Eine verdeckte Antiterroreinheit namens Black Cell unter der Leitung von Gabriel Shear will mit Geld den Krieg gegen den internationalen Terrorismus finanzieren, aber es ist alles weggeschlo... Alles lesenEine verdeckte Antiterroreinheit namens Black Cell unter der Leitung von Gabriel Shear will mit Geld den Krieg gegen den internationalen Terrorismus finanzieren, aber es ist alles weggeschlossen.Eine verdeckte Antiterroreinheit namens Black Cell unter der Leitung von Gabriel Shear will mit Geld den Krieg gegen den internationalen Terrorismus finanzieren, aber es ist alles weggeschlossen.
- Auszeichnungen
- 5 Gewinne & 10 Nominierungen insgesamt
Empfohlene Bewertungen
Formulaic, but possibly this generation of Directors use it as a template but never quite match it.
The cast by today's standards are mostly still popular,and aged well and still working in the industry albeit probably financed by the far east and media mogul wannabees.
Fashions, modelwear, what goes around comes around and off or on, nothing has changed.
Certainly one of the better "veteran action" movie streamers, not as cheesy or dated as some which are charged at a premium.
Some of this script is a takeoff on Dog Day Afternoon, which Travolta's character re-enacts a role from that famous '70s film. "Shear" talks about that movie during the film.
I almost got discouraged watching this in the first half hour because there is so much computer terminology that I was lost. However, if you find yourself in a similar spot, take heart because that that ends after that first 30 minutes and is no longer a problem.
Credibility and bias aside, it's still a fun movie for at least one viewing, with that early bomb scene most memorable.
All in all this movie is just the epitome of cool, and it was definately one of the better action movies of 2001. Finally Travolta is back at what he does best. As a side note, this is a hell of a lot better then BATTLEFIELD EARTH,which by the way was not as bad as everyone said it was. I really think that you should see this, I don't think that you will be dissapointed.
9/10 Great.
The ingredients are pretty standard. There's a stylish kick-ass villain (Travolta) with a plan, being a high-tech bank robbery. This is all garnished with lots of weapons, technology, car chases and beautiful women. This movie really delivers on the action front, I don't think there's any 'quiet' scene that lasts more than 2 minutes. It also contains the now standard implausible hacking scenes, where getting into the computer system of a bank involves solving a kind of Rubik's cube on your computer screen. I hope you're not offended by product placement because a certain computer brand is quite prominent when IT hardware is involved in this movie. But it's by far not as obnoxious as in "I, Robot".
The filming is top-notch, unlike some other movies you can actually see what's happening in the action scenes (which is sometimes due to the amazing slow-down effects in some scenes). Unfortunately the entire plot becomes quite thin when the movie is stripped of all this action and style. However, it works. The ending is rather vague, as if room was left for a sequel without making it too painful if there wouldn't be one after all.
Overall I would say this is a pretty OK movie, but don't expect the best cinema ever.
Wusstest du schon
- WissenswertesThe dramatic explosion at the start of the film was captured using 135 synchronized still cameras.
- PatzerThe $400 million in DEA money is said to have grown, "with interest", to $9.5 billion in 15 years. That would represent a compound interest rate of over 21% per year, which is unrealistic. At 12%, the money would have grown to a little less than $2.4 billion. At a more realistic 6%, it would be about $981 million, or a little over one-tenth of the value claimed in the movie.
- Zitate
[first lines]
Gabriel: You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny wanted to get away with it, REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if?
- Crazy CreditsThe last credit reads "Final Password: Vernam", which is part of the website game. (See Trivia). A Vernam cypher is a method of encrypting a message.
- Alternative VersionenAlternate television takes were shot for the scene with Ginger at the pool (she wears a bikini) and where Stanley hacks into the main frame of the Departement of Defense (Helga is not there).
- VerbindungenFeatured in Conversations with Jerry Bruckheimer (2000)
- SoundtracksDark Machine
Written by Paul Oakenfold and Andy Gray
Performed by Paul Oakenfold and Christopher Young
Courtesy of London-Sire Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Swordfish: Acceso autorizado
- Drehorte
- Ventura, Kalifornien, USA(Location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 102.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 69.772.969 $
- Eröffnungswochenende in den USA und in Kanada
- 18.145.632 $
- 10. Juni 2001
- Weltweiter Bruttoertrag
- 147.080.413 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1