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Perfume

  • 2001
  • R
  • 1 Std. 46 Min.
IMDb-BEWERTUNG
3,6/10
1169
IHRE BEWERTUNG
Jeff Goldblum, Mariel Hemingway, Carmen Electra, Peter Gallagher, Omar Epps, and Estella Warren in Perfume (2001)
A week in the lives of a group of models, photographers, agents, reporters, publicists and other characters during a wild modeling show in New York City.
trailer wiedergeben1:36
1 Video
20 Fotos
Drama

Füge eine Handlung in deiner Sprache hinzuA week in the lives of a group of models, photographers, agents, reporters, publicists and other characters during a wild modeling show in New York City.A week in the lives of a group of models, photographers, agents, reporters, publicists and other characters during a wild modeling show in New York City.A week in the lives of a group of models, photographers, agents, reporters, publicists and other characters during a wild modeling show in New York City.

  • Regie
    • Michael Rymer
  • Drehbuch
    • Michael Rymer
    • L.M. Kit Carson
  • Hauptbesetzung
    • Lysa Apostle
    • Joanne Baron
    • Morena Baccarin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    3,6/10
    1169
    IHRE BEWERTUNG
    • Regie
      • Michael Rymer
    • Drehbuch
      • Michael Rymer
      • L.M. Kit Carson
    • Hauptbesetzung
      • Lysa Apostle
      • Joanne Baron
      • Morena Baccarin
    • 19Benutzerrezensionen
    • 6Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Videos1

    Trailer
    Trailer 1:36
    Trailer

    Fotos19

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    Topbesetzung74

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    Lysa Apostle
    • Melissa
    Joanne Baron
    Joanne Baron
    • Janice Crawford
    Morena Baccarin
    Morena Baccarin
    • Monica
    Kylie Bax
    Kylie Bax
    • Maitre D'
    Angela Bettis
    Angela Bettis
    • Wilemina
    Heather Braden
    • Model
    • (as Heather J. Braden)
    Sonia Braga
    Sonia Braga
    • Irene Mancini
    D.W. Brown
    D.W. Brown
    • Morton
    Chemin-Martinez Carroll
    • Posse Member 13
    Hunter Carson
    Hunter Carson
    • Peter McMichaels
    Murielle Arden
    • Heidi
    • (as Murielle Cohen)
    Carol Commissiong
    • Vendela
    Sara Conca
    • Model #2
    Eve Cook
    • Model
    Coolio
    Coolio
    • T
    Veronica De Laurentiis
    Veronica De Laurentiis
    • Lorenzo's Relative #2
    • (as Veronica DeLaurentis)
    Paul Diomede
    Paul Diomede
    • Harmon
    Carmen Ejogo
    Carmen Ejogo
    • Chloe
    • Regie
      • Michael Rymer
    • Drehbuch
      • Michael Rymer
      • L.M. Kit Carson
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen19

    3,61.1K
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    Empfohlene Bewertungen

    tedg

    Hems and Hums

    I avidly pursue these small straight to video films because sometimes you hit gold. Last year, I was rewarded twice with 'Panic' and the delicious '10 Things...' That film resembles this in some ways. But then this resembles so many other projects, most closely Altman's 'Ready to Wear' but done in a 'Best in Show' technique where the actors devise the dialog. I'm very skeptical of that technique because actors just don't have the skills or interests to shape all the dimensions of a project. But they do well enough here to not embarrass and in one case: Sorvino and Gallagher as gentle lovers they do very, very well.

    But overall -- except for one major exception -- nothing in the film rises beyond pleasant spacefiller. There are lots of elements that might have been exploited but were not: the design of the eponymous perfume bottle, the state of the adrift daughter, the intelligence of the street designer (indeed, mirroring of one designer's acceptance and ones rejection of damaged children), the entrée to the big time through a sexual initiation and rejection, the drive to style and influence.

    The sad thing is the lack of style in the whole project: It lacked any, and this seemed strange: it was as if the whole thing were told through an urchin's eyes.

    There is one thing, one sequence, that makes this project worthwhile. As with most modern scripts, there is a self-referential bit. Here, the filmmaker is represented by a photographer who is presented with a promising subject. But she comes attached with 'dialog' that they both feel uncomfortable with. So they forcefully eject those that force these constraints and just ad lib the session. Naturally, that's what Rymer is doing with the film, so this scene is underscored. (The photographer is later rewarded for his intuition.) The importance of these scene is further emphasized by framing the whole film by two other sessions of this photographer -- the first is of him photographing nude women (obviously a nod to the expected exposure of the raw personalities of fashion to come). This is a glam heroin shot that emphasizes the wan 'pain' of the girls. Estella shows up and refuses to participate.

