Deuces Wild - Wild in den Straßen

This movie was basically just a good guy vs. bad guy movie. Its one of the best that I've seen since the "Outsiders"! Its definatley a movie that should be seen on the big screen! The acting was awesome, and the writers did an excellent job on the script. There are really no upsets in this movie, and no sex or nudity. This is just a good movie that i reccomend!

Deuces Wild has gotten a lot of unfavourable comments by viewers and critics. I didn't think it was such a bad movie, especially considering the budget the producers and director had to work with. With the limited funds to make this film, the scenes were filmed with very few takes - giving it a 'play' feel.

The story reminds me of "The Outsiders" and "West Side Story" - which I found to be one of the down sides of the movie, but I still liked it overall.

Stephen Dorff gives a great performance as Leon, the Deuces leader. Supporting actor Mr. Renfro did not impress me however. A couple of the actors from "The Sopranos" play supporting roles. Drea De Matteo looks awesome in this film.

Rating: 7 out of 10.

It never ceases to amaze me that such crap is put to celluloid over and over again. Deuces Wild is a shining example of such crap. The plot is full of recycled storylines, the script is laughable at best and the directing is confoundingly bad. Why so many tired slo-mo scenes? And do we really need to see another showdown in thunder and lightning? And, despite the fact that this movie is set in the 1950s, the score sounds like it came from an episode of Miami Vice! Unbelievable. Anybody associated with this abomination should do everything in their power to ensure that nobody else sees it and, furthermore, should never speak of their role in the production of the "film"

The trailers to this movie looked good. Maybe they should have released the trailer as the feature.

It seems that a rite of passage for all young, white, male actors is to play an Italian or Irish street tough from Brooklyn (or Jersey or Boston or Philadelphia or Chicago, or Detroit). Any large industrial city where the actors can get away with putting on a stereotypical accent.

But that's not all that bothers me about this movie. There are the tired, clichéd lines like: "...and the streets of Brooklyn where red with blood" and "If I see you talkin' to him again, you're out in the street. You and your old lady."

Fairuza Balk is the only interesting actor in this film. She has some clichéd lines just like the others, but she also has most of the movie's original ones. I especially liked "...and before that, I crawled out from between my mother's legs. Got any more questions?"

Brad Renfro is a decent actor, but he should stick to what he does best. The misplaced, naive and/or clueless kid like he was in "Ghost World" and "Telling Lies in America."

Steven Dorff is not a good actor, period. In this movie, he comes across as a wannabe actor high school jock trying to play Stanley Kowalski. But at least it wasn't as bad as his portrayal of Candy Darling in "I Shot Andy Warhol". There he came across as a frat boy in drag for the homecoming talent show.

Frankie Muniz is cute, but that's all.

Matt Dillon is tired as his typecast role of the tough guy. He should do the opposite of Brad Renfro and go back to taking risks like he did in "Something About Mary."

I have a fondess for urban, period drama. But the script has to be orginal and the casting should be based on more than just looks.

Ok, it's a rumble movie. It's like LORDS OF FLATBUSH with half the soul. It's WEST SIDE STORY without the song and dance. It's THE OUTSIDERS without the literary writing.

Sure, it's got a boatload of talented young faces, some already established, most semi-established when this released. But the script? Ugh. It's juvenile, simplistic, one-dimensional, mindlessly violent (though not graphic); something lifted from a 1960 "JD" message flick, but with better production values, including color.

I gave it a six out of pity and because I like Stephen Dorff, but it deserves a five. And Brad Renfro? How did so many filmmakers see potential in HIM before he died not long after this?

Bottomline: this is not an awful movie. It's not painful to watch. But it's a youth film that belongs in the 80s, not in 2003. And it doesn't deserve the actors it cast. From the list of actors, I'd guess this was a hot property when it was getting assembled, but subsequently, the writers and director let half the air out of its balloon and repackaged GREASE. Oh, and Norman Reedus? A disheartening case of one-note-johnny overacting in this particular effort.

I gotta suspect that the director let the cast down with mediocre, uninspired directions to the actors.