Der Medici-Krieger

This is, in many ways, the most complicated and mature film Ermano Olmi has made and it's austerity and marginalizing narrative against setting and period make it hard to come to terms with. It resembles the Rosselini historical biographies, with action often played in wide shot like traditional gallery art but here the film making and performance are far more skillful and effective.

Gradually we do come to recognize the head of the Papal forces trying to ride down the German invaders, intent on looting Rome, despite the shaky loyalty of his mercenary troops (Machiavelli is evoked as a military commentator) and the lack of support from local rulers. We even know about his social life and his laundry lists.

The use of historic buildings and detailed costumes (burnished armor for night fighting) is a tradition which goes back as far as the WWI Italian cinema. Profession Of Arms is one of it's best outings and the military material is particularly imposing - the spear-men making a dangerous looking fog silhouette spike barrier that the cavalry charge, the foundry men producing artillery and the constant drawing of those long swords.

The sting is in the tail with the narrator telling us that after the calamity of Commander de Medici, the sixteenth century rulers declared that that weapon of mass destruction, the cannon, would be forever banned. It does make it's point.

Annonuti does voice over.

Beautiful, melancholy attempt to reconstitute the world of Renaissance Italy, focusing on a small battle which, it turns out, is of extreme strategic importance, as in winning it, the way was opened for the French to invade Italy and sack it mercilessly. We learn much about the early role of gunpowder warfare, but also of the fortunes and misfortunes of highly-placed personalities who, like their subjects, lived constantly vulnerable to illness, death and the misfortunes of others which could drag them down from the heights of power to the depths of misery and poverty. I recommend this also for teaching history!

In a single word - capolavoro ("masterpiece" in English). I saw a masterpiece tonight. Maestro Ermanno Olmi's 2001 film «Il mestiere delle armi.» We all praise Rossellini, Fellini, Antonioni, Risi, Pasolini, Visconti, Leone, De Sica, Scola, Rosi, Wertmüller, Bellocchio, or the Taviani brothers, but we often forget Olmi. I have only seen four titles of his extensive filmography, and they were satisfying experiences: the diptych about the working class, «Il posto» and «I fidanzati,» his film «Il arbero degli zoccholi» which won the Palme d'Or at the Cannes Film Festival, and now this wonderful film.

«Il mestiere delle armi» recounts the final days of Giovanni de' Medici (1498-1526), during his final campaign as captain of the Pope's army, against the German hordes approaching Rome to capture and sack it. Giovanni died at the age of 28, one of the first victims of modern artillery. In the film, he is played by Bulgarian actor Christo Jivkov, who, curiously, died at the age of 48 in 2023.

The story moves at a steady pace, marked by the protagonist's imminent death, which is announced from the first minutes. The film describes the intrigues among the various Italian nobles in the face of the advancing invaders, Giovanni's passionate love for a married woman, and the clashes between armies, with brilliant attention to weapons, armors, costumes, music, lighting (excellent photography by Fabio Olmi, the director's son), and 16th-century medical instruments.

The film won nine David di Donatello Awards (the Italian film industry's highest accolade) for best production in 2001: best film, director, screenwriter (Olmi), producer, director of photography, editor, musician, art director, and costume designer. A complete cinematic experience, which I recommend.

It is not an "easy" film. If you are searching for an adventure film, or a "kolossal", you don't find it here. But this is a beautiful movie by the artistic side, you need to watch it with calm and patience, like you have to watch a picture of a famous painter. The plot is carried out like touches of brush, the characters are "painted" over a background of ethereal landscapes, nearly soft. So, why my vote is only a 7/10? This is just because the movie is not easy, perhaps too slow for a "normal" vision. After all when I watch a movie, often, specially when I'm tired at the end of a hard day, I need to relax myself, while this movie needs much attention. I don't think you can watch it without a little of concentration, at least the first time. Like you look at a painting.

This very interesting war film by Ermanno OLMI (1931-2018) was shown in competition at the Cannes Film Festival in 2001 and was nominated for the Palme d'Or. It's about Giovanni de Medici (1498-1526), who, as Giovanni with the Black Ribbons, was a very popular military leader of the Italian Renaissance. The story had already been filmed in 1956 as the Italian adventure film GIOVANNI DALLE BANDE NERE / THE BLACK KNIGHTS OF BORGOFORTE by Sergio GRIECO with Vittorio GASSMAN in the title role.

But Ermanno OLMI's film takes a completely different path. This is not a lightly entertaining adventure film, but rather an almost philosophical discussion of the horrors of war. Giovanni de Medici is played in OLMI by the Bulgarian actor Hristo ZHIVKOV (1975-2023), who lost his battle with lung cancer last year. The war between the papal troops and the mercenaries fighting for the emperor is a dark and dirty affair in OLMI. The craft of weapons (that's how the original Italian title could be translated) is a pretty dirty business in which the aim is to outdo the opponent with intrigues and new types of weapons. In the case of Giovanni de Medici, who still fights with lances against Georg von Frundsberg's mercenaries, it is the firearms that bring even more death that give the craftsmen of war a decisive advantage. A charismatic and aggressive leader like the hothead Giovanni de Medici has to give up his arms at some point.

OLMI casts all the actors as if they had stepped out of Renaissance paintings. When it comes to setting, this film does something remarkable. Unfortunately, this Italian film gem has remained far under the radar of attention. What is offered is certainly not entertaining film fare, but a clever reflection on the depths of the craft of war at all times in human history.

Highly recommended!