Lost and Delirious

There are few words to describe a movie such as "Lost and Delirious." The most conspicuous being "beautiful." No matter what your views may be on homosexuality, there isn't a person out there who can truly say that they did not feel the tremendous pain that Paulie felt when Tori walked out of her life. Every camera angle, tape speed, background, audio effects...everything...in this movie is absolutely perfect. I've never seen anything like it. The only other picture I can remember of this same artistic caliber would be John Duigan's 1998 film "Lawn Dogs." However, even it does not leave you with the emotional sting that "Lost and Delirious" does. The bottom line is, do NOT rule out this film because of the basis of it's storyline. It is not all about the sexual relations & lesbian activity. It is very much a deep look into the human spirit.

I might say that, deep inside, "Lost and Delirious" is a chick-flick, but to those girls (and boys, let's say, because girls are not the only who like chick-flicks) who can look further and deeply. It's a smart, intense and beautiful alternative to "Down To You" or "She's All That". And It's also a gay-themed movie that can be enjoyable to anyone.

The movie focus in Piper Perabo's character, Paulie, which has a homosexual relationship with her best friend, Tory, played by Jessica Paré. Once Tory has no courage to admit to her parents she's gay, and decides to end up the relationship, Paulie freaks out. Everything is seen by the eyes of Mary (Mischa Barton).

Piper Perabo gives the performance of her career. And, if we consider she was in vapid movies like "Slap Her, She's French" and "Coyote Ugly", you'll be very surprised (or even shocked) with the way she make her Paulie a character so intense. Barton and Paré may stand behind, but are also great. It's a movie so well-crafted and beautiful that it's kind of funny the way director Lea Pool manages to make a movie that grows every time in beauty and intensity without losing the focus in real life, real feelings. It's a brilliant movie, a must-see.

What could be more pure and genuine than the serendipity of an honest page from a young girl's diary, spotted with the teardrops she wept as she wrote? The diary belongs to 14 year old Mary Bedford (Mary Brave) as she writes about the heart breaking emotional trauma she suffers during her first year at boarding school. Lost And Delirious is a movie about the purest form of committed love, the kind that transcends all boundaries and causes those committed to devote every fiber of their being, heart and soul, to their loved one. There is no turning back or "getting over" this kind of love; once broken the heart can never mend. Most people will never experience this kind of pure love and, even if the opportunity were there, would never take such a chance with their emotions. If you have ever loved another person so intensely that you felt your life would be over if the relationship ended, you will identify with the character, Paulie Oster, and this movie may break your heart.

L&D is not a lesbian movie about girls being naughty and experimenting at boarding school. If you're not the sensitive type and expect to be inflamed with lust this movie would be wasted on you. Get yourself a pound of fried pork skins, a six-pack of $1.49 beer on sale at the local convenience store, and rent Bimbos From Planet Lesbos instead.

I thought 'Lost and Delirious' would be about some spoilt teenage girls hooking up on sex, drugs and rock and roll. But, to my surprise, it was something else. It's about three school roommates. Two of them engage in a 'forbidden' relationship while the other confronts her own issues and narrates the story. 'Lost and Delirious' isn't an easy film to watch. I don't want to hand out any spoiler but I'll say that it truly sticks to the title and parts of it are disturbing. I did not like how the film was treated because had it not been for the music and Piper Perabo's acting, it would have felt like a TV movie. At times, the pace is painfully slow and some scenes seem pointless. Piper Perabo steals the show with her terrific portrayal of the emotionally tortured and abandoned Paulie. Mischa Barton looks uncomfortable (and she needs to eat) but does okay in a few scenes. The soundtrack is quite unusual. There is something captivating about it. I also liked the sequences with Paulie and the raptor that symbolized liberty. It is not an easy film to watch but tells an interesting story of rejected love.

Another great movie by Léa Pool (La Demoiselle sauvage, Emporte-moi).

This is not a lesbian-film, it's a film about love, about the happiness and the pain that goes with it. It's a true and poignant movie, but also very evocative and profound. The acting is excellent by the three lead characters: Piper Perabo, Jessica Paré and Mischa Barton. They're really in it. Because you see, almost everybody, sometimes in their life, get through a period like these girls are going. Who hasn't been completely shattered by a relationship that's going nowhere or simply doesn't lift up? Funny parts too: especially those with the gardener offering some words of advice to Mouse. Léa Pool makes also good use of the slow-motion to describe the pain, the emotion, the passion. In all, a movie that should be seen.

Seen at the Devonshire Odeon Cinema, in Windsor (Ontario), on August 21st, 2001.

85/100 (***½)