    Then at the end, we have the same photographer, on the street, shooting a healthy-looking Estella while the drugaddled daughter walks by in the background. So that scene in the middle where the photographer/filmmaker takes things into his own hands is the soul of the movie. And it is a worthy sequence.

    First of all, it features Mariel Hemingway, someone whose mere presence is impressive. The implicit pun on hemming is not beneath the level of allusion here. More powerful is the association with her famous grandfather (who killed himself) and her sister (who also killed herself). That sister made a big splash by endorsing perfume. Mariel is an enormously compelling screen presence, here at 40, and hypnotizingly lovely.

    The dialog in this section is wonderful -- that stuff they say when the actual shoot is underway. In the story, that relationship between seer and seen, between designer and human art forms the armature for the whole evening: It is only a couple minutes -- he with his Mighty Mouse, she with her Moody Blues.
    1MarieGabrielle

    Yet another film trying too hard to imitate Woody Allen...Narcissism isn't funny anymore

    Taking on the fashion world- not a difficult thing to portray as far as shallowness and alienation. The only actor who is well used is Michelle Williams, as the disaffected daughter of a vain self-centered NY fashion magazine (or ragazine) editor. Think Helen Gurley Brown, or read the NY Times review of Ms. Brown's take on younger generations (in her case this means at least five) and the selfishness as they don't offer her a seat on a NYC crosstown bus. Good for a few laughs. However, I digress.

    Jeff Goldblum is usually very good, but comes off as a whiny unsympathetic player; Harris Yulin is wasted as a fashion maven, who recruits young talent. Paul Sorvino portrays a Versace-like designer, whose partner is Peter Gallagher; unintentionally comical. Sonia Braga is also wasted, as she is not used for more than twenty minutes of the film.

    The worst segment by far is the sequence with Mariel Hemingway- ..."you know pashminas are so out now, don't you"?"... some gofer for the fash mag tells her; the tone is affected and the camera angles disturbing.

    Narcissism really isn't funny anymore. Now that we have it 24/7 with reality TV and other trash cranked out regularly for the public, the only way to make a film with this subject matter, is something along the lines of "Pret a Porter" (ready to wear) which was utterly stupid, but at least made fun of itself without a futile attempt at cleverness.
    2rprather

    Boring

    Maybe you have to be in the know of the fashion industry to like this movie? As a mainstream movie fan, or someone who is a fan of any of the actors in this movie, this is a boring and uneventful film. The plot was very confusing, and I had to stop the movie about half way through to re-read the story line on the back of the box to half figure out what was going on. Estella Warren is in the foreground of the picture on the box, but she is a very minor character in the film. Carmen Electra is the girlfriend of Omar Epps, but it was a completely useless character who was barely in the film. Omar Epps is a great actor, but with so many characters and story lines going on at once, he is hardly in the film as well. I did like Jeff Goldblum in this film, but his girlfriend (if she was even his girlfriend) was too whiny to care much about. Overall, I would say skip this movie unless you have been in the fashion industry personally, then maybe you can figure out what is going on I guess.
    anonymous also

    Who did these people owe a favor to?????

    I don't know what this movie was supposed to be about. Certainly the notes on the back of the box are, well, not very helpful. Something about the cutthroat fashion industry, I guess. It had potential and it was well acted, if only there was a plot. What a shame and a waste of talent. A great cast, half uncredited on the video box, stuck in a scattered, incohesive mess. Save yourself.
    jppettinato

    One of the top 30 films in my life!

    This was my kind of flick, from someone who loves films but rarely finds one to rave about, simply stated, "it suspended my disbelief." Don't believe the other user comments, Perfume takes you on a ride not only through the fashion world but also through life's obstacles in careers, love, and most importantly family.

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    Handlung

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    • Wissenswertes
      All the dialog was created by the actors.
    • Zitate

      Guido: Were do you keep the batteries, if you don't mind me asking?

    • Verbindungen
      References The Mighty Mouse Playhouse (1955)
    • Soundtracks
      Cheruben
      Written by Adam Plack

      Performed by Lush

      Published by Yalumba Music (ASCAP)

      Courtesy of Australian Music Int'l

    Top-Auswahl

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    FAQ15

    • How long is Perfume?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 24. Juni 2004 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Dress to Kill
    • Drehorte
      • New York City, New York, USA
    • Produktionsfirmen
      • MainPix
      • Manifesto Vision
      • Moonstar Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 46 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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