American Outlaws

It's not the Long Riders and it's not Who shot Jesse James. It's loosely factual and sometimes comical. Make up your own mind. It's entertaining and isn't that what movies are supposed to be?

Smart, energetic, funny, exciting and underrated; these are just a few adjectives that describe "American Outlaws;" a western that will take everyone by surprise. Colin Farrell is a breath of fresh air and Gabriel Macht is a pure delight as they take the reigns in one of the funniest westerns I have seen.

Farrell and Macht are joined by Scott Caan, Timothy Dalton, Kathy Bates and Ali Larter whose comedic, intelligence and intense talent to create a film that is rich in character driven performances.

Most of the credit must be given to the writers of "American Outlaws" because they took the western genre and created one of the most unique westerns in recent years through the addition of humor. With action-packed sequences, strong performances and smart writing; the writers made the audience look at westerns in a whole new way; clever and stylish.

Though I feel originality is important in any film I see, it is not always necessary for a film to succeed. "American Outlaws" contains many cliché ridden scenes, but the true genius of this film is the presentation of the film.

Inspired by actual events, "American Outlaws" takes the audience on a comedic journey through the lives of the James-Younger gang and their battle with Allan Pinkerton and the railroad.

The success of "American Outlaws" partially stems from the great ensemble performance provided by Farrell, Macht, Larter, Caan, Bates and Dalton. It was apparent from the start that the "American Outlaws" cast gave maximum effort was going to take me on a satisfying comedy thrill ride through the Old West. It was clear that the cast of "American Outlaws" had fun together making the film, so when this occurs everyone is guaranteed the film will bring satisfaction.

Charisma, intensity and courage; these are the elements brought to the screen by the latest breakout star. I must admit it took me awhile to get over the shock of watching a charismatic, youthful looking actor steal the spotlight from his talented co-stars, but that is exactly what occurred with Farrell in "American Outlaws." "American Outlaws" allows Farrell the opportunity to step out of the shadows into the limelight to take his place among the best young actors in Hollywood.

It didn't take long to realize the discovery of the next big movie star would be found in "American Outlaws" with proof coming from Farrell's energetic and fun performance as Jesse James. I was smiling when I saw Farrell on screen because it meant the writers had created a character filled with imagination and ideas that made the movie a joy to watch.

Aside from Farrell, another bright spot in "American Outlaws" shined with the emergence and second breakthrough performance turned in by his co-star, Gabriel Macht. With enormous screen presence and impact turned in by Macht, this is an actor who will soon hear his name called as a winner of the coveted academy award.

Rounding out "American Outlaws" is the addition of Timothy Dalton and Kathy Bates. Commendations must given to Dalton for making the character of Allan Pinkerton a delight to watch. It didn't take me long to recognize that he was the right man for the job. With his look, demeanor and presence, Dalton confirmed my suspicions.

A short appearance can sometimes be the most memorable as with the case of the actress who portrayed Ma James. Bates has always been a favorite of mine because she brings credibility to each film she stars in. With "American Outlaws," Bates role is short, sweet and to the point.

The bottom line is "American Outlaws" is an underrated film that will bring everyone pure satisfaction and serve as great entertainment.

I like Western movies. I wished Hollywood made more Western movies. So, when Hollywood does decide to quell the hunger of a Western flick fan by making one...how can one resist?

I have to say I enjoyed "American Outlaws". It isn't hard-core Western but a fun, likeable summer movie. I liked the cast of this film. Colin Farrell was fun to watch as Jesse James but I absolutely loved Gabriel Macht as his older brother Frank. Bill McCormack was funny as Bob Younger and even Scott Caan, whom you aren't sure if you should like or not gave a good performance as Cole Younger.

I liked the twist this movie offers painting the James/Younger gang as the good guys and the Pinkerton's as the bad guys. It was different and that's what made it fun.

Sure this film isn't historically accurate but who cares?? Some have complained that the shooting scenes weren't realistic enough...who cares?? Do we really need so much violence to feel satisfied? Do we need to see how a bullet ravages the human body to feel that a Western is worth while? The point is made well enough without all the blood and gore. Don't let these pointless anecdotes deter you from watching this movie. You might be surprised! I certainly was.

"American Outlaws" is a fun, family movie. We should thank Warner Bros. for making a film/Western that our kids can watch without all the other junk (bad language, nudity, sexual innuendos etc.) that inundates most movies today! If you like Westerns and even if you don't, check this one out!

