IMDb-BEWERTUNG
6,4/10
13.536
IHRE BEWERTUNG
Eine junge Schottin schließt sich im Zweiten Weltkrieg dem französischen Widerstand an, um ihren über Frankreich abgeschossenen Freund zu retten.Eine junge Schottin schließt sich im Zweiten Weltkrieg dem französischen Widerstand an, um ihren über Frankreich abgeschossenen Freund zu retten.Eine junge Schottin schließt sich im Zweiten Weltkrieg dem französischen Widerstand an, um ihren über Frankreich abgeschossenen Freund zu retten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 6 Nominierungen insgesamt
Rupert Penry-Jones
- Peter Gregory
- (as Rupert Penry Jones)
Mathew Plato
- Jacob
- (as Matthew Plato)
Empfohlene Bewertungen
Pretty dreadful adaptation of Faulks' novel.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
In the midst of WWII, Charlotte Gray (Cate Blanchett) falls for dashing pilot Peter Gregory. She is recruited into the secret service since she spent time in France and is fluent. When Peter is lost behind the lines, she pushes to get the courier job for the French Resistance. Only she has the ulterior motive to find her missing love. Once on french soil, she finds french communist fighter Julien Levade (Billy Crudup).
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
Charlotte Grey is the title character of this movie, set in WW2 Britain and France. Played by the extremely gifted Cate Blanchett, Charlotte is a young Scottish woman who, after having fallen in love with an army pilot, Peter Gregory (Rubert Penry-Jones), decides to participate in the English efforts to help the French resistance. A fluent French-speaker, Charlotte takes on the identity of Dominique, a married Parisienne, who's moved to the Vichy-governed part of France.
As Dominique, Charlotte gets involved with Julian Lavade, his father and two young Jewish boys, whose parents have just been taken away by the Vichy police. She soon realizes how serious the situation is, and that no one is to be trusted. And her courage and determination sees her through.
Cate Blanchett shows yet again what an amazing actress she is, the new Meryl Streep, but with a warmer aura. Watching her on the screen never gets boring, and even though the movie is somewhat slow moving at times, it really left me craving for more. 4 out of 5!
As Dominique, Charlotte gets involved with Julian Lavade, his father and two young Jewish boys, whose parents have just been taken away by the Vichy police. She soon realizes how serious the situation is, and that no one is to be trusted. And her courage and determination sees her through.
Cate Blanchett shows yet again what an amazing actress she is, the new Meryl Streep, but with a warmer aura. Watching her on the screen never gets boring, and even though the movie is somewhat slow moving at times, it really left me craving for more. 4 out of 5!
Serendipity! This relatively unknown movie -why?- is another compelling showcase of Blanchett's talent. She kept the storyline moving along and engages the audience with her wonderful camera presence. She is believable as our heroine because of her chemistry with both male interests, make resolve with her vulnerabilities, yet still able to be strong as a secret agent should and providing a motherly side, sheltering little ones from harsh truths in dangerous times.
France's beautiful & panoramic countryside was the backdrop during WW2. The clothing, locale and props of the period seem authentic. The actors delivered their parts very well, contributing credibility to the story's basis. Charlotte Gray conveys what people undergo and learn about the world and themselves in dreadfully gripping circumstances.
Realistic, moving, tear-dropping!
France's beautiful & panoramic countryside was the backdrop during WW2. The clothing, locale and props of the period seem authentic. The actors delivered their parts very well, contributing credibility to the story's basis. Charlotte Gray conveys what people undergo and learn about the world and themselves in dreadfully gripping circumstances.
Realistic, moving, tear-dropping!
Charlotte Gray was something of a box-office disaster in the States, which damaged its reputation in the rest of the world. While it's not hard to see why American audiences didn't go for it, it's harder to understand the malice European critics greeted it with. It's a pretty good portrait of resistance infighting (the Communists are setup by the De Gaullists as liberation approaches), local collaboration (the schoolteacher gladly helps the Nazis root out Jewish families) and the nuts and bolts of resistance work. No great heroics or big setpieces, which is probably why it tanked: the big climax is more an emotional risk than the rescue audiences probably wanted. Performances are mostly good - Blanchett is much better than contemporary reviews would have you believe in particular. There are better films, but it's a good movie and for my money better than the alright Lucie Aubrac. I liked it enough to buy the DVD.
Wusstest du schon
- WissenswertesThe true story of Nancy "White Mouse" Wake inspired Sebastian Faulks' 1999 novel Charlotte Gray upon which this movie was based. Australian Prime Minister Julia Gillard said Mrs. Wake was "a truly remarkable individual whose selfless valor and tenacity will never be forgotten." Born in New Zealand, but raised in Australia, she is credited with helping hundreds of Allied personnel escape from occupied France. Working as a journalist in Europe, she interviewed Adolf Hitler in Vienna in 1933 and then vowed to fight against his persecution of Jews. After the fall of France in 1940, Mrs. Wake became a French Resistance courier and later a saboteur and spy, setting up escape routes and sabotaging German installations, saving hundreds of Allied lives. She worked for British Special Operations and was parachuted into France in April 1944 before D-Day to deliver weapons to French Resistance fighters. At one point, she was top of the Gestapo's most wanted list. "Freedom is the only thing worth living for. While I was doing that work, I used to think it didn't matter if I died, because without freedom, there was no point in living", Mrs. Wake once said of her wartime exploits. It was only after the liberation of France that she learned her husband, French businessman Henri Fiocca, had been tortured and killed by the Gestapo for refusing to give her up. She was Australia's most decorated servicewoman, and one of the most decorated Allied servicewomen of World War II. France awarded her its highest honor, the Legion D'Honneur. She also received Britain's George Medal, and the U.S. Medal of Freedom. In 2004, she was made Companion of the Order of Australia. She died in London on August 8, 2011 at the age of ninety-eight.
- PatzerThe German colors during the Nazi Regime were actually Black, White and Red. These were also the colors of the N.S.D.A.P. and were present on the shield of the German helmets of the Wehrmacht and all of the flags at this time. So the Bundesrepublik Deutschland (West German) colors of Black, Red and Yellow are not appropriate for the film.
- Zitate
Psychiatrist: Of these three, which in your view is the most important: Faith, hope or love?
Charlotte Gray: Hope.
- SoundtracksBlack Eyed Susan Brown
Master performed by Phil Harris and his orchestra featuring The Three Ambassadors
By courtesy Hindsight Records
Written by Al Hoffman and Al Goodhart
Published by Keith Prowse Music Publishing Co Ltd
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- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Charlotte Gray
- Drehorte
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Box Office
- Budget
- 20.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 741.394 $
- Eröffnungswochenende in den USA und in Kanada
- 46.271 $
- 30. Dez. 2001
- Weltweiter Bruttoertrag
- 5.323.109 $
- Laufzeit2 Stunden 1 Minute
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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What is the French language plot outline for Die Liebe der Charlotte Gray (2001)?
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