[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    OscarsEmmysToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
IMDbPro

Du kannst nicht entkommen

Originaltitel: Virtual Nightmare
  • Fernsehfilm
  • 2000
  • 16
  • 1 Std. 26 Min.
IMDb-BEWERTUNG
6,3/10
701
IHRE BEWERTUNG
Tasma Walton and Michael Muhney in Du kannst nicht entkommen (2000)
MysteryScience-Fiction

Füge eine Handlung in deiner Sprache hinzuSci-Fi mystery. In the future the world has apparently reached complete perfection, but when Dale suffers a car accident he begins noticing disturbing glitches in the fabric of reality.Sci-Fi mystery. In the future the world has apparently reached complete perfection, but when Dale suffers a car accident he begins noticing disturbing glitches in the fabric of reality.Sci-Fi mystery. In the future the world has apparently reached complete perfection, but when Dale suffers a car accident he begins noticing disturbing glitches in the fabric of reality.

  • Regie
    • Michael Pattinson
  • Drehbuch
    • Dan Mazur
    • David Tausik
  • Hauptbesetzung
    • Michael Muhney
    • Tasma Walton
    • Bob Hornery
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    701
    IHRE BEWERTUNG
    • Regie
      • Michael Pattinson
    • Drehbuch
      • Dan Mazur
      • David Tausik
    • Hauptbesetzung
      • Michael Muhney
      • Tasma Walton
      • Bob Hornery
    • 23Benutzerrezensionen
    • 2Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Nominierung insgesamt

    Fotos

    Topbesetzung22

    Ändern
    Michael Muhney
    Michael Muhney
    • Dale Hunter
    Tasma Walton
    Tasma Walton
    • Wendy
    Bob Hornery
    Bob Hornery
    • Stan
    Mitchell Butel
    Mitchell Butel
    • Miller
    Paul Gleeson
    Paul Gleeson
    • Sanford
    Jerome Ehlers
    Jerome Ehlers
    Iain Gardiner
    Iain Gardiner
    Jennifer Congram
    Jennifer Congram
    • Natalie
    Todd MacDonald
    Todd MacDonald
    • Bob
    Peter Curtin
    • Andrew
    Amanda Wenban
    John Noble
    John Noble
    • Dad
    William Ten Eyck
      Zoe Naylor
      Zoe Naylor
      Todd Levi
      Jonathan Atherton
      Andrew Bate
      Tom Betts
      • Regie
        • Michael Pattinson
      • Drehbuch
        • Dan Mazur
        • David Tausik
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen23

      6,3701
      1
      2
      3
      4
      5
      6
      7
      8
      9
      10

      Empfohlene Bewertungen

      6ruffrider

      Arresting Made-for-TV Sci-Fi Movie

      No, this isn't "Robocop" and by "arresting" we mean it held our attention when so many made-for-TV sci-fi efforts send us scurrying for the remote. The world-as-virtual-reality theme isn't brand new, tho' this film beats the Matrix pictures to the idea by several years. What impressed us was the way that idea is executed, in that residents of a small, desert community only see the pretty, neat little town around them, when it's just an illusion, broadcast to the populace by a local transmitting station. One day a successful young exec starts noticing cracks in the virtual facade and begins to discover what is real and what isn't with the help of a plucky librarian. The reality, when they find it, comes as a shock to protagonists and viewers.

      There are really 2 virtual realities in this world: the pretty facade most see and a horribly grubby one deliberately beamed to those jaded souls who seem to think things are supposed to look that way. The "real world," when it's finally revealed, seems half way between the two illusions, in that everything seems to be beige, pre-fab and of unimaginable blandness. We weren't sure if all the virtual realities made sense even in the context of the story, like when the hero first notices his little town isn't what it seems, he sees the horribly grubby "reality" instead of the merely bland one the ending reveals to be the truth, but all in all, for sci-fi fans, this film is entertaining and worth a look.
      8zarsoft

      Stanislaw Lem is hidden here

      The Congress (2013) claims to be inspired by Stanislaw Lem's novel, but this movie is much closer and is a much better movie. You should also watch The Thirteenth Floor (1999) and Star Trek Voyager S02E03 Projections.
      7mtenga

      Small Town American Nightmare

      On viewing Virtual Nightmare numerous other films came to mind. Total Recall, The Stepford Wives, The Wizard of Oz and also The Matrix. Despite this, the film did not seem that derivative and for me exists in its own right as an original.

      The premise underlying the film was more believable to me than The Matrix, which I could not take seriously. The fact that there were no really big names in the film added to the charm and I was not focused on a Bruce being Bruce, or Arnie being Arnie. I could concentrate on the film itself rather than the star.

      There were a few surprises along the way and I never lost interest for a minute. Though having said that there were some gaps in the plot and the ending was ultimately a little unsatisfactory, in the same way that Total Recall was. It was not quite up to the high standard of what had gone before.

