Füge eine Handlung in deiner Sprache hinzuPáll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home ... Alles lesenPáll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home with his parents who finally can't cope, and in the mental institution, Kleppur.Páll is an artistic and sensitive young man. Getting dumped by his girlfriend, Dagny, triggers his descent into madness. We follow him on his way to what seems like inevitable doom; at home with his parents who finally can't cope, and in the mental institution, Kleppur.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 14 Gewinne & 4 Nominierungen insgesamt
- Páll
- (as Ingvar E. Sigurðsson)
- Svana
- (as Sara Margrét Mikaelsdóttir)
- Jóhanna
- (as Inga María Valdimarsdóttir)
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What I didn´t like about it was it tried to be so depressing when it didn´t have to be. The music by Hilmar and Sigurros tried to do something to us that obviously the film makers thought they weren´t able to. This was way too distracting. It was also very and I mean very annoying. The movie was also far to heavy. The book had much lighter tone to it and even though the movie had some funny scenes in it there and there it felt like a drag and sometimes it were just snapshots and more.
There seemed also to be lack of character developments and you couldn´t get to know him quite well to understand what he was going through. Why did he go insane in the first place.
This was however a difficult task for both the writer and the director considering that it is based on a person that they knew. Einar Már writes the screenplay which is based on his book that is based on his brothers life that wen´t insane and eventually killed himself but the movie just didn´t capture the wibe of the book. I didn´t feel all to sorry for the characters or anything.
overall grade 6.5/10.
Because it's really worth while. I left the cinema feeling really sad. I couldn't get the tragic destiny's of the characters out of my head. And it impressed me even more when I thought of the complexity of the film. Not only was it a tragic story, it had excellent comic reliefs and a very good soundtrack.
If you have the opportunity, watch it! It's really thought provoking and made me ponder a lot.
Actually I don't wanna give rise to any excessive expectations but it is almost frightening how perfect, intense and beautiful this work of Einar Gudmundsson is. When in most movies there is at least one aspect spoiling the whole thing, like good actors but horrible dialogs or a nice scenery but low budget cinematography in Angels of the Universe" there is nothing of this ambivalence. Really everything is just great, even (and not least) the soundtrack with the magnificent Sigur Rós.
In this story about Pall, a student that goes schizophrenic after being dumped by his girlfriend, especially the dialogs (and monologues) deserve some attention: together with (and sometimes in sharp contrast to) the plot they range from depressing and fatalistic to the whole opposite of comical and totally absurd. What is more, they are often (with quotes from Hegel and Shakespeare) of such a poetic beauty that the movie almost drifts into a surreal sphere and is only saved to the real world by its incredibly authentic actors.
One of the other comments was already referring to another point: This movie is no trivial entertainment for relaxing in the evening. Despite of several comical reliefs in between it is largely disturbing, partly cynical and bitter, and most of all sad. It is a modern poetry about a life of insanity with all its emptiness, rage and solitude.
Finally: When you've seen the movie watch it again. There are some great visual metaphors and allusions in it that you realize only when you look twice and connect them with the moral of the story". And of course: read the book, it contains a lot more of the small funny stories in between and also makes you understand some things in the movie a bit better.
Really, i'm still under impression of that film. It's very hard, even impossible to combine the humor and the tragedy, but if you succeed (and Frederikson did) the impact would be twice strong.
I compared it with "ONE FLEW OVER THE CUCKOO'S NEST". I like this film either (and the novel itself is good, too), but after Frederikson's movie it seems simple. (the same difference I noticed after i watched the film "American history X" and "ROMPER STOMPER" - the latter is deeper). I mean Milos Forman only showed the material point of view of the problem. You watch it, then you say Yes, it's a good film, i like him, i don't like her, and that's it. But "Angels" leave you a wide base to think. There are no bad and good boys in the film. Cause each of them have the right to behave in the way they do. Like the girlfriend of one of the patient. Of course she's young and is pregnant and that is a problem for her that his husband is in the clinic, but the feelings and emotional experience of her exfriend are even stronger (the result is his suicide). Why ask him what have he done? Aren't you insane yourself to ask? Why do not support him, help him, understand him? Finally, it is even funny when those people talk to each other. They say genius things! There are a lot of things I would like to say about this film, but i'm not so good in english. But i'm sure, those of you, who have watched the movie, understand me.
Good luck!
Wusstest du schon
- WissenswertesEinar Már Guðmundsson wrote the novel "Englar Alheimsins" about his brother and his madness.
- VerbindungenReferences Lichter der Großstadt (1931)
- SoundtracksDánarfregnir og jarðarfarir (Death Announcements and Funerals)
Performed by Sigur Rós
Based on the melody by Jón Múli Árnason
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- Angels of the Universe
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- Laufzeit
- 1 Std. 42 Min.(102 min)
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- 1.85 : 1