the painful retelling of the victims' stories.

Arquette gives a brilliant performance as does Cheedle and Stoltz. Gabrielle Mann comes off a little too 'waah, waah, Mr. Sensitive author' but there's an honesty that rings true in his performance and works nicely with the others.

I think the only way this movie could improve is to perform it on stage. It has an intimacy that could resonate much more effectively then on the screen. All in all, I highly recommend it.

I was lucky enough to see this film at the Sundance film festival, where we gave Allison Anders a 5 minute standing ovation for what she's done with this film. The story is deceptively simple- a rock and roll chick who is pretty messed up for reasons that become clear when she hooks up with a young journalist- but it's the feelings that pierce and soar in this film. But it's not just a woman's story, the young man is also searching for (dare I say it) redemption. Filled with wonderful performances (why isn't Kim Dickens a star yet?) and even better cameos (Don Cheadle, Eric Stolz) this is a film that needs to be seen. One of the first, only, films that deals with sexual abuse and trauma and healing in a way that is both riveting and repulsive. And it has a great sound track! Go and see it!