Snakeskin

It's a bit stunning to watch a film made in New Zealand, by New Zealanders, and not want to cringe. This is a fantastic piece of work. Kudos to the production team - when I think "road movie" made with a measly NZ budget I shudder to think of the result, especially when shot in a lightning fast 28 days. Yet this film looks like it cost three or four times as much to make. The visuals are stunning, and its cinematography award was well deserved. The story takes a nice big swipe and New Zealanders and their obsession with the USA. It may look on the surface to be your average american road film, and therefore a bit of a typical, stolen idea... but in truth this story rings sound as a uniquely New Zealand piece of work. It immediately promises to get quite dark... and then does... slowly sliding its way into that grim genre that New Zealand has created for itself that Sam Neill dubbed the "Cinema of Unease". This is a great New Zealand film, but better still, it's just a great film full stop. Great work to Gillian and Vanessa and all their team.

I went to Snakeskin not expecting much, perhaps something along the lines of "Stickmen" a NZ version of a successful overseas production, with a focus on Kiwiana and gimmicky NZ references. Too a large degree I was not disappointed. Oliver Driver plays yet another weirdo (although this time a skin head speed freak) which he does well, however, his appearances are becoming a little too familiar. While the acting and actors are excusable the writing is not, the first half of the film is nothing particularly new but works, but, by the second half the writing is completely incoherent. At one point towards the end it seems as if too many characters have been introduced and writer/director Ashurst just gets rid of them, they walk off, get shot etc. etc.... More noticeable than their demise is the increasingly strange (dare I say quirky) mishmash of ideas thrown in to try to hold the script together as it winds down towards the end which is neither a surprise nor original. (In fact for all you B-grade film viewers, very "Tales from the crypt" type thing). The whole film is very New Zealand on the surface and should be praised for being true to "NZ", those of you who liked "Stickmen" will like this film, but for me it does not compare with "Goodbye pork pie". Go and see it if only for the landscape.

New Zealand movies have a knack for being slightly 'quirky' and this film is no exception. The characters are somewhat enigmatic, the scenes are at times surreal, and the plot is suitably 'dark'. Unfortunately, "Snakeskin" is unable to live up to its premise, and the viewing experience is somewhat unfulfilling. However, this is not to say that the film is without its good points: Firstly, the cinematography is absolutely breathtaking and showcases the beauty of Southern New Zealand; secondly, the camera work is extremely effective (especially in the first half) thus adding an element of intrigue; and thirdly, the acting is slick and well-polished (in particular Melanie Lynskey and Oliver Driver).

Despite its good intentions, "Snakeskin" does not run as smoothly as it ought too. The first half of the film runs like a typical road movie, and this is reinforced by the use of humour and brisk action (car chases etc). The second half of the film takes a dramatic change however, and veers into thriller territory. The scenes become darker, more complex, and more serious. I found this shift in genres quite distracting, and it made the film increasingly difficult to comprehend. Obviously, the snake motif plays a central part in the film, but this is undermined by the 'twilight zone' treatment it receives in the latter stages. Ultimately, I think the film would have been more effective if it stuck to a simpler story-making formula.

I'm getting tired of NZ films like this. They have poor stories, the scripted dialogue is ridiculous and they are badly acted. Six years on and this type of NZ film is still being made. How did the Australians make the giant leap into quality film and somehow the Kiwis are still fumbling around like a High School Play Group? This film reeks of the liberal ideas and attitudes that are coming to a close in NZ. The story is desperate to attack traditional NZ culture and values, yet instead of actually telling the truth -which would do it better- they present common ignorant liberal assumptions.

There is so much kitschy rubbish throughout it: scenes constructed from what the filmmaker must imagine rural NZ is like instead of what it actually is. It gives the impression that NZ culture is stuck on top of the people like a cheap plastic toy on the dashboard of a car. If you live in NZ or are familiar with it's people you'll laugh at some of the sanitised characterisations.

Why was it even necessary to drift off into sci-fi? Is the truth really that hard to face? Or is it because the filmmaker really had nothing to say outside of proclaiming they, personally, imagine themselves to be "badass."

Superb acting and cinematography compliment a fresh writing style that skillfully guides us through this modern-day "Alice in Wonderland" set in New Zealand. Lynskey especially takes us on an ultra-realistic joy/horror ride, as the subtle changes in her character hook us almost subconsciously, and before we know it, drag us forever down the rabbit hole, screaming for more!