Released in 2001, "American Outlaws" is yet another rendition of Jesse James, Cole Younger and their Gang. This one focuses on the end of the Civil War and the first few years of the gang's activities,which lasted a whole decade in reality, from 1866-76, ending with the foiled Northfield, Minnesota, bank robbery on September 7, 1876. Jesse & Frank escaped while the others were captured or died. While Frank tried to settle down to a normal life in Virginia Jesse restarted the gang in 1879, but was shot by Robert Ford, one of his trusted gang members on April 3, 1882.

"American Outlaws" is highlighted by a great cast with palpable chemistry, including Colin Farrell as Jesse, Scott Caan (aka 'Danno') as Cole, the beautiful Ali Larter as Zee, Jesse's girlfriend/wife, and Timothy Dalton as the lead Pinkerton. Gabriel Macht, Will McCormack, Nathaniel Arcand and Gregory Smith are also on hand as notable members of the gang. The film plays it fairly serious accented by a fun, joie de vivre spirit, sorta like Indiana Jones in the wild West. You can tell the cast had a blast during filming. This is the exact opposite of the grim "The Long Riders" from 1980, which is arguably the best and most accurate film about the James-Younger Gang.

As far as historical accuracy goes with "American Outlaws," well, there was a group of outlaws in Missouri called the James-Younger Gang and they did rob banks, trains, and stagecoaches in Missouri, Kentucky, Iowa, Texas, Arkansas, Kansas, West Virginia and Minnesota (whereas Jesse's later group continued the gangs' criminal legacy in Alabama, Missouri, Louisiana and Mississippi), other than this the historicity is pretty butchered for the sake of rousing Western entertainment. See "The Long Riders" for a more austere and accurate version of the tale.

BOTTOM LINE: Even though "American Outlaws" loses points for inaccuracies and implausibilities, it scores high in overall entertainment value. It's a turn-off-your-brain-and-have-a-blast kind of Western. The movie performed poorly at the box office in 2001 and Roger Ebert gave it a scathing review. Ebert compared it to 1972's "The Great Northfield Minnesota Raid," which he praised. This was strange because that film wasn't exactly realistic either; in fact, it's a veritable parody or black comedy. These movies shouldn't be compared in the first place since "American Outlaws" details the gang's first year in action and "The Great Northfield Minnesota Raid" the gang's final bank robbery, a whole decade later. Furthermore, the two films are expressly opposite in tone: "American Outlaws" makes the wild West larger-than-life and ALMOST fun while the other film de-glamorizes it, making it profane, ugly and idiotic. In any event, "American Outlaws" is seriously rollicking Western lore worthy of one's video library.

The film was shot in Central-East Texas (great locations, by the way) and runs a short-but-sweet 94 minutes.

GRADE: B

I knew not to expect much from AMERICAN OUTLAWS. The glory days of westerns are long gone, and the new ones can't all be SILVERADOs and WYATT EARPs. But I was expecting to at least have a fun time, even if it was another film that portrayed real-life bad guys as the "heroes" of the movie.

Even on just a level of pure entertainment, AMERICAN OUTLAWS didn't score that well. I'm not sure why, but this film was just bland most of the time, and the actors (despite some talented ones in the parts) just seemed to walk through the performances, as if they were simply trying to just get the whole thing over with. Even the versatile Timothy Dalton seemed to be at a lost as to what to do.

And the characters themselves were terrible. By the end of the film, we still knew nothing about any of them. I like to have at least some understanding of the characters in a film. Whether they're the good guys or the bad guys, at least give me something about them to understand, sympathize with, or relate to. Sure, Frank and Jessie wanted revenge for a personal tragedy, but the depiction of that tragedy is handled so lazily we often forget about it for the rest of the film. The other characters tagging along with the brothers do so to make a stand against the railroad tycoon (Harris Yulin), but again, we don't get anything from them personally to make us root for their success.

A couple of the action scenes are nicely-executed, if sometimes over the top. The Hyperion job is the standout sequence of the entire film, as the James-Younger gang must fight their way out of a trap while attempting to rob a bank. And Trevor Rabin's exciting score (which I had already bought a few months ago and really enjoyed) helped make some of the boring parts seem more important.

Perhaps if the script had treated the material seriously and if the director had stayed awake during the shoot, it might have at least passed as a good time-waster for a dull Saturday night.