IMDb-BEWERTUNG
5,6/10
8130
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuBobby, a member of The Deuces, and the sister of the rival Vipers member fall in love, promoting a street war between the two factions.Bobby, a member of The Deuces, and the sister of the rival Vipers member fall in love, promoting a street war between the two factions.Bobby, a member of The Deuces, and the sister of the rival Vipers member fall in love, promoting a street war between the two factions.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Drea de Matteo
- Betsy
- (as Drea DeMatteo)
Debbie Harry
- Wendy
- (as Deborah Harry)
Joshua Leonard
- Punchy
- (as Josh Leonard)
Empfohlene Bewertungen
This movie was basically just a good guy vs. bad guy movie. Its one of the best that I've seen since the "Outsiders"! Its definatley a movie that should be seen on the big screen! The acting was awesome, and the writers did an excellent job on the script. There are really no upsets in this movie, and no sex or nudity. This is just a good movie that i reccomend!
I liked this movie, it was very unrelenting and dark - The fight scenes are pretty intense especially the last one. A good story about an exploding gang rivalry, there are good performances from Fairuza Balk, Brad Renfro, Drea DeMatteo and others but the two actors from the Blade series really stood out here. I'm talkin' about Stephen Dorff(Blade, Judgment Night) and Norman Reedus(Blade 2, Boondock Saints), they were great in the rival roles of Leon and Marco, they really brought their hatred for each other to life, good job...
It never ceases to amaze me that such crap is put to celluloid over and over again. Deuces Wild is a shining example of such crap. The plot is full of recycled storylines, the script is laughable at best and the directing is confoundingly bad. Why so many tired slo-mo scenes? And do we really need to see another showdown in thunder and lightning? And, despite the fact that this movie is set in the 1950s, the score sounds like it came from an episode of Miami Vice! Unbelievable. Anybody associated with this abomination should do everything in their power to ensure that nobody else sees it and, furthermore, should never speak of their role in the production of the "film"
The trailers to this movie looked good. Maybe they should have released the trailer as the feature.
It seems that a rite of passage for all young, white, male actors is to play an Italian or Irish street tough from Brooklyn (or Jersey or Boston or Philadelphia or Chicago, or Detroit). Any large industrial city where the actors can get away with putting on a stereotypical accent.
But that's not all that bothers me about this movie. There are the tired, clichéd lines like: "...and the streets of Brooklyn where red with blood" and "If I see you talkin' to him again, you're out in the street. You and your old lady."
Fairuza Balk is the only interesting actor in this film. She has some clichéd lines just like the others, but she also has most of the movie's original ones. I especially liked "...and before that, I crawled out from between my mother's legs. Got any more questions?"
Brad Renfro is a decent actor, but he should stick to what he does best. The misplaced, naive and/or clueless kid like he was in "Ghost World" and "Telling Lies in America."
Steven Dorff is not a good actor, period. In this movie, he comes across as a wannabe actor high school jock trying to play Stanley Kowalski. But at least it wasn't as bad as his portrayal of Candy Darling in "I Shot Andy Warhol". There he came across as a frat boy in drag for the homecoming talent show.
Frankie Muniz is cute, but that's all.
Matt Dillon is tired as his typecast role of the tough guy. He should do the opposite of Brad Renfro and go back to taking risks like he did in "Something About Mary."
I have a fondess for urban, period drama. But the script has to be orginal and the casting should be based on more than just looks.
It seems that a rite of passage for all young, white, male actors is to play an Italian or Irish street tough from Brooklyn (or Jersey or Boston or Philadelphia or Chicago, or Detroit). Any large industrial city where the actors can get away with putting on a stereotypical accent.
But that's not all that bothers me about this movie. There are the tired, clichéd lines like: "...and the streets of Brooklyn where red with blood" and "If I see you talkin' to him again, you're out in the street. You and your old lady."
Fairuza Balk is the only interesting actor in this film. She has some clichéd lines just like the others, but she also has most of the movie's original ones. I especially liked "...and before that, I crawled out from between my mother's legs. Got any more questions?"
Brad Renfro is a decent actor, but he should stick to what he does best. The misplaced, naive and/or clueless kid like he was in "Ghost World" and "Telling Lies in America."
Steven Dorff is not a good actor, period. In this movie, he comes across as a wannabe actor high school jock trying to play Stanley Kowalski. But at least it wasn't as bad as his portrayal of Candy Darling in "I Shot Andy Warhol". There he came across as a frat boy in drag for the homecoming talent show.
Frankie Muniz is cute, but that's all.
Matt Dillon is tired as his typecast role of the tough guy. He should do the opposite of Brad Renfro and go back to taking risks like he did in "Something About Mary."
I have a fondess for urban, period drama. But the script has to be orginal and the casting should be based on more than just looks.
I had wanted to see DEUCES WILD when it was out at the theatres, because who wouldn't want to see a film about rival gangs in 1950's Brooklyn? But I had to wait for it to come out on DVD and VHS. After viewing it, I was kind of left with mixed emotions. On one hand you've got Stephen Dorff giving an awesome and intense performance looking like a young Bruce Willis (DIE HARD not "Moonlighting"). And you've got an equally impressive role from Brad Renfro, who has come along way since his last role as a New Yorker in SLEEPERS. On top of that you won't be able to take your eyes off Drea de Matteo, who looks even hotter than she does in "The Sopranos". But despite these great points I just couldn't get that bad taste out of my mouth, which was a result of all those damn cliches. Cliched characters, cliched dialogue, cliched plot structure, etc. The film ultimately comes off like a silly cross between THE OUTSIDERS, STREETS OF FIRE (you remember that Greaser movie with Rick Moranis and Wilem Dafoe?), and of course WEST SIDE STORY. I also think there was a small case of miscasting here, I mean with the exception of Matt Dillon and Balthazar Getty what are these guys supposed to be Italian, Irish, what? Anyway the film is only mildly entertaining because of its rather brutal fight scenes. Other than that it just could of been so much better with a couple more rewrites of the script and someone else to play Marco. By the way, I'm really getting sick of these movies that get you all hot and bothered and then fail to deliver the goods.
Wusstest du schon
- WissenswertesLast film of director of photography John A. Alonzo who died before the movie was released.
- PatzerMany references made to Sandy Koufax. During the time-frame of the movie Koufax was little more than a relief pitcher and not the legend he would later become for anyone to mention him here.
- VerbindungenFeatured in The Man who shot Chinatown - Der Kameramann John A. Alonzo (2007)
- SoundtracksI Wonder Why
Written by Melvin Anderson and Ricardo Weeks
Performed by Dion DiMucci (as Dion) & The Belmonts
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
Top-Auswahl
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- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
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Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.080.065 $
- Eröffnungswochenende in den USA und in Kanada
- 2.704.682 $
- 5. Mai 2002
- Weltweiter Bruttoertrag
- 6.282.446 $
- Laufzeit
- 1 Std. 36 Min.(96 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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