      The film seemed to convey to me the dangers of over eager consumerism and small-minded indifference to anything beyond our own doorstep. I would certainly watch it a second time in the near future and maybe again sometime in the distant future, but for me it is not a film to watch over and over again. Highly enjoyable though and evidence that you do not need a huge budget or a big name to create something worthwhile.
      davidemartin

      Better than The Matrix, Equal to The Thirteenth Floor

      I'm one of the folks completely underwhelmed by the Matrix series' "Let's bankrupt-the-Studio!" mindset toward oppressively massive SFX. I like movies that make you think and which DO NOT rely on massive amounts of gunplay and car wrecks.

      Virtual Nightmare, like its true inspiration, THE THIRTEENTH FLOOR, is such a film.
      10dragoneyez01

      Interesting Film

      I saw this on cable awhile back when I had absolutely nothing else to to do. For a low-budget TV movie, this one is interesting, thought provoking, and over-all good.

      The plot is along the lines of books (and their movie adaptations) 1984 or BRAVE NEW WORLD, with some key ingenious changes that make the film unique and interesting. It is sometime later in the 2000's, and the world is perfect and sugar-coated - or at least seemingly perfect. There are some strange things in this perfect. People can buy "brand new" cars (most of them from the '50s and '60s) and the music used is mostly from the '50s. On top of this retro world there's modern appliances such as a wide-screen TV's, and the main character, Dale Hunter, is a advertising agent working on a new project, Arora (purposefully mispelled). But when Dale starts seeing strange things, like numbers and labels written over everything, he begins to suspect something is wrong. He and a librarian, Natalie (who also shares the opinion that something is wrong), try to uncover the truth behind their perfect world.

      None of the actors seem to be very well known, but they show how talented they can be in this movie. The plot is well developed (though in the middle of the film, it got a little confusing). And the special effects are good, especially for a movie with such a low budget. The only problem I have with the movie is the ending. It seemed rushed and unrealistic. For the rollercoaster ride the movie was with so many twists and mind-challenging ideas, the ending seemed a little unsatisfactory.

      Great movie, and one of the best TV movies that I've seen. If you can catch this movie on TV, I recommend that you watch it. It's an entertaining and interesting movie. Something that a lot of similar films, with even higher budgets and bigger stars, fail to achieve.

      Rating: 8/10

      Mehr wie diese

      Kiberderevnya
      7,3
      Kiberderevnya
      Brain Slasher
      5,2
      Brain Slasher
      Paradies in Flammen
      5,7
      Paradies in Flammen
      The Whisperer in Darkness
      6,5
      The Whisperer in Darkness
      Virtuosity
      5,5
      Virtuosity
      The 13th Floor
      7,0
      The 13th Floor
      Running Scared
      7,3
      Running Scared
      Zeitreise in die Katastrophe
      5,8
      Zeitreise in die Katastrophe
      The Rule of Jenny Pen
      6,2
      The Rule of Jenny Pen

      Verwandte Interessen

      Jack Nicholson and Faye Dunaway in Chinatown (1974)
      Mystery
      James Earl Jones and David Prowse in Star Wars: Episode V - Das Imperium schlägt zurück (1980)
      Science-Fiction

      Handlung

      Ändern

      Wusstest du schon

      Ändern
      • Soundtracks
        The Poor People of Paris
        (La Goualante du Pauvre Jean)

        Music by Marguerite Monnot

        French lyrics by René Rouzaud

        English lyrics by Jack Lawrence

        Performed by Les Baxter

        Licensed courtesy of EMI Music Australia

        (R) Campbell Connelly & Co Ltd & J Albert & Son Pty Ltd

      Top-Auswahl

      Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
      Anmelden

      Details

      Ändern
      • Erscheinungsdatum
        • 14. April 2000 (Vereinigte Staaten)
      • Herkunftsland
        • Australien
      • Sprache
        • Englisch
      • Auch bekannt als
        • Pesadilla virtual
      • Drehorte
        • Warner Roadshow Studios, Oxenford, Gold Coast, Queensland, Australien
      • Produktionsfirmen
        • Paramount Television
        • Coote Hayes Productions
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Technische Daten

      Ändern
      • Laufzeit
        • 1 Std. 26 Min.(86 min)
      • Farbe
        • Color
      • Sound-Mix
        • Stereo
      • Seitenverhältnis
        • 1.33 : 1

      Zu dieser Seite beitragen

      Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
      • Erfahre mehr über das Beitragen
      Seite bearbeiten

      Mehr entdecken

      Zuletzt angesehen

      Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
      Hol dir die IMDb-App
      Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
      Folge IMDb in den sozialen Netzwerken
      Hol dir die IMDb-App
      Für Android und iOS
      Hol dir die IMDb-App
      • Hilfe
      • Inhaltsverzeichnis
      • IMDbPro
      • Box Office Mojo
      • IMDb-Daten lizenzieren
      • Pressezimmer
      • Werbung
      • Jobs
      • Allgemeine Geschäftsbedingungen
      • Datenschutzrichtlinie
      • Your Ads Privacy Choices
      IMDb, ein Amazon-Unternehmen

      © 1990-2025 by IMDb.com, Inc.