Crime is King

`3000 Miles to Graceland' isn't quite as dopey as the cover art featuring Kurt Russell and Kevin Kostner clad in Elvis regalia would suggest. Although it breaks little new ground in its already overworked genre, the film does emerge as an efficient crime drama thanks to a gallery of interesting characters, some impressive performances and Demian Lichtenstein's flashy directorial style.

After a shaky first half hour or so, in which the film seems to be struggling to establish its direction and tone, the movie miraculously hits its stride and, thereafter, never really lets up. The story centers around a band of ex-cons, united by their almost obsessive love for the King of rock'n'roll, who decide to knock over a Las Vegas casino dressed as Elvis impersonators. Predictably, the heist serves merely as the pretext for one of them, the obviously psychotic Murphy (Kostner), to cold-bloodedly eliminate his accomplices. The fly in his ointment turns out to be Michael Zane (Russell), the most principled one of the group, who survives the holocaust and spends his time, along with a pretty single mother and her precocious child, trying to keep out of Murphy's way.

In terms of plotting, the film follows a pretty traditional route for this kind of film. However, the characters here seem a bit more fleshed out than they often do in some of those other films, particularly Zane, who seems caught between his criminal inclinations and his innate goodness as a human being. Cybil, the single mother played by Courteney Cox, likewise seems conflicted between genuine love and emotion and the excitement of easy wealth and a life lived on the edge. But it is Kostner as Murphy who sets the real tone for the film. His portrayal of a steely-eyed psychotic killer literally sets the teeth on edge, as he callously mows down scores of policemen and innocent bystanders who happen to get in his way. He makes for a truly soul-cringing villain. Russell, who played the actual legend back in his own younger, more halcyon days, makes a fascinating subtle counterpoint to Murphy's unbridled ruthlessness.

The film is not, however, a total success. For one thing, the violence often seems excessively brutal, graphic and mean spirited for a movie that seems to want to be a lark of sorts (after all, a movie featuring robbers dressed as Elvis impersonators can't be bidding to be taken too seriously). Moreover, the plotting, which far too often relies on unlikely coincidences to keep it rolling, also borders frequently on the incoherent. Finally, the morally ambiguous ending doesn't really sit well with those of us who find a couple of thieves, no matter how charming they may appear to be, unlikely candidates for heroism in the context of a `happy' ending.

All in all, however, `3000 Miles to Graceland' will probably appeal to those who like their crime dramas offbeat, quirky and filled with interesting characters.

This started with such great style, color and pizazz, I thought I had discovered a real "sleeper," a film I didn't expect to be good that was turning out to be very entertaining.

Well, after the big Las Vegas heist and shortly thereafter when we got a full look at the wild characters and even wilder action scenes, the film settled down and the dialog took over. Unfortunately, that was the film's downfall as the dialog is either incredibly stupid and-or annoying in the second half of this movie. Most annoying was this young kid, you know - the smart-ass kind that says things NO kid his age would say in real life. He also had a foul mouth, and I don't like to see that from young kids.

All the characters in here are pretty much low-life people, the worst being the one played by Kevin Costner, who seemed to relish this role. If you like low-class people, you'll like this story. I gave it points for the style and the fast-moving story, but it's too unpleasant overall for me.

I saw elements of "Out of Sight" and "Honeymoon in Vegas" in this action movie. The film deals with a heist pulled off by thieves posing as Elvis impersonators during a convention, and their following dillemas afterwards. The film becomes fairly predictable and unbelievable in the ensuing chaos, as most of the action takes place in showdowns between Kurt Russell and Kevin Costner's characters, the latter of whom claims to be an illegitimate child of Elvis. I thought it was a pretty good movie, and you might find something you like in it.

** 1/2 out of ****

OK, it a piece of trash. It is one of those guilty pleasures of mine. You know, the movie you are not supposed to like, but can't resist every time it comes on.

I mean, look at this cast: Kevin Costner from The BodyGuard, one of my favorites; Kurt Russell from Grindhouse; Christian Slater and Howie Long from Broken Arrow; Kevin Pollak from Hostage; Ice-T as the token rapper; and the best part of all, Courteney Cox, in a role that is so far from Friends that it is a classic.

This film is funny (Jon Lovitz), sweet (David Kaye), and has more action than you could ever ask for in a heist film. It has showgirls, an Elvis convention, and, I don't care if people diss Costner, Russell, and Cox, the film is just fun to watch.

Like True Romance, and Pulp Fiction this film is movie junk food that I love to eat. Film purest will classify this film as crap, and so it is; but this is crap that the masses want and the movie elite hates. For action films this is great, a few slow parts, and the action scene at the end got a little predictable, with the high kill counts, but rebounds with a great ending. An old western show down, and being a road movie it gives the junk food escapism I love and need. The acting is great, Costner plays such a great jerk in this film, his attitude makes the viewer dislike him, like a bad guys in wrestling. Costner should keep playing bad guys. I believe this is his strong point. Russell plays the hero or the not too bad bad guy. Russell character is the all American type he acts too the tee. Stay at the end of this film for they have a bonus with the credits, an Elvis video and a funny out take from the film. Taker easy, and give yourself a break and watch this film.