Woh Kaun Thi?

It has to be one of the best suspense theillers in Bollywood. And add to that the horror element and then ever so beautiful "Lag Ja Gale" it's a beautiful piece of cinema.

On a rainy night, a doctor on his way back home meets a white sari clad girl. He offers her a lift and as soon as she steps in the car wipers cease working.He's even more spooked when the lady tells him she knows the way and guides him outside a cemetery. Enroute when he notices her hand is bleeding, she tells him "Mujhe khoon achcha lagta hai" (I like blood) A while later a distraught father stops his car begging him to save his daughter's life. He follows the man and comes to a manor-like house, but unfortunately the girl in question is already dead. He is surprised to see her, she being the same who he just dropped off at a cemetery a while ago. When he goes back,he encounters some policemen who tell him that the place is deserted and no-one has been living there for a while now. Thus starts off the promising premise of Woh Kaun Thi,a wonderful whodunit by Raj Khosla aided by some great music by Madan Mohan. Sadhana never looked more enticing (check her out in "Lag Ja Gale") and Manoj Kumar thankfully is restrained. The supporting cast is also good.

Splendid performances by Manoj & Sadhana.A haunting tale from Raj Khosla. A thoroughly gripping story. Songs are melodious and catchy.Manoj plays his role convincingly and Sadhana is charming as well as haunting in it.All the supporting cast has done their part convincingly.There is not a dull moment in this film.The ambiance of the film is spooky and the songs add to it. The plot is taut and keeps the audience engaged.The viewer gets intrigued by the twist and turns of the story. Sadhana is at her best as the haunting lady who makes the viewer trying to guess her true identity.The suspense is absorbing and keeps one wondering what will happen next? The songs lend an aura of mystery to the film. Great music by MadanMohan.

Woh Kaun Thi? (1964) : Brief Review -

The haunting horror-mystery formula of British novels comes to India with an evergreen film. Woh Kaun This is a horror film, alright, but is there a ghost? That's the biggest suspense, and I don't want to spoil that for you. Let's assume that it's a horror flick because 99% of its runtime makes you believe so. But beware of that 1% of suspense I'm not revealing here. I don't know how many people in the 1960s were familiar with Agatha Christie and Arthur Dolye's stuff, so they must have been thrilled to see what they saw in Woh Kaun Thi. Thankfully, Hindi audiences were familiar with the fact that something like this can happen because of "Bees Saal Baad" (1962), which was based on Doyle's writing only. Raj Khosla brings the same formula again, but with a completely fresh look at it. Even that was seen and experienced by many in the late 1940s with Mahal (1949). Yet, Woh Kaun Thi has plenty to offer, especially the camera work, sound design, and Raj Khosla's vision of a scary horror flick. Hollywood had done it back in the 30s with the Cat and the Canary and Sherlock Holmes series, so I can't say that Khosla's film was path-breaking. But for Indian cinema, it indeed set a new benchmark, which hasn't been crossed by any film as of 2024. That's exactly 60 years. This is why Woh Kaun Thi must be celebrated as one of the best horror thrillers ever made in Bollywood history. The film tells a story about a doctor who meets the ghost of a girl and later sees her again as a dead girl. He is then married to an unknown girl, who happens to be the same girl. What's the mystery behind it? Khosla's horror thriller will tell you that, and believe me, it has a lot of horror elements with far better scene design than what we saw later in the 80s. Sadhana will forever be remembered for this role, and Manoj Kumar was top-class. Special thanks to Madan Mohan for evergreen "Naina Barse" and "Lag Jaa Gale." As a whole, a complete textbook on genre-breaking commercial cinema in Bollywood.

RATING - 7.5/10*

By - #samthebestest.

Great script! Kept me glued to the screen throughout the movie.