Einmal Himmel und zurück

This is a cute but unfortunately mild and tepid movie. There are some (very few) exceptionally funny lines. Chris Rock does two short spots on stage. Both are very funny. That's it.

The romance is cute but not entertaining enough to care about the characters. Chris is very stiff throughout the whole movie except when he is on stage those 2 rare and short times.

Chris Rock just didn't rock in this one. 5/10.

• Zafoid

From the other reviews you may already learned that this film is the second remake of 1941's HERE COMES MR. JORDAN which was remade in 1978 as HEAVEN CAN WAIT which is one of the few remakes that's better than the original. But the story takes a big nose dive with this recent remake which is more of a starring vehicle for Chris Rock than any attempt to do a decent remake of a good story. The supportting cast (Regina King (JERRY MAGUIRE), Chaz Palmenteri (A BRONX TALE) and Eugene Levy (AMERICAN PIE)) do their best to rise above this lameness but they're just reminders of their wasted talents. Another thing that p***es me off about this movie is that the filmmakers had some idea that the average moviegoer is so stupid that they had to keep being reminded that Rock's soul is inhabited in the body of a middle aged white man by switching back and forth between the two. The makers of JORDAN and HEAVEN had enough confidence in the intelligence of the audience to not to have to explain that angle to them. Another point is with Rock, who along with Pryor, Carlin, Foxx, Cosby and Kennison, is probably the best stand-up comic ever and has had a few good film moments (NURSE BETTY, NEW JACK CITY and I'M GONNA GIT YOU SUCKA) but this film doesn't help his case (I know this movie made a lot of money. So what.) I just hope his movie career doesn't go the same path as Adam Sandler, another once funny person who now makes sucky movies. Do yourself a favor and rent HEAVEN or maybe even JORDAN and skip this turd.

Chris Rock stars in this remake of Warren Beatty's Heaven Can Wait (itself a remake of the 1941 film Here Comes Mr. Jordan), a comedy about a man who dies before his time, before he can realize his dreams, and his adventures in his new (albeit temporary) body. In the Beatty version, the protagonist was a backup quarterback for the then-Los Angeles Rams. In Rock's hipper version, our lead character is a struggling young - and decidedly low-talent - standup comedian.

It's very funny to see the razor-sharp Rock playing a bad comedian. It's kind of like seeing Tom Hanks play a bad actor. Lance Barton's dream is to play the legendary Apollo Theater on a non-amateur night. But every time he tries out his material, he's booed off the stage lustily - so much so that his nickname becomes "Booie." His jokes are lame, his delivery painful. In short, Lance is everything that the real Chris Rock isn't.

Lance is also a bike messenger, and he's riding the streets on his way to try out even more material when BAM! He's hit by a truck. Ok, so maybe he was taken from his body a tenth of a second early by a slightly incompetent angel (Eugene Levy), but hey, he was going to get hit anyway. No dice, it appears Lance isn't due in Heaven until 2044. So what to do? Mr. King (Chazz Palminteri), the "manager" of Heaven, reluctantly agrees to find a new body for the not-quite-dead Mr. Barton. Trouble is, the body they find is of a greedy, old white man. Turns out this fella (a Mr. Wellington) owns all kinds of things - he's the 15th richest man in the country! What luck! You can imagine how Lance will turn things around.

But of course, while in the body of the affluent Mr. Wellington, Lance falls for a gorgeous hospital worker (Regina King). We males know how tough it is to find a female given our own body, but try winning one over while you're an dumpy, old white guy! And it's even worse when she's not impressed by your money.

This is Rock's first shot at a lead role, and in my opinion he performs admirably. There's still a lot of the standup comedian in him - and, of course, if he ever wants to get diverse roles, he might have to stop incorporating standup routines into the script - but this isn't really a bad thing. Rock's personality - his drive, his delivery, his demeanor, and his passion - are what fuel this film. He's clearly having a lot of fun in the role, and he seems bent on making sure you have fun watching him.

This movie is a remake of two movies that were a lot better. The last one, Heaven Can Wait, was great, I suggest you see that one. This one is not so great. The last third of the movie is not so bad and Chris Rock starts to show some of the comic fun that got him to where he is today. However, I don't know what happened to the first two parts of this movie. It plays like some really bad "B" movie where people sound like they are in some bad TV sit-com. The situations are forced and it is like they are just trying to get the story over so they can start the real movie. It all seems real fake and the editing is just bad. I don't know how they could release this movie like that. Anyway, the last part isn't to bad, so wait for the video and see it then.

There were some funny moments in this movie, but overall I was unimpressed. I recognize that this movie is supposed to be a comedy, but it really fell short of being funny. Why did they have to bring Rock back as an old white man. The old white man really had nothing to do with the movie. Rock didn't act like an old white man. He didn't look like the old white man (at least not to the audience). He didn't even seem like he was an old white man. Yet no one really cared.

Now, I know that this is supposed to be funny, but all I really felt was embarrassed.

Chris, until you can become a real actor, go back to stand up.