IMDb-BEWERTUNG
5,2/10
736
IHRE BEWERTUNG
Eine junge Frau kümmert sich um das Haus ihrer Schwester, ohne zu wissen, dass ihre Schwester und ihr Nachbar von ihrem Handwerker ermordet wurden, der zufällig auch ein Serienmörder ist.Eine junge Frau kümmert sich um das Haus ihrer Schwester, ohne zu wissen, dass ihre Schwester und ihr Nachbar von ihrem Handwerker ermordet wurden, der zufällig auch ein Serienmörder ist.Eine junge Frau kümmert sich um das Haus ihrer Schwester, ohne zu wissen, dass ihre Schwester und ihr Nachbar von ihrem Handwerker ermordet wurden, der zufällig auch ein Serienmörder ist.
- Auszeichnungen
- 2 wins total
Brian Hinzlewood
- TV Director
- (as Brian Hinlsewood)
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This semi-obscure Aussie psycho thriller would probably be better known if it hadn't been overlooked by the Director of Public Prosecutions when compiling the UK Section 1 list of 'video nasties; it could easily have bumped the DPP39 up to a round 40, due to a harrowing scene in which the film's antagonist, gardener Gordon (Chard Hayward), rapes and kills pop star Marie (Deborah Coulls). No doubt Marie would have thought twice about upsetting Gordon if she had known how unbalanced he was: obsessed with his pretty boss, Gordon's hobbies include rolling around on his bed with a life size doll of the songstress. and spying on her at the beach whilst she exercises.
After doing away with Marie, Gordon proceeds to bump off her elderly neighbour Billy (who catches the gardener trying to dispose of the singer's body), and then terrorises Marie's sister Jenny (Louise Howitt), who had arranged to house-sit while Marie was on a location shoot. However, Jenny proves much tougher to kill, the woman fighting back a la Kevin McCallister.
Directed by Terry Bourke, the man responsible for kicking off the '70s Ozploitation craze with Night of Fear (1973), Lady Stay Dead is a tense, well acted slice of sleazy horror, with a suitably demented psycho (prior to killing, Gordon had been content with seducing and abusing local bored housewives), a likeable protagonist in Jenny (who is nothing like her obnoxious sibling), plenty of mean-spirited violence (a man is burnt alive and even a dog is killed), and a well-handled, action-packed finale, as brave security officer Clyde Collings (Roger Ward, who played Fifi in Mad Max) comes to Jenny's aid.
The final act does stretch plausibility just a tad, Collings stupidly (and fatally) turning his back on Gordon after a fight in a swimming pool, and the gardener being catapulted through a car wind-screen when hit by a motorcyclist, but on the whole this is a very effective chiller that might be held in higher regard by horror fans had it benefited from the same notoriety as numerous far less worthy titles.
After doing away with Marie, Gordon proceeds to bump off her elderly neighbour Billy (who catches the gardener trying to dispose of the singer's body), and then terrorises Marie's sister Jenny (Louise Howitt), who had arranged to house-sit while Marie was on a location shoot. However, Jenny proves much tougher to kill, the woman fighting back a la Kevin McCallister.
Directed by Terry Bourke, the man responsible for kicking off the '70s Ozploitation craze with Night of Fear (1973), Lady Stay Dead is a tense, well acted slice of sleazy horror, with a suitably demented psycho (prior to killing, Gordon had been content with seducing and abusing local bored housewives), a likeable protagonist in Jenny (who is nothing like her obnoxious sibling), plenty of mean-spirited violence (a man is burnt alive and even a dog is killed), and a well-handled, action-packed finale, as brave security officer Clyde Collings (Roger Ward, who played Fifi in Mad Max) comes to Jenny's aid.
The final act does stretch plausibility just a tad, Collings stupidly (and fatally) turning his back on Gordon after a fight in a swimming pool, and the gardener being catapulted through a car wind-screen when hit by a motorcyclist, but on the whole this is a very effective chiller that might be held in higher regard by horror fans had it benefited from the same notoriety as numerous far less worthy titles.
Lady Stay Dead is a mostly unexciting Aussie thriller where a perverted gardener graduates from raping women to killing them as he sets his sights on a pop star he does lawn work for. When she turns down his creepy advances, he kills her in a fit of rage, but doesn't expect that her sister is coming into town for a visit and will be staying at the scene of the crime
The film starts off slowly and in a very sleazy fashion, but if you can make it through the first 30 minutes, you'll be rewarded with a good amount of suspense during the 2nd half of the film as the murdered woman's sister has many close calls with the murderous gardener.
Things do fall apart a bit at the end where it seemed like they were just making up stuff to beef up the runtime, but there are a few moments of decent tension that make it worth one watch.
The film starts off slowly and in a very sleazy fashion, but if you can make it through the first 30 minutes, you'll be rewarded with a good amount of suspense during the 2nd half of the film as the murdered woman's sister has many close calls with the murderous gardener.
Things do fall apart a bit at the end where it seemed like they were just making up stuff to beef up the runtime, but there are a few moments of decent tension that make it worth one watch.
"Lady Stay Dead" may be the most inept horror movie I've ever seen.
It's the kind of movie where you stop paying attention to whatever's supposed to be happening on screen and start tallying off every mistake the director made.
Like when the lady discovers her neighbour's body hanging in his shed - why did the killer move it to such a prominent position? Could it be that the plot wasn't going to continue moving unless she realised he'd been killed?
Or what about the scene where the killer and the lady are playing tug of war with a garden tool through a hole in the front door? Cuts from the killer to the lady show they are obviously holding opposite ends of something completely different. The director doesn't even bother to make this appear convincing.
The killer, bearded and bespectacled, is the least threatening example of such a man I've ever seen in a movie. He's more like Forrest Gump than Jack the Ripper; indeed, in a scene where he is supposed to be strangling somebody, you can clearly see he only has the gentlest possible grip around her neck.
The police that arrive to help her are also among the most useless I've ever seen in a film. At one point a motorcycle mounted policeman rides his bike straight at the killer with no regard to his own safety. Of course he goes flying, but on second thought this may have been the safest option for him: these police are so pathetic with guns I was waiting for the moment when one missed so badly they shot themselves in the face instead. They arrive in pairs with weaponry, and are almost immediately in the same position as the poor young girl, at the killer's total mercy, and you're thinking: don't they have training or something for situations like these? How can a killer this moronic immediately bring two policemen to their knees?
Every scene of violence is so badly done you have to guess at what you're supposed to be seeing. There's a rape scene, for example, that looks more like the perpetrator is trying to push a couch into place. He drowns the victim, but at one point she obviously moves inside the bag she's been placed inside. Is this why the movie is called "Lady Stay Dead"? Well, no matter, she does "stay dead". The movie forgets about the fact that she is apparently still alive and does nothing with it; she's a corpse in all future scenes.
It defies belief that this was made by the same guy who did "Night of Fear" and, especially "Inn of the Damned". It also defies belief that it was made by someone who had ever directed a movie before.
It's the kind of movie where you stop paying attention to whatever's supposed to be happening on screen and start tallying off every mistake the director made.
Like when the lady discovers her neighbour's body hanging in his shed - why did the killer move it to such a prominent position? Could it be that the plot wasn't going to continue moving unless she realised he'd been killed?
Or what about the scene where the killer and the lady are playing tug of war with a garden tool through a hole in the front door? Cuts from the killer to the lady show they are obviously holding opposite ends of something completely different. The director doesn't even bother to make this appear convincing.
The killer, bearded and bespectacled, is the least threatening example of such a man I've ever seen in a movie. He's more like Forrest Gump than Jack the Ripper; indeed, in a scene where he is supposed to be strangling somebody, you can clearly see he only has the gentlest possible grip around her neck.
The police that arrive to help her are also among the most useless I've ever seen in a film. At one point a motorcycle mounted policeman rides his bike straight at the killer with no regard to his own safety. Of course he goes flying, but on second thought this may have been the safest option for him: these police are so pathetic with guns I was waiting for the moment when one missed so badly they shot themselves in the face instead. They arrive in pairs with weaponry, and are almost immediately in the same position as the poor young girl, at the killer's total mercy, and you're thinking: don't they have training or something for situations like these? How can a killer this moronic immediately bring two policemen to their knees?
Every scene of violence is so badly done you have to guess at what you're supposed to be seeing. There's a rape scene, for example, that looks more like the perpetrator is trying to push a couch into place. He drowns the victim, but at one point she obviously moves inside the bag she's been placed inside. Is this why the movie is called "Lady Stay Dead"? Well, no matter, she does "stay dead". The movie forgets about the fact that she is apparently still alive and does nothing with it; she's a corpse in all future scenes.
It defies belief that this was made by the same guy who did "Night of Fear" and, especially "Inn of the Damned". It also defies belief that it was made by someone who had ever directed a movie before.
It's a bit slow at first, but it gets going. What a camp film.
I noticed Roger Ward wearing what could only be a hair piece which looked like a doormat missing the welcome sign. When they put the woman in the fish tank to drown her, she didn't fight very hard and was rather unrealistic, but I guess that adds to its camp disposition! It's not the best film I have ever seen Roger Ward in - his performance in Mad Max will always be my favored. I would suggest you try and get a copy of LSD. It's one of those films you will have a soft spot for... in a peculiar kind of way. Typical of how 1970's films were shot in Australia
I noticed Roger Ward wearing what could only be a hair piece which looked like a doormat missing the welcome sign. When they put the woman in the fish tank to drown her, she didn't fight very hard and was rather unrealistic, but I guess that adds to its camp disposition! It's not the best film I have ever seen Roger Ward in - his performance in Mad Max will always be my favored. I would suggest you try and get a copy of LSD. It's one of those films you will have a soft spot for... in a peculiar kind of way. Typical of how 1970's films were shot in Australia
Pretty singer/actress Marie Coleby has a charmed,affluent life in Sydney.She lives alone in a beach-side mansion with her dog and doting neighbour,old Billy Shepherd helps her out from time to time.The bearded Gordon Mason is her gardener.He is a psycho,who enjoys lying in bed with a mannequin and dreaming about torturing women on the beach.His obsession with Marie leads to rape and murder.A new resident enters the house of murder.Marie's older sister Jenny Nolan is looking for her..."Lady Stay Dead" is a sleazy psycho slasher comparable to "Maniac","Don't Go in the House","Never Pick Up a Stranger" or "American Nightmatre".There is plenty of sleaze and full-frontal nudity as well as some brutal violence.Chard Hayward is perfect as a appropriately perverted and crazed murderer.8 out of 10.I enjoyed this low-budget slice of sleaze.
Wusstest du schon
- WissenswertesThe movie is considered an "Ozploitation" (Australian exploitation) picture.
- VerbindungenFeatured in Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008)
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Details
Box Office
- Budget
- 610.000 AU$ (geschätzt